Susanna Phillips Heads to Santa Fe Opera and Trio of Summer Festivals

Following her resounding success in A Streetcar Named Desire at Lyric Opera of Chicago, Beverly Sills Artist Susanna Phillips returns to Santa Fe Opera as the Countess in The Marriage of Figaro (June 29-Aug 23). In her first summer festival engagement, she celebrates the Britten centennial at the Aspen Music Festival, where she will make her role debut as Ellen Orford in a concert performance of Peter Grimes (July 27). At the Bravo! Vail Valley Music Festival, Phillips will join the Philadelphia Orchestra for Mahler's Fourth Symphony (July 12). And theworld premiere of a new commission from Christopher Weiss will crown Twickenham Fest, the festival that Phillips herself co-founded in her hometown of Huntsville, Alabama (Aug 30-Sept 1). After this full summer, the soprano looks forward to returning to New York's Metropolitan Opera, where she will star in three important productions next season.

It was in the opening run of Jonathan Kent's hit staging of The Marriage of Figaro at Santa Fe Opera that, "as the Countess, young soprano Susanna Phillips proved a major find" (Musical America). In the same role at the Verbier Festival last summer, "with a voice that is beautifully warm, brassy and blooming, the American soprano Susanna Phillips captivated from the first measures of the second act" (Forum Opera). Now Phillips returns to Santa Fe to reprise the Countess for eight performances in June, July, and August, with baritone Zachary Nelson in the title role, and conductor John Nelson leading the revival of Kent's production.

Last season at the Aspen Music Festival, the soprano impressed the Aspen Times with her ability to convey "emotions and memories radiantly." Now she returns to the festival to honor Benjamin Britten's centennial, making her role debut as Ellen Orford (a part she will reprise at Carnegie Hall this November) in a semi-staged production of Peter Grimes on July 27. Led by festival music director Robert Spano, Britten's psychological thriller will co-star Anthony Dean Griffey - "the best Grimes of the moment" (Los Angeles Times) - in the title role.

At Colorado's Bravo! Vail Valley Music Festival, Phillips continues to demonstrate her range outside the opera house. On July 12 she sings solo with the Philadelphia Orchestra and music director Yannick Nézet-Séguin inMahler's Fourth Symphony. Finding her voice "optimally suited" to the work, the Washington Post has reported: "Phillips sang the solo with gorgeous, well-supported clarity, a shining, simple but not colorless sound, limpid and calm on the mysterious chords of 'Sankt Peter im Himmel sieht zu,' which return as a refrain."

For her final festival appearances of the summer, Phillips returns to her hometown of Huntsville, Alabama, for the fourth season of Twickenham Fest, the chamber music festival that she herself co-founded. As the Birmingham News recognized in a five-star review, "Twickenham Fest is well on its way to becoming a driving force in classical music in Alabama." This year's festival will showcase such notable guest artists as Israeli pianist Roman Rabinovich and cellist Matthew Zalkind.

Twickenham Fest gave its first world premiere last season, when Phillips sang William Harvey's Speaking for the Afghan Woman, a song cycle set to verses by female Afghan poets that was written especially for her. TheBirmingham News found the poetry "poignant, often gut-wrenching," and reported that "Phillips' emotive powers" were such that she "penetrated directly to the hearts of these poets." Continuing this exciting new tradition for a second season, this year's Twickenham Fest will present the world premiere of a new commission from 2013 composer-in-residence Christopher Weiss, the recipient of a Theodore Presser Foundation Career Grant, whose music has been hailed by the New York Times as "wonderfully fluid [with a] cinematic grasp of mood and lighting." The festival will be held from August 30 to September 1, and will be enriched by educational outreach programs at local schools and libraries.

The 2013-14 season sees Phillips star in three important Metropolitan Opera productions. The first of these is Mozart's Così fan tutte, for which company music director James Levine makes his long-awaited return to the Met podium. Alongside Isabel Leonard, Matthew Polenzani, and Rodion Pogossov, Phillips will sing the role in which the Dallas Morning News pronounced her "a glorious Fiordiligi, her soprano honeyed and agile" (Sept 24 & 28; Oct 2 & 5; April 23 & 26). Her final performance in the role will also be transmitted live to cinema audiences worldwide on April 26, in the Met's celebrated Live in HD series.

For her second Met engagement of the new season, Phillips will sing Rosalinde in Strauss's Die Fledermaus, headlining a new production from two-time Tony Award-winner Jeremy Sams. The opening night's performance will serve as the highlight of the company's New Year's Eve gala (Dec 31-Feb 22).

It was as Musetta in Puccini's La bohème that the soprano made her Met debut, for which more than 400 residents of her Alabama hometown expressly traveled to New York. After her recent Met interpretation of the role, the New York Times noted: "Phillips sparkled as the sassy Musetta, her bright, nimble soprano tinged with a coquettish flair." Next season, she resumes her portrayal for two performances in Zeffirelli's iconic staging of the opera, the second of which will also be featured in the Met's Live in HD series (April 2 & 5).

Details of the soprano's upcoming engagements are provided below, and more information is available atsusannaphillips.com.