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The World of Theatre: Tradition and Innovation (11/29/2005) The World of Theatre is the first introduction to theatre book to truly focus on diversity and globalism, integrating coverage of multicultural, international and experimental theatre throughout. Theatre is presented as a global and multicultural form that reflects both traditional and evolving world views. While the American commercial theatre and European forms are central to the text, alternative theatres are placed side by side for comparison and contrast in each chapter, thus avoiding the s...

The Wadsworth Anthology of Drama (6/25/2003) Known through three editions as the boldest and most distinguished introduction to drama, William Worthen's pace-setting text continues to provide exciting plays usefully situated within their historical and cultural contexts.

Theatre World 1994-1995, Vol. 51 (1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a...

Theatre World 1993-1994, Vol. 50 (1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a...

The Social Significance of Modern Drama (1/1/2000) Out of print virtually since its completion in 1914, Emma Goldman's pioneer work Social Significance in Modern Drama bridges modern drama and political philosophy, pointing out the road that remains to be travelled toward a theatre of social empowerment. Activist, feminist, philosopher and anarchist, Emma Goldman was a passionate thinker about all things modern when the 20th century was still raw and new. The emergence of her treatise on the theatre after years of obscurity is certain to arouse ...

Polaroid Stories (1/1/1999) Naomi Iizuka’s 1997 play, Polaroid Stories, consciously uses stories, characters and themes from Ovid’s Metamorphoses to tell the stories of street kids living on the edge in a desolate, urban landscape. Because these characters are named after Orpheus and Eurydice, and Echo and Narcissus, or based on stories of Dionysus, and Ariadne and Theseus, and because scenes are entitled “The Story of Semele” or “Theseus in the Labyrinth,” Iizuka creates a world that has two dimensions: the g...

Moonlight And Magnolias (2005) This is an insight into 1930s Hollywood and an epic of laughter. David O. Selznick is determined to rewrite Gone with the Wind. He engages the services of “script doctor” Ben Hecht, who has never read the book, and director Victor Fleming, poached straight from the set of The Wizard of Oz.

The Actor's Encyclopedia of Casting Directors: Conversations with Over 100 Casting Directors on How to Get the Job (2000) Karen Kondazian has compiled inside information from talking to the premier casting directors in film, television, and commercials from New York to Los Angeles.

History of Theatre (2000) This bold undertaking covers Western theatre from ancient Greece to the present day. It traces the development of dramatic art through the miracle plays, the great Shakespearean period, Moliere and Racine in France, Goethe in Germany, through the 19th century and the main movements in the 20th century. It is illustrated by numerous examples of differing styles, with some historical recordings as well and excerpts from nearly 50 plays. A fascinating journey. It is written by David Timson, the Br...

Swashbuckling: A Step-by-Step Guide to the Art of Stage Combat and Theatrical Swordplay - Revised and Updated Editi (2004) The ultimate guide to stage fighting technique and basic swordplay, this book covers everything an actor must do to give a dynamic and convincing performance as a stage combatant.

The Theatre: A Concise History (1998) Acting, direction, stagecraft, theater architecture and design, above all the whole extraordinary evolution of dramatic literature--here is an all-embracing and richly illustrated history, worldwide in scope and ranging from the ancient origins of the theater in the choral hymns sung around the altar of Dionysus to the fascinating variety of forms that it has taken in our own age. For this revised edition, Enoch Brater has written a new chapter, taking into account contemporary movements in the...

The Santaland Diaries / Season's Greetings: 2 Plays (1998) THE STORIES: THE SANTALAND DIARIES is a brilliant evocation of what a slacker's Christmas must feel like. Out of work, our slacker decides to become a Macy's elf during the holiday crunch. At first the job is simply humiliating, but once the thousands of visitors start pouring through Santa's workshop, he becomes battle weary and bitter. Taking consolation in the fact that some of the other elves were television extras on One Life to Live, he grins and bears it, occasionally taking out his frus...

Camp: Queer Aesthetics and the Performing Subject--A Reader (1999) The complete guide to camp; an anthology of the best writing on its history and current theory in cultural studies and lesbian and gay studies

Master Teachers of Theatre: Observations on Teaching Theatre by Nine American Masters (1988) Claribel Baird reviews the interpretation of classical texts for theatrical performance. Howard Bay interrupted his stage design career of more than 150 Broadway productions to help students. Bernard Beckerman asks if there are approaches to the teaching of dramatic literature that particularly suit drama-as-theatre. Robert Benedetti offers suggestions on the teaching of acting. Oscar Brockett treats the problems of the theatre teacher and the processes of learning. Agnes Haaga shows that the ...

Rocky Horror Show (1998) The whole gory story in song! Vocal selections from the hit musical arranged for piano, voice and guitar. Complete with lyrics and photo section.

Great Scenes and Monologues for Actors (1998) Great Scenes and Monologues for Actors, spanning nearly 500 years of drama, from Shakespearean England to Contemporary Broadway, is a useful tool for every student or actor wanting to improve their acting skills. Included are 80 scenes and monologues from playwrights ranging from William Shakespeare to Anton Chekhov to Wendy Wasserstein. This small and affordable book can help improve memory, concentration, and confidence.

Tallulah: My Autobiography (2004) Her father and her uncle were U.S. congressmen. Her grandfather was a U. S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another Southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances in many plays of the 1920s brought her to the notice of Hollywood. She starred in such Paramount films as My Sin, Faithless, The Devil and the Deep, an...

Commedia Dell'Arte: An Actor's Handbook (1994) An entertaining and highly illuminating account of Commedia's origins as a popular theatrical form, plus a practical and timely step-by-step guide to using commedia techniques in performance.

The Fervent Years: The Group Theatre And The Thirties (1983) The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the ”Group” remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who...

The Country Girl (1998) One of America's great dramatists rocked the worlds of Broadway and Hollywood in this moving drama about a desperately self-destructive alcoholic actor and Georgie, his long-suffering wife. A searing, emotional play of love and redemption.

The Truth (2003) While filling his pages with reports of local club meetings and pictures of humorously shaped vegetables, William accidentally discovers dark forces plotting to overthrow the city's ruler.

It Would Be So Nice If You Weren't Here: My Journey Through Show Business [ (1990) "In this ebullient, often rancorous autobiography, the stage, film and TV actor describes vividly the hassles that cost him the plum role in The Graduate and numerous other setbacks before he starred in The Heartbreak Kid . Instructive and entertaining, his story includes tidbits on Mike Nichols, Elaine May, Roman Po lanski, Ellen Burstyn, Simon & Garfunkel, and many other luminaries, none more intriguing than the un sinkable Grodin," said PW. Photos.

The Studio (1985) In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny po...

Luis Valdez Early Works: Actos, Bernabe and Pensamiento Serpentino (1990) This collection is actually three books in one: 1) a collection of one-act plays by the famous farmwork theatre, El Teatro Campesino and its director, Luis Valdez, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez.

Junk (2000) Tar loves Gemma, but Gemma doesn't want to be tied down - not to anyone or anything. Gemma wants to fly. But no one can fly forever. One day, somehow, finally you have to come down. Commissioned and produced by Oxford Stage Company, Junk premiered at The Castle, Wellingborough, in January 1998 and went on to tour throughout the UK in 1998 and 1999.

The Collected Works of Paddy Chayefsky: The Television Plays (2000) A collection of six television plays by this brilliant writer: "Holiday Song," "PrinterÕs Measure," "The Big Deal," "Marty," "The Mother," and "The Bachelor Party." Includes an introduction and notes for each play by the author himself.

The Contrast (2003) The Contrast, written in 1787 by Royall Tyler, is an American play in the tradition of the English Restoration comedies of the seventeenth century; it takes its cue from Sheridan's The School for Scandal, a British comedy of manners that had revived that tradition a decade before. Royall uses the form to satirize Americans who follow British fashions and indulge in 'British vices'. Thus, the play is often concerned with portraying the contrast between Europe and America. The Contrast marks the...

Monologues for Actors of Color: Women (1999) This collection features 45 monologues excerpted from contemporary plays and specially geared for actors of color. Robert Uno has carefully selected the monologues so that there is a wide-range of ethnicities included: African American, Native American, Latino and Asian American. Each monologue comes with an iintroduction with notes on the characters and stage directions to set the scene for the actor.

Unmarked: The Politics of Performance (1993) InUnmarked, Peggy Phelan examines the relationship between political and representational visibility and invisibility within both mainstream culture and the avant-garde. Her controversial study of the politics of performance uses theories of psychoanalysis, feminism and cultural studies to examine issues in photography, film, theatre, anti-abortion demonstrations and performance art. Unmarked is a boldly speculative analysis of contemporary culture and will be of interest to performance theorist...

Titanic: A New Musical (1997) Titanic is a musical with music and lyrics by Maury Yeston and a book by Peter Stone that opened on Broadway in 1997. It won five Tony Awards including the award for Best Musical. Titanic is set on the ocean liner RMS Titanic which sank on its maiden voyage on April 15, 1912.

King John (1999) Satire, comedy and farce all play their part in this exploration and examination of the nature and responsibilities of kingship and the concept of the nation-state.

Musical Stages: An Autobiography (2002) A new edition to commemorate the legendary composer's 100th birthday. From Oklahoma! to Carousel, The Sound of Music to The King and I, the sights and sounds of Broadway were dominated by Richard Rodgers for the better part of the twentieth century. And now, on the centenary of his birth, comes a new edition of his classic autobiography. "A memoir worthy of one of the great names in the American theater" (Washington Post), it's packed with backstage tales of everyone's favorite musicals.

Darling Judi: A Celebration of Judi Dench (2005) A tribute to the acclaimed British actress.

The Way of Acting: The Theatre Writings of Tadashi Suzuki (1993) Widely considered the most influential contemporary theatre director in Japan, Tadashi Suzuki provides a thorough and accessible formulation of his ideas and beliefs, and insights into his training methods — the Suzuki Method of Actor Training (not to be confused with the violin training technique). His method of training actors has been taught in the United States since the early eighties. Some programs which employ this method in their training of actors include the Juilliard School, Col...

AS I AM (1988) By age 21 the self-confident, determined, Southern-bred actress had starred in a Broadway hit, won a Tony, was "the toast of New York" and was featured on a Life coveronly the first of many triumphs in a celebrity life. In this account written "to reclaim the past that was stolen," Neal writes candidly about her numerous love affairs, both transient and profound, such as a liaison with Gary Cooper and her 25-year marriage to writer Roald Dahl. More arresting are the tragedies that beset her, in...

Don Giovanni (1985) Standard Italian libretto, with complete English translation. Convenient and thoroughly portable—an ideal companion for reading along with a recording or the performance itself. Introduction. List of Characters. Plot Summary.

Performing Literary Texts: Concepts and Skills (2005) PERFORMING LITERARY TEXTS (WITH INFOTRAC) gives you the skills and strategies you need for success in your oral interpretation course. Offering a performance-oriented approach, you'll see you to take into account the audience and the occasion as well as diversity and culture as it relates to performance, storytelling, and analysis. You'll also learn to cope with performance anxiety, Performing Literary Texts provides you with what you need to effectively perform and analyze literary texts for di...

The Technique of Acting (1990) Adler, among the most acclaimed actresses and teachers of acting, has written a dynamic book that is sure to become a classic. After the forward by former pupil Marlon Brando, Adler explains her technique, which is based on the methods of Stanislavskishe was a student of the famous Russian. The 12 chapters cover goals, body and speech control, imagination, action, and character; the book also includes a very useful listing of scenes from well-known plays. Adler made her stage debut in 1906 at th...

Making It on Broadway: Actors' Tales of Climbing to the Top (2004) Countering the misperceptions about Broadway performers leading glamorous lives, the words of more than 150 Broadway stars provide unprecedented insight into their struggle for stardom. With an introduction by Jason Alexander and candid interviews with today's most celebrated Broadway stars, this book offers stories to entertain and astonish theater lovers, as well as serve as a sobering reality check for those considering careers on the stage. This book shares firsthand accounts of professional...

The Duchess of Malfi (1999) The evils of greed and ambition overwhelm love, innocence, and the bonds of kinship in this dark tragedy concerning the secret marriage of a noblewoman and a commoner. John Webster’s great Jacobean drama detailing the fiendish schemes of two brothers who desire their wealthy sister’s title and estates ends with a bloody and horrifying climax. A dynamic plot brimming with poetic lyricism, this provocative and profoundly original work will appeal to general readers, students, and teachers of ...

A Source Book in Theatrical History: Twenty-five centuries of stage history in more than 300 basic documents and other primary material (1959) A rich resource for students of theater and theater historians, this volume features an annotated collection of more than 300 unusually interesting and detailed articles. Passages by contemporary observers from ancient Greece to modern times include notes on acting, directing, make-up, costuming, stage props, machinery, scene design, and much more.

Uncle Vanya (1998) So, what happens in Uncle Vanya? Not much; just life, played out over four acts. There are rich people, and there are people who work for the rich people, whom the rich people don't really care about. There is a gun fired in anger and desperation, but there aren't any bodies to carry off stage. There are men making fools of themselves over women. There are those who accept their fates and wait for their rewards in heaven, and there are others who don't care one way or another. There is a charac...

The Oresteia of Aeschylus (2000) In the last year of his life, Ted Hughes completed translations of three major dramatic works: Racine's Phedre, Euripedes' Alcestis, and the trilogy of plays known as at The Oresteia, a family story of astonishing power and the background or inspiration for much subsequent drama, fiction, and poetry. The Oresteia--Agamemnon, Choephori, and the Eumenides--tell the story of the house of Atreus: After King Agamemnon is murdered by his wife, Clytemnestra, their son, Orestes, is commanded by Apol...

The Sound of Their Music: The Story of Rodgers and Hammerstein (2002) The greatest partnership in the history of the musical, captured in print, wonderfully illustrated. For this new edition, the book has been completely rewritten and substantially expanded to include material on Rodgers' early career with Lorenz Hart as well as his later work, and also features recollections from such theatrical titans as Sheldon Harnick, Martin Charnin, Stephen Sondheim and Arthur Laurents. Also, a completely new appendix reveals the details of the continuing worldwide phenomen...

Mary Stuart (2000) Many have told the tragic tale of Mary Queen of Scots - it is irresistible - but none more powerfully than Friedrich Schiller. Like Mary Stuart herself and the legends which pursued her to her death, Schiller's drama continues to captivate the modern imagination nearly two centuries later. Eric Bentley's lean, forceful rendering of the German masterpiece will command the attention of theatre audiences for years to come.

The Monologue Audition: A Practical Guide for Actors (2004) A founder of the Atlantic Theater Company, where she now teaches, and an acclaimed director, Karen Kohlhaas exposes what auditors are looking for in The Monologue Audition, the first book of its kind to show actors how to stage monologues using specific, step-by-step directing and acting techniques. Applicable to auditions for theaters, agents, casting directors, and training programs, this is an indispensable guide for any actor looking to master their audition approach.

Scenes for Young Actors (1990) A One-Of-A-Kind Acting Aid With Young Talent In Mind In drama classes and at auditions, young actors have continually had to resort to performing roles written for much older men and women -- roles that are often difficult for them to identify with or to fully understand. But this innovative scenebook gives younger performers the opportunity to portray characters their own age. From the classics to the finest in contemporary drama -- from Shakespeare, Shaw, and Chekov to Miller, Will...

Later Plays Of Eugene O'Neill (1967) Eugene Gladstone O'Neill (16 October 1888 – 27 November 1953) was an American playwright, and Nobel laureate in Literature. His poetically titled plays were among the first to introduce into American drama techniques of realism earlier associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. His plays were among the first to include speeches in American vernacular and involve characters on the fringes of society, where they...

The Way of the World (1994) One of the greatest of all Restoration comedies, this knowing comedy of manners depicts the scheming of a nest of shallow, deceitful aristocrats to prevent two lovers from marrying. The play abounds with felicitous phrasing, delicious verbal battles of the sexes and a depth of feeling and sensitivity that elevate it far above other plays in the genre. This inexpensive edition, complete and unabridged, makes it widely available to today’s readers. Note. New footnotes. "Commendatory Verses" by ...

Movement for Actors (2002) One would think that "moving" would be as natural as falling off a log, and yet when we stand in front of an audience, our hands grow large and heavy and our feet root to the floor. Marshall (physical acting, Royal Academy of Dramatic Arts, London) and the contributors to the collection by Potter (theater, Marymount Manhattan Coll.) are well aware of this problem and take different approaches to solving it. Marshall tends to focus on the inner being and the actor's inner response. Concepts such...

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