Review: SEASCAPES at Berkshire Theatre Group
Typically, I don’t care much for works that fall into the realm of existentialism, theatre of the absurd, and the like.
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Review: GOLDEN LEAF RAGTIME BLUES at Shakespeare & Company
GOLDEN LEAF RAGTIME BLUES does provide a pleasant hour and 20 minutes of pleasant entertainment free of politics, angst and the chance to sit back and relax, and focus on something completely different for a bit which most of us can use and appreciate these days.
Review: ALL OF ME at Barrington Stage Company
ALL OF ME is all kinds of good.
Review: JERKER at The Provincetown Theater
What at first sounds like an evening of gratuitous nudity for the pleasure of gay men actually turns into quite the opposite.
Review: WAITING FOR GODOT at Barrington Stage Company
Where most productions paint the duo as downtrodden and rather depressed, here the two main characters are painted with s sense of comedic timing and light-heartedness that almost seems choregraphed.
Review: MEASURE FOR MEASURE at Shakespeare & Company
Each player has moments of strength, weakness, anguish, despair, all presented well individually.
Review: DRACULA at Berkshire Theatre Group
As is often the case the BTG production is a high-quality production where seemingly everyone involved has played their role and done their work well.
Review: A LITTLE NIGHT MUSIC at Barrington Stage Company
There are a few technical glitches that presented themselves to a keen eye, but virtually something for everyone to like.
Review: PIPPIN: Growing Up Is Hard To Do
The second and final production of Reagle Music Theatre of Greater Boston’s 2022 season is Stephen Schwartz’s PIPPIN, originally produced on the Broadway stage in 1972 with direction and choreography by Bob Fosse, and revived/reimagined in 2013 by Diane Paulus at the American Repertory Theater b
Review: WE ARE CONTINUOUS at Williamstown Theatre Festival
Simon and his mother, Ora, have always been close.
Review: SONGS FOR A NEW WORLD at Berkshire Theatre Group
There is not one single word of spoken dialogue.
Review: ANNA IN THE TROPICS at Barrington Stage Company
ANNA IN THE TROPICS is something like a well curated and presented collection of themes that are both timeless and universal.
Review: A BEAUTIFUL NOISE at The Emerson Colonial Theatre
Biographical jukebox musicals are becoming more and more common.
Review: MAN OF GOD at Williamstown Theatre Festival
The relevancy to current issues such as Me Too, Feminism, Sexism, Abuse of Power, Patriarchal Systemic Inequality, Masculine Toxicity, My Body – My Rights, See Something – Say Something … abound.
Review: WEST SIDE STORY: You've got to be taught
What did our critic think of WEST SIDE STORY at Reagle Music Theatre Of Greater Boston: There's a new spring in the step of Reagle Music Theatre of Greater Boston in Waltham.
Review: ABCD at Barrington Stage Company
At two very different public schools in the same city — an underserved school on the verge of shutdown, and an elite magnet program nearby — pressure to perform well on standardized tests drives students and teachers to compromise their integrity.
Review: American Repertory Theater and Roundabout Theatre Company's 1776 is a Master Class in Musical Theatre Revivals
It is no surprise to anyone that we are living in an incredibly politically charged time.
Review: ONCE at Berkshire Theatre Group
ONCE is one of those productions that comes along, once in a while, where audience members can truly sit back, relax, get comfortable, and enjoy as a delightful experience sweeps them up, carries them away, and lets them feel all the feels.
Review: B.R.O.K.E.N CODE B.I.R.D SWITCHING at Berkshire Theatre Group
The season opener of Berkshire Theatre Group’s 2022 season B.
BWW Review: AIN'T MISBEHAVIN' THE FATS WALLER REVUE at Barrington Stage Company
To be clear, there is absolutely nothing about this production that is dull, dated, or dusty.
Review: ANDY WARHOL IN IRAN at Barrington Stage Company
World premiere presentations like ANDY WARHOL IN IRAN offer Berkshire audiences a special opportunity to experience a work in progress, recognized for their potential.
BWW Review: THE INHERITANCE at SpeakEasy Stage is a Six and a Half Hour Look at How Our Lives Make a Lasting Impact
'He has a story to tell- it is banging around inside him, aching to come out.
BWW Review: THE APPROACH at Shakespeare & Company
What on the surface appears to be a lovely “little Irish play”, performed near flawlessly by three talented actors is one of the most powerful and deeply profound pieces of black box theatre I have seen in many years.
BWW Review: MISS HOLMES RETURNS at Greater Boston Stage Company is a Captivating Twist On One of Literature's Most Well Known Characters
Sherlock Holmes is one of literature’s most well-known characters.
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The Norwegians Elayne P. Bernstein Theatre (9/04-10/04) |
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Rendezvous with Rachel Revere™ Vokes Theatre (8/30-8/30) |
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Hadestown Emerson Colonial Theatre (11/10-11/14) |
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CIVIL SPIES™ MIT Endicott House (9/17-9/17) |
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By Any Other Name SpeakEasy Stage Company (5/07-5/29) |
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Unorthodox Huntington Theatre (5/06-6/06) |
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Covenant SpeakEasy Stage Company (9/25-10/17) |
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Mamma Mia! Boston Opera House (4/13-4/25) |
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Laura Benanti: Nobody Cares Boston Center for the Arts (10/22-10/25) |
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Teatro La Plaza's Hamlet Huntington Theatre (3/04-3/07) |