THE LION KING Equity Principal Audition - National Tour Auditions

Posted March 28, 2017
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THE LION KING - National Tour

THE LION KING (Broadway/National Tour #2 Rafiki) - NYC EPA

Disney Theatrical Productions


AUDITION DATE

Apr 13, 2017

10:00 am - 6:00 pm (EDT)

Lunch 1:30 to 2:30

CONTRACT

Production (Disney)

$1974/week min

SEEKING

NOTE: ACTORS SHOULD BE PHYSICALLY LIMBER AND MUST MOVE WELL.

NOTE: The Rafiki National Tour is a new company of THE LION KING. It starts rehearsal in NYC on September 5, 2017.

We are seeking strong male and female singers who move very well for future replacements in the currently running Broadway production as well as a few roles in the upcoming National Tour #2.

PREPARATION

Please prepare a brief standard R&B/rock song that shows off voice and range unless character singer is notated in breakdown below, in which case, prepare something appropriate for that character. Bring sheet music, pianist provided. Please do not sing music from THE LION KING. Bring picture and resume stapled together.

LOCATION

Ripley-Grier Studios (520)

520 8th Ave

New York, NY 10018-6507

16th floor

PERSONNEL

Director: Julie Taymor
Songs by: Elton John/Tim Rice
Additional Music: Hans Zimmer/Lebo M/Mark Mancina/Jay Rifkin
Book: Irene Mecchi/Roger Allers
Choreographer: Garth Fagan
Casting: Mark Brandon, CSA/Binder Casting

OTHER DATES

Broadway production: Currently running.

National Tour #2 (Rafiki) starts rehearsal in NYC on September 5, 2017.

OTHER

EPA Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions

BREAKDOWN

Seeking for possible future replacements of all roles below in the currently running Broadway production.

Also seeking the following for the upcoming National Tour #2

SCAR:
A male lion in his mid 30’s – mid 40’s. Mufasa’s brother and Simba’s uncle. Evil and maniacal but still capable of humor and high style. Scar will do anything to be the King of the Pridelands. This role requires an exceptional actor (Classical training is helpful) who is also a character singer (this role is cast in the Rafiki National Tour; actors considered for possible replacement)

MUFASA:
A strong, masculine male lion in his mid 30’s – mid 40’s. The King of the African Pridelands. Regal, omnipotent and powerful. Must have a physical strength and have an excellent, rich baritone voice. (this role is cast in the Rafiki National Tour; actors considered for possible replacement)

RAFIKI:
A soulful, but comedic, African female baboon in her late 20’s – mid 40’s. . Sings “The Circle of Life”. Must possess an excellent, rich unique South African style belt voice. (this role is cast in the Rafiki National Tour; actors considered for possible replacement)

ADULT SIMBA:
A male in his late teens – early 30’s. An African lion. This actor must have sex appeal, charm and an urban sensibility as well as a strong pop/rock singing voice. Should be a high baritone and able to sing to an “A”. Must be in excellent physical condition and dance and/or move very well. Should be 5’8” – 6’2”. Rafiki Tour – SEEKING.

ADULT NALA:
A very attractive female African lion with sex appeal and charm in her late teens – late 20’s. Should have excellent pop belt to an “E.” Must be in excellent physical shape and have great strength and presence. Must dance/and or move well. (this role is cast in the Rafiki National Tour; actors considered for possible replacement)

TIMON:
A male meerkat, late 20’s – mid 40’s. Wise cracking, New York urban comic character actor. Stand-up comedy experience is a plus. No taller than 5’8”. Character singer. Actor must move well and be comfortable operating a puppet. (this role is cast in the Rafiki National Tour; actors considered for possible replacement)

PUMBAA:
Timon’s sidekick. Male. Not so bright but loveable warthog, late 20’s – mid 40’s. Should also have strong comedic skills. Somewhat larger frame or body type is preferred. Character singer. A gravelly distinctive voice is good. (this role is cast in the Rafiki National Tour; actors considered for possible replacement)

ZAZU:
A parrot-like bird (or a hornbill), early 30’s – mid 40’s. A proper and somewhat befuddled, English butler with a cynical outlook on life but completely dedicated to the king, Actor must possess strong comedic skills. Character singer. This actor must be comfortable operating a puppet. Rafiki Tour - SEEKING

SHENZI (Female), BANZAI (Male) AND ED (Male):
Funny, maniacal hyenas, late 20’s – late 30’s. Street smart and urban. Must have strong rock and roll singing voices. Actors must move well and be comfortable operating puppets. Ed will also cover Timon and Zazu. SEEKING for Rafiki Tour – Shenzi. The roles of Banzai and Ed in the Rafiki Tour have been CAST; actors considered for possible replacements.

YOUNG SIMBA:
Young male cub age 9-12. Looking for a natural young actor/singer who is able to move well to be the future King of the Pridelands. A natural talent with charm and charisma able to hold the stage on his own with confidence and truth. Looking for kids with personality. ACTOR MUST BE UNDER 58 INCHES. Rafiki Tour – SEEKING.

YOUNG NALA:
Young female cub age 9 – 12. Looking for a natural young actress/singer who is able to move well. Looking for a confident young lady cub to keep Simba in his place. A natural talent with personality, confidence and strength. Looking for kids with personality. ACTRESS MUST BE UNDER 58 INCHES. Rafiki Tour – SEEKING.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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