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How to Get the Part... Without Falling Apart!
(12/31/1969) Gene Hackman, Halle Berry, Heather Locklear, Gabriel Byrne, James Bond's Pierce Bronson, Kelly Preston, most of the cast from Melrose Place and 1000s of actors all take acting classes from Margie Haber. How to Get the Part... gives actors tools to break through their psychological roadblocks to auditioning. |
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Costume Designer's Handbook: A Complete Guide for Amateur and Professional Costume Designers
(12/31/1969) Newly revised and updated, The Costume Designer's Handbook is now more comprehensive than ever and is the backbone of any costume designer's library since its original publication in 1983. |
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Towards a Poor Theatre
(12/31/1969) "One of the century's most impressive theatrical manifestos" - Irving Wardle Jerzy Grotowski created the Theatre Laboratory in Opole, South-West Poland, in 1959. His work since then, with a small permanent company, became one of the most potent sources of information for modern actors and directors. This is a record of the ideas that motivated the work of the Theatre Laboratory, and of the company's methods and discoveries.In his Preface Peter Brook writes: "Grotowski is unique. Why? Because no ... |
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Ginger: My Story
(12/31/1969) Winning a dance contest in Texas launched the 14-year-old Virginia Katherine McMath on her acting career and eventful personal life, episodes, emotions and dialogue from which she recreates here in exhaustive detail. Now 79, this devout Christian Scientist recalls her early vaudeville days in a determinedly upbeat tone, as well as her stage and film hits, including the 10 musicals-- Top Hat , Swing Time , etc.--in which she and Fred Astaire co-starred. Also discussed is Rogers's Oscar-winning Ki... |
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On Directing
(12/31/1969) This guide to directing takes the reader from the initial choice of play right through every aspect of its production to performances and beyond. It contains the author's directing notes for ten of his best-known productions and anecdotes about working with famous playwrights and actors. |
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Creating Unforgettable Characters
(12/31/1969) In this book, Linda Seger shows how to create strong, multidimensional characters in fiction, covering everything from research to character block. Interviews with today's top writers complete this essential volume. |
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No Acting Please
(12/31/1969) No Acting Please-Beyond the Method a Revolutionary Approach to Acting and Living. Foreword by Jack Nicholson |
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Free to Act: An Integrated Approach to Acting
(12/31/1969) Free to Act presents a holistic approach to actor training that integrates physical and psychological technique. Its integrated approach emphasizes the idea that the body informs the mind and that emotion is rooted in physical action. Providing a carefully developed system of training, Free to Act guides the student-actor through the complex process by which an actor is formed. |
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The Best Broadway Songs Ever
(12/31/1969) We've made this book even better with the addition of songs from some of Broadway's latest blockbusters such as Miss Saigon, The Phantom of the Opera, Aspects of Love, Les Miserables, and more - over 70 songs in all! Highlights include: All I Ask of You * As Long As He Needs Me * Bess, You Is My Woman * Bewitched * Camelot * Climb Ev'ry Mountain * Comedy Tonight * Don't Cry for Me Argentina * Everything's Coming Up Roses * Getting to Know You * I Could Have Danced All Night * I Dreamed a Dream *... |
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Building A Character
(12/31/1969) This is the second volume of Stanislaviski's enduring trilogy on the art of acting. The "System" which he describes is a means both of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination. It has become the central force determining almost every performance we see on stage or screen, and still remains today the only comprehensive theory of acting we possess. In Building a Character Stanislavski discusses with mastery and insight the actor's physic... |
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Three Plays: Desire Under The Elms, Strange Interlude, Mourning Becomes Electra
(12/31/1969) These three plays exemplify Eugene O'Neil's ability to explore the limits of the human predicament, even as he sounds the depths of his audiences' hearts. |
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The Actor's Book of Contemporary Stage Monologues
(12/31/1969) This is the only book that offers a comprehensive collection of contemporary stage monologues for a complete range of roles. An invaluable tool for actors looking for new audition material or for anyone interested in theater. |
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J.B: A Play in Verse
(12/31/1969) Based on the story of Job, this drama in verse tells the story of a twentieth-century American banker and millionaire whom God commands be stripped of his family and wealth, but who refuses to turn his back on God. J.B. won the Pulitzer Prize for drama in 1959 and the Tony Award for best play. More important, the play sparked a national conversation about the nature of God. |
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On the Technique of Acting
(12/31/1969) In the four decades since its first publication, Michael Chekhov's To the Actor has become a standard text for students of the theater. But To the Actor is a shortened, heavily modified version of the great director/actor/teacher's original manuscript, and On the Technique of Acting is the first and only book ever to incorporate the complete text of that brilliant manuscript. Scholars and teachers of Chekhov's technique have hailed On the Technique of Acting as the clearest, most accurate presen... |
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The Beggar's Opera
(12/31/1969) Written in 1728, John Gay’s opera caricatures society, marriage and Italian operatic style in this comic satire which is considered revolutionary because it took on poverty and corruption as its subject as told by the thieves, prostitutes and villains of the slums and prisons of 18th century London. The lyrics were set to famous songs the day making it hugely popular with audiences and a radical departure from traditional opera. Bertolt Brech and Kurt Weill’s The Threepenny Opera is based on... |
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Performance Art: From Futurism to the Present
(12/31/1969) Performance is in some sense a combination of theater, dance, mime, concept art, music, and-today-even video; it can be simply defined as live art by artists. Goldberg discusses its origins in tribal rituals and passion plays and its twentieth-century revival by the Futurists. Surrealists, Dadaists, and Bauhaus artists. |
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The Great Acting Teachers and Their Methods
(12/31/1969) With clarity and insight, Richard Brestoff introduces the great acting teachers, explaining their techniques and how ther are applied today. Beginning with Quintilian and Delsarre he guides us to the present with an inside look at what is currently being taught in the major acting schools and private acting studios; The Actor's Studio, Yale University, NYU, Juillard and many more are visited. Great Acting Teachers and Their Methods will help you understand the most important ideas about acting, ... |
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The Stage Management Handbook
(12/31/1969) Offers advice, for both professional and amateur stage managers, on putting on a show, discussing its three phases, and includes information on the organizational structure of theaters and how to manage human behavior. |
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The Theater and Its Double
(12/31/1969) A collection of manifestos originally published in 1938, The Theater and Its Double is the fullest statement of the ideas of Antonin Artaud. “We cannot go on prostituting the idea of the theater, the only value of which is in its excruciating, magical relation to reality and danger,” he wrote. He fought vigorously against an encroaching conventionalism he found anathema to the very concept of theater. He sought to use theater to transcend writing, “to break through the language in order to... |
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Les Miserables: Vocal / Piano Selections
(12/31/1969) This terrific songbook features 14 vocal selections from the beloved Broadway musical: At the End of the Day * Bring Him Home * Castle on a Cloud * Do You Hear the People Sing? * Drink with Me (To Days Gone By) * Empty Chairs at Empty Tables * A Heart Full of Love * I Dreamed a Dream * In My Life * A Little Fall of Rain * Master of the House * On My Own * Stars * Who Am I?. Also includes beautiful full-color photos from the production. |
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Galileo
(12/31/1969) Considered by many to be one of Brecht's masterpieces, Galileo explores the question of a scientist's social and ethical responsibility, as the brilliant Galileo must choose between his life and his life's work when confronted with the demands of the Inquisition. Through the dramatic characterization of the famous physicist, Brecht examines the issues of scientific morality and the difficult relationship between the intellectual and authority. This version of the play is the famous one that was ... |
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Me: Stories of My Life
(12/31/1969) Admired and beloved by movie audiences for over sixty years, four-time Academy Award-winner Katharine Hepburn is an American classic. Now Miss Hepburn breaks her long-kept silence about her private life in this absorbing and provocative memoir. |
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Theater Games for the Classroom: A Teacher's Handbook
(12/31/1969) Based on the best-selling book by Viola Spolin, this new CD-ROM of Theater Games for the Classroom offers the most comprehensive theater instruction for all types of students, from small children to young adults. It includes over 130 theater games and exercises, instructional strategies, video examples, a lesson planning section, alignment to other curricular areas, and alignment to California Theatre Arts standards. First developed by Spolin, the originator of modern improvisational theater tec... |
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The Sound of Music: Vocal Selections
(12/31/1969) 11 songs: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * I Have Confidence * The Lonely Goatherd * Maria * My Favorite Things * Sixteen Going on Seventeen * So Long, Farewell * Something Good * The Sound of Music. |
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Improvisation for the Theater 3E: A Handbook of Teaching and Directing Techniques
(12/31/1969) This new edition of a highly acclaimed handbook, last published in 1983 and widely used by theater teachers and directors, is sure to be welcomed by members of the theater profession. Spolin, who died in 1994, developed her improvisational techniques of using "game" exercises while teaching with the WPA Recreational Project in Chicago. Editor Sills, her son and founder of the Second City Theater, here updates over 200 classic exercises and adds 30 new ones. The creative group work and games, whi... |
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Brecht on Theatre: The Development of an Aesthetic
(12/31/1969) This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects in directing, acting, and writing, and discusses, among other works, The Threepenny Opera, Mahagonny, Mother Courage, Puntila, and Galileo. Also included is "A Short Organum for the Theatre," Brecht's most complete exposition of his revolutiona... |
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Sense of Direction: Some Observations on the Art of Directing
(12/31/1969) By the founder of the famous American Conservatory Theatre (A.C.T.) in San Francisco - a candid account of his working method as a director. A Sense of Direction represents a life's work in directing. William Ball engages his audience in a wide-ranging discussion of the director's process, from first read-through to opening night. An informative, insightful, and often astonishingly clear look at the the process of making theatre. |
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Bang The Drum Slowly
(12/31/1969) Sure, Harris's most acclaimed novel, the second of his Henry Wiggen books, centers around a pair of ballplayers for the fictionally fabled New York Mammoths--the novel's narrator, pitcher Wiggen, and Bruce Pearson, his tag-along catcher and best friend. And sure, on one level, it's the conventional tale of a disparate dugout population cohering over the course of a season and marching ineluctably toward the World Series. But convention, like a 55-foot curveball, ends there and then scoots off i... |
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Scene Design and Stage Lighting
(12/31/1969) Stressing recent innovations in stage lighting, the authors reveal the techniques and skills involved in designing sets for theatrical productions. |
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True and False: Heresy and Common Sense for the Actor
(12/31/1969) True and False: Heresy and Common Sense for the Actor by David Mamet is an instructional book on acting, and the life and habits of the successful actor. In it, Mamet outlines his thoughts on acting, and gives advice for those practicing the craft and for aspiring practitioners. In the book, Mamet derides the practice of teaching drama students the system of Constantin Stanislavski or method acting of Lee Strasberg. In Mamet's opinion, time spent searching for emotion memory or considering cha... |
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The Prop Builder's Molding & Casting Handbook
(12/31/1969) Demonstrates how to work with molds, castings, and vacuum forming equipment, stresses safety precautions, and discusses materials from paper-mache to breakaway glass. |
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Stage Makeup: The Actor's Complete Guide to Today's Techniques and Materials
(12/31/1969) Whether you are an actor in a summer-stock or regional theater, an acting conservatory program, a high-school or college production, a community theater, a local holiday pageant...or anywhere else, this is the best all-purpose "how-to" guide to makeup for the theater. Besides period makeup, age makeup, and special-effects applications, the book delves into fantasy makeup, animal faces, and other kinds of stylization found on the contemporary stageand with the use of the most up-to-date materials... |
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Designing with Light: An Introduction to Stage Lighting
(12/31/1969) This comprehensive survey of the practical and aesthetic aspects of basic stage lighting design treats its subject as an art closely integrated with that of the director, actor, and playwright, and as a craft that provides practical solutions for the manipulation of stage space. An eight-page color section provides a discussion of the practical applications of color theory as well as an analysis of the color choices for the lighting design of an actual production. Numerous illustrations of techn... |
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The Pot of Gold and Other Plays
(12/31/1969) One of the supreme comic writers of the Roman world, Plautus (c.254–184 BC), skilfully adapted classic Greek comic models to the manners and customs of his day. This collection features a varied selection of his finest plays, from the light-hearted comedy Pseudolus, in which the lovesick Calidorus and his slave try to liberate his lover from her pimp, to the more subversive The Prisoners, which raises serious questions about the role of slavery. Also included are The Brothers Menaechmus, which... |
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The Threepenny Opera
(12/31/1969) Brutal, scandalous, perverted, yet humorous, hummable, and with a happy ending- Bertolt Brecht's revolutionary masterpiece The Threepenny Opera is a landmark of modern drama that has become embedded in the Western cultural imagination. Through the love story of Polly Peachum and "Mack the Knife" Macheath, the play satirizes the bourgeois of the Weimar Republic, revealing a society at the height of decadence and on the verge of chaos. Complemented with music by Kurt Weill, it was one of the earli... |
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Stage Makeup
(12/31/1969) Key Benefit: A classic in the field, this book helps makeup artists and actors learn the proper technique when applying stage makeup. Key Topics: This easy, step-by-step guide is comprised of 20 comprehensive chapters covering all aspects of stage makeup application. Topics include: basic techniques as well as new methods and materials for all types of stage makeup; updated information on hairstyles and fashions. Revered as the stage makeup bible, this book includes listings of makeup colors fro... |
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The Stanislavski System: The Professional Training of an Actor
(12/31/1969) This clearly written guide to the Stanislavski method has long been a favorite among students and teachers of acting. Now, in light of books and articles recently published in the Soviet Union, Sonia Moore has made revisions that include a new section on the subtext of a role. She provides detailed explanations of all the methods that actors in training have found indispensable for more than twenty years. Designed to create better actors, this guide will put individuals in touch with themselves... |
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A Challenge for the Actor
(12/31/1969) This volume completes Hagen's earlier classic, Respect for Acting (Macmillan, 1973). The beliefs, professionalism, and standards of training and performance that make Respect required reading for all actors are explored in this acting textbook that represents a lifetime of performance and teaching. Unlike the more academic texts, Hagen's study reflects exercises, insights, and techniques that have been taught and practiced in acting studios and on stages for many years. Readers should not be pu... |
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An Unsocial Socialist
(12/31/1969) An Unsocial Socialist was published in 1887, having been written in 1883. The tale begins with a humorous description of student antics at a girl's school then changes focus to a seemingly uncouth laborer who, it soon develops, is really a wealthy gentleman in hiding from his overly affectionate wife. He needs the freedom gained by matrimonial truancy to promote the socialistic cause, to which he is an active convert. Once the subject of socialism emerges, it dominates the story, allowing only ... |
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Bacchae
(12/31/1969) Euripides' classic drama about the often mortifying consequences of the unbridled--and frequently hysterical--celebration of the feast of Dionysus, the God of wine. |
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Impro: Improvisation and the Theatre
(12/31/1969) Impro ought to be required reading not only for theatre people generally but also for teachers, educators, and students of all kinds and persuasions. Readers of this book are not going to agree with everything in it; but if they are not challenged by it, if they do not ultimately succumb to its wisdom and whimsicality, they are in a very sad state indeed . . . .Johnstone seeks to liberate the imagination, to cultivate in the adult the creative power of the child . . . .Deserves to be widely read... |
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Truth in Comedy: The Manual of Improvisation
(12/31/1969) Who would have ever thought that learning the finer points of improvisation could be such fun? The "Harold," an innovative improvisational tool, helped Saturday Night Live's Mike Myers and Chris Farley, George Wendt (Norm on "Cheers") and many other actors on the road to TV and film stardom. Now it is described fully in this new book for the benefit of other would-be actors and comics. The "Harold" is a form of competitive improv involving six or seven players. They take a theme suggestion from... |
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Acting for the Camera
(12/31/1969) Culled from Tony Barr's 40 years' experience as a performer, director and acting teacher in Hollywood, this highly praised handbook provides readers with the practical knowledge they needwhen performing in front of the camera. This updated edition includes plenty of new exercises for honing on-camera skills; additional chapters on imagination and movement; and fresh material on character development, monologues, visual focus, playing comedy and working with directors. Inside tips on the studio s... |
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The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate
(12/31/1969) In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and ... |
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Acting One
(12/31/1969) Used to teach beginning acting on more campuses than any other text, Acting One contains twenty-eight lessons based on experiential exercises. The text covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices. |
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Zoot Suit and Other Plays
(12/31/1969) This collection contains three of playwright and screenwriter Luis Valdez's most important and recognized plays: Zoot Suit, Bandido! and I Don't Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino. |
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Sanford Meisner on Acting
(12/31/1969) Meisner, a member of the Theater Guild and the Group Theater, has devoted most of 50 years to teaching acting and is one of the great unsung resources in American theater. This book is not an acting text, but a journal of a 15-month course taken by 16 adult actors. We follow them as they progress from early exercises through preparation to detailed scene work. Meisner emphasizes emotional truth and acting as the reality of doing. His students find the course difficult, but most improve markedly.... |
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Rosencrantz and Guildenstern Are Dead
(12/31/1969) Rosencrantz and Guildenstern Are Dead is an absurdist, existentialist tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's Hamlet, the courtiers Rosencrantz and Guildenstern. The action of Stoppard's play takes place mainly "in the wings" of Shakespeare's, with brief appearances of major characters from Hamlet who enact fragments of the original's scenes. Between these episodes the two ... |
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The Best American Short Plays 1995-1996
(12/31/1969) The latest edition of this useful series offers 12 one-acts reflecting the wide range of contemporary American theater. For those who prefer their theater comic, there is David Ives' humorous meditation on identity, Degas, C'est Moi, and Susan Cinoman's slice-of-life look at shopping rituals, Fitting Rooms. Those who think drama should be made of sterner stuff should sample Cassandra Medley's moving Dearborn Heights, about discrimination in the North, and Jonathan Levy's Old Blues, a touching p... |
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Environmental Theater
(12/31/1969) Here are the exercises which began as radical departures from standard actor training etiquette and which stand now as classic means through which the performer discovers his or her true power of transformation. Available for the first time in fifteen years, this new expanded edition offers a new generation of theater artists the gospel according to Richard Schechner, the guru whose principles and influence have influenced a quarter century of theater. |
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