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Theatre World 1994-1995, Vol. 51
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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Theatre World 1993-1994, Vol. 50
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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The Social Significance of Modern Drama
(1/1/2000) Out of print virtually since its completion in 1914, Emma Goldman's pioneer work Social Significance in Modern Drama bridges modern drama and political philosophy, pointing out the road that remains to be travelled toward a theatre of social empowerment. Activist, feminist, philosopher and anarchist, Emma Goldman was a passionate thinker about all things modern when the 20th century was still raw and new. The emergence of her treatise on the theatre after years of obscurity is certain to arouse ... |
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Polaroid Stories
(1/1/1999) Naomi Iizuka’s 1997 play, Polaroid Stories, consciously uses stories, characters and themes from Ovid’s Metamorphoses to tell the stories of street kids living on the edge in a desolate, urban landscape. Because these characters are named after Orpheus and Eurydice, and Echo and Narcissus, or based on stories of Dionysus, and Ariadne and Theseus, and because scenes are entitled “The Story of Semele” or “Theseus in the Labyrinth,” Iizuka creates a world that has two dimensions: the g... |
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42nd Street: Piano/Vocal/Chords
(2001) This folio includes all-new songs and photos from the 2001 Broadway revival . Titles are: About a Quarter to Nine * Dames * Forty-Second Street * Getti ng Out of Town * Go into Your Dance * The Gold Diggers' Song (We're in the Money) * I Only Have Eyes for You * Keep Young and Beautiful * Lullaby of B roadway * Overture - Pretty Lady/With Plenty of Money and You * Shadow Walt z * Shuffle Off to Buffalo * There's a Sunny Side to Every Situation * You' re Getting to Be a Habit with Me * Young and ... |
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Getting To Know Him: A Biography Of Oscar Hammerstein II
(1995) Oscar Hammerstein II (1895–1960) forged a remarkable, multifaceted career as a librettist, lyricist, playwright, director, and producer. He wrote Carmen Jones, Carousel, Show Boat, and, with longtime collaborator Richard Rodgers, Oklahoma!, South Pacific, The King and I, and The Sound of Music. Hugh Fordin enjoyed complete access to the Hammerstein archives and conducted numerous interviews with family and colleagues like Rodgers, Berlin, Robbins, and Sondheim. The result is the definitive bio... |
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American Musical Theatre: Shows, Songs, and Stars
(1989) An anthology of this distinctly national art form includes 110 selected archival recordings of classic popular songs and textual annotations. |
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The Singing Actor
(1983) How to Be a Success in Musical Theatre and Night Clubs |
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Music and Theatre in France 1600-1680
(2000) During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française. |
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A Song in the Dark: The Birth of the Musical Film
(1995) Chronicling the early musical film years from 1926 to 1934, A Song in the Dark offers a fascinating look at these innovative films, the product of much of the major experimentation that went on during the development of sound technology. Illuminating the entire evolution of this new sound medium, Richard Barrios shows how Hollywood, seeking to outdo Broadway and vaudeville, recruited both the famous and the unknown, the newest stars and the has-beens, the geniuses and the hustlers. The results w... |
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100 Years of Kurt Weill
(2000) The year 2000 marks the hundredth birthday of theater and opera composer Kurt Weill (1900-1950). In celebration of this occasion, 100 Years of Kurt Weill features recently rediscovered and previously untranslated dramatic works by Weill and critical essays and articles reflecting on his legacy and influence. Reviews and reports on centenary productions from around the world are included along with panel discussions by directors and musicians on Weill’s cultural identity. 100 Years of Kurt We... |
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Scrooge
(1996) With words and music by Leslie Bricusse, this movie classic is now a seasonal stage production from London's West End to Tokyo. Songs include: A Christmas Carol * Thank You Very Much * Christmas Children * Happiness * I'll Begin Again * and more, plus full-color section and photos from the stage and screen versions. |
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New Broadways: Theatre Across America: Approaching a New Millennium
(2000) Once upon a time in American theater, there was Broadway and there was the road. New shows might try out for Broadway on the road--theaters in cities such as New Haven, Atlantic City, Philadelphia, and Chicago, and Broadway hits might tour on the road for years. But until the 1960s, Broadway was more or less the center of the theatrical universe. As this new book chronicles, however, things have changed. Broadway's output--particularly of non-musical dramas and comedies--has decreased, but the a... |
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The Broadway Song Companion
(1998) The first complete guide and access point to the vast literature of the Broadway musical for the solo performer. Designed with the working actor in mind, the volume lists every song from over 210 Broadway shows, giving the name of the character(s) who sing(s) the song, its exact vocal range, and categorizing each by song style. |
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Beckett in Performance
(1991) This book takes a critical look at the work of one of the twentieth century's most influential playwrights from the viewpoint of those whose job it is to give the work life on stage. From personal experience of over seventy productions, from interviews with numerous Beckett actors and directors, and in rare conversations with the playwright himself, Kalb addresses such fundamental questions as: Is the task of performing Beckett categorically different from that of performing other forms of theat... |
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Ring Bells! Sing Songs! Broadway Musicals of the 1930's
(1971) Broadway Musicals of the 1930's |
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From the Bowery to Broadway: Lew Fields and the Roots of American Popular Theatre
(1993) Before Ziegfeld launched his Follies, before the Shubert brothers built their empire, Lew Fields' productions were the toast of Broadway. For the "smart set" in the luxury box seats and the shopkeepers and clerks in the gallery, an evening at Weber & Fields' Music Hall was the hottest ticket in town, a chance to see the biggest stars of the era - Lillian Russell, Fay Templeton, David Warfield, DeWolf Hopper, and the "Dutch" knockabout comedy team of Weber & Fields. From the Bowery to Broadway of... |
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African American Theatre: An Historical and Critical Analysis
(1994) A landmark work in the study of Black theater and drama, African American Theatre offers the first comprehensive history of a major cultural phenomenon until now too often neglected. In this fast-paced investigation, Hay seeks out the origins of Black theater in social protest, as envisioned by W.E.B. Dubois, and as a formal branch of arts theater. Divided between these opposing forces--the activist and the artistic--Black theater, Hay argues, faced conflicts of identity whose traces still haunt... |
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Company
(1995) Here at last is Furth's libretto to the convention-shattering 1970 musical (revived on Broadway in 1995) that launched composer Sondheim's most fertile period--and his cult. Originally a series of one-act plays about marriage, the musical adds a linking character, Robert, who is the only one without a spouse. In visiting each of a half dozen couples who are his friends, Robert seeks to learn "what do you get" from being married. The answer is far from Hallmark, but visceral. The text includes F... |
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How to succeed in business without really trying (Vocal Selections)
(1983) 7 songs from the Broadway standard, including: Brotherhood of Man * Grand Old Ivy * Happy to Keep His Dinner Warm * How to Succeed in Business Without Really Trying * I Believe in You * Love from a Heart of Gold * Paris Original. |
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The Cambridge Guide to Asian Theatre
(1997) This paperback edition, incorporating corrections and updates, contains more distilled information on the theatrical arts of Asia-Oceania than any other single volume yet published. A broad-ranging pan-Asian essay lucidly explores the basic themes of ritual, dance, puppetry, masks, training, performance, while national entries provide the historical development of theater in twenty countries. Major theater forms of each country are accompanied by entries on significant playwrights, actors and di... |
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Demons of Disorder: Early Blackface Minstrels and their World
(1997) Carnival, charivari, mumming plays, peasant festivals, and even early versions of the Santa Claus myth--all of these forms of entertainment influenced and shaped blackface minstrelsy in the first half of the nineteenth century. In his fascinating study Demons of Disorder, musicologist Dale Cockrell studies issues of race and class by analyzing their cultural expressions, and investigates the roots of still-remembered songs such as "Jim Crow," "Zip Coon," and "Dan Tucker." The first book on the b... |
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Something for the Boys: Musical Theater and Gay Culture
(1999) If you think this is one of those academic gay- or gender-studies-type tomes that applies a lot of incomprehensible French terms to good old-fashioned American entertainment, think again. John M. Clum may be a professor at Duke, but what this garrulous gay-inflected romp around the past 75 or so years of musical theater reveals him to be is, to use his own affectionate term, a hopeless and incurable "show queen." Indeed, Something for the Boys is so personal and idiosyncratic in its survey of th... |
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Coming up Roses: The Broadway Musical in the 1950s
(1998) The 1950s saw an explosion in the American musical theater. The Broadway show, catapulted into the limelight in the 20s and solidified during the 40s thanks to Rodgers and Hammerstein, now entered its most revolutionary phase, brashly redefining itself and forging a new kind of storytelling. In Coming Up Roses: The Broadway Musical in the 1950s, Ethan Mordden gives us a guided tour of this rich decade. With loving detail, Mordden highlights the shift in Broadway from shows that were mere star v... |
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Man of LA Mancha (Vocal Score)
(1965) Includes 21 songs: Abduction Aldonza La Mancha Barber's Song The Combat Dubbing Dulcinea Golden Helmet of Mambrino I Really Like Him I, Don Quixote I'm Only Thinking of Him The Impossible Dream (The Quest) It's All the Same Knight of Mirrors Knight of Woeful Count Little Bird Little Bird A Little Gossip Moorish Dance Overture To Each His Dulcinea We're Only Thinking of Him What Does He Want of Me. |
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Broadway Theatre
(1994) Examining the rich history of Broadway theater certainly is not a new topic, but Harris, who teaches theater at Texas Christian University, successfully synthesizes decades of writings on the subject to prove a worthy point: the art of theater and the business of theater always have been and always will be in conflict. That said, many live dramas, which surely altered the way America saw itself and made a lot of money, blossomed from this fundamental contradiction. On the flip side of the same c... |
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Gypsy
(1994) Gypsy is a musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, ... |
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W. S. Gilbert: A Classic Victorian and His Theatre
(1996) Sir William Schwenck Gilbert, the witty librettist of the classic Gilbert and Sullivan operetta partnership, was, says Jane Stedman, "an iconoclast who, paradoxically, was not a revolutionary." He was still a Victorian gentleman, after all. Stedman makes clear however that his poking of fun at the pomposity and hypocrisy of Victorian Britain laid the groundwork for the social criticism of serious dramatists like George Bernard Shaw. Copiously researched , with access to the D'Oyly Carte family p... |
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Sunset Boulevard (Vocal Selections)
(1995) Prepare for your closeup by practicing with this folio of 12 vocal selections from the Broadway musical. Includes: As If We Never Said Goodbye * Girl Meets Boy * The Greatest Star of All * The Perfect Year * Sunset Boulevard * This Time Next Year * With One Look * and more. |
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Carousel: Vocal Score
(1987) This exciting revised edition was created to convey in complete and correct form the musical score and lyrics of this beloved Rodgers and Hammerstein musical as performed in the original Broadway production. Includes: Ballet * Blow High, Blow Low * Geraniums in the Winder/Stonecutters Cut It on Stone * The Highest Judge of All * Hornpipe * If I Loved You * June Is Bustin' Out All Over * Mister Snow * Prologue (The Carousel Waltz) * A Real Nice Clambake * Soliloquy * What's the Use of Wond'rin' *... |
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The Shamrock Road
(1998) Play script. A charming original story of the Irish "travelling people" set In Ireland In the late 1800's. It combines adventure, musical comedy, puppetry and dance. Open stage and set props. Period costumes. Cast of 4 women, 5 men and choruses (few or many) of leprechaun, gypsies and tinkers. Piano/vocal score available from the publisher, Anchorage Press Plays. Teenager Jimmy, his younger sister and their widowed mother travel the Irish fairs vending their wares. Disaster strikes when thei... |
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Musical!: A Grand Tour
(1997) Many histories of Broadway musicals are on the shelves, most of them taking the predictable path of chronological order, or by composer. Denny Martin Flynn's history follows a rough chronology, but instead examines the development of musicals in chapters divided by dominant personality ("Jerome Robbins and Oklahoma!"), by discipline ("Lyrics," "Bookwriters"), or by genre ("Revues," "The Rock Musical"). Though oddly apocalyptic toward the end, given the recent vitality of musicals, the book offer... |
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J. Massenet, itineraires pour un theatre musical
(1996) itineraires pour un theatre musical: Essai (Serie "Musique") (French Edition) |
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American Song: The Complete Musical Theater Companion, 1900-1984. Two volumes
(1985) These companion volumes to Bloom's important American Song: The Complete Musical Theatre Companion (LJ 7/96) and Hollywood Song: The Complete Film and Musical Companion (LJ 3/15/95) focus on popular songs from the early 1890s to 2000, defining "Tin Pan Alley" broadly to incorporate tunes ranging from George M. Cohan's patriotic gems to "easy listening" (e.g., Henry Mancini, Burt Bacharach). Rock, country, folk, and other genres are not treated here. Although these works are presented as Volumes ... |
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Place for Us: Essay on the Broadway Musical
(2000) Everybody "knows" that gay men love show tunes; as D.A. Miller writes in one self-mockingly academic passage of Place for Us, the original cast albums "were used, scholars now believe, in a puberty rite that, though it was conducted by single individuals in secrecy and shame, was nonetheless so widely diffused as to remain, for several generations, as practically normative for gay men and it was almost unknown for straight ones." Miller's elaborate pondering of the intersection of homosexuality ... |
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The Musical: A Concise History
(1997) The musical is an endless source of fascination and enjoyment for audiences around the world. Now the rich and colorful history of musical theater is brought to life in this beautifully illustrated volume. A valuable companion for anyone who loves the musical, this engaging, informative work tells the dazzling story of the international musical stage over three centuries, from The Beggar's Opera to Sunset Boulevard. Highlighting especially those shows that have entertained "most of the people m... |
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Backstage on Broadway
(1994) Musicals and Their Makers |
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A Connecticut Yankee: The Musical
(1984) A Musical based on the novel by Mark Twain. Includes: * Can't You Do a Friend a Favor * I Blush * I Feel at Home with You * Thou Swell * You Always Love the Same Girl and others. |
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The Guinness Who's Who of Stage Musicals
(1994) Compiled in A-Z format, this book chronicles the lives and careers of the artists who appeared in, wrote and directed the shows that have contributed towards the development of the stage musical throughout the 20th century. From Broadway to the West End and throughout the world, it covers shows such as "A Chorus Line", "Oklahoma", "West Side Story" and "Evita", by lyricists and composers such as Stephen Sondheim, Tim Rice and Andrew Lloyd Webber, and Rogers and Hammerstein. The performers includ... |
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The Influence of Italian Entertainments on Sixteenth-And Seventeenth-Century Music Theatre in France, Savoy and England
(2001) The essays in this work focus on courtly musical entertainments in early modern Europe, providing a framework in which to locate the many aesthetic considerations which lay behind the creation of opera and other musical forms, and through analyses of individuual events, the modalities of the circulation and adaption of a so-called Italian model throughout Europe. They highlight the constant evolution of the musical entertainments of the Baroque age, and in so doing, invite the reader to re-exami... |
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Performing in Musicals
(1988) Here is a basic acting textbook written especially for singers, actors, and dancers who want to work in musical theater but have little or no experience in the area. 'Performing in Musicals' provides novice performers with the information they need to audition, prepare a role, rehearse, and play the part. Taking a practical, systematic approach, Elaine Novak discusses virtually every aspect of musical theater: its history and development, basic elements (book, lyrics, score, and dances), pr... |
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Collins Guide to Musicals
(2001) Would you like to know who played the lead roles in the New York opening of Oklahoma? Or the date of the first performance of Cole Porter’s Can-Can? Perhaps you’re searching for a list of the hit songs from Cabaret, or puzzling over which recording of Les Miserables to purchase. Collins Guide to Musicals answers all these questions and thousands more. Each of the 200 descriptive entries lists: composer, lyricist, and first American and British performances; principal characters, plot synopsi... |
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Ten Great Musicals of the American Theatre
(1973) Includes - Of Thee I Sing - Porgy and Bess - One Touch of Venus - Brigadoon - Kiss Me, Kate - West Side Story - Gypsy - Fiddler on the Roof - 1776 - Company |
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Ganzl's Book of the Broadway Musical: 75 Favorite Shows, from H.M.S. Pinafore to Sunset Boulevard
(1995) Ganzl's Encyclopedia of the Musical Theatre [RBB S 1 94], the 1995 Dartmouth Medal Honor Book, and Ganzl's Book of the Musical Theatre [RBB Je 15 89] both cover musical theater around the world. This new title is a spinoff highlighting 75 Broadway musicals, a few of which are too recent to have been included in his encyclopedia. Each entry gives full production information, casts, plot synopses, song titles, and notes about film versions. Each is liberally illustrated with photographs from the ... |
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The Golden Age of Movie Musicals and Me
(1994) Saul Chaplin worked on more than sixty films as a songwriter, vocal arranger, pianist, musical director, or producer. He received Academy Award nominations for Kiss Me Kate, High Society, An American in Paris, Seven Brides for Seven Brothers, and West Side Story and won Academy Awards for the last three. He was also the associate producer on The Sound of Music, the most popular movie musical ever filmed. In this fascinating autobiography he takes us inside the music departments of Hollywood's ... |
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Stage Directions Guide to Musical Theater
(2001) Drawing from the columns and archives of Stage Directions magazine and adding new material and introductions that put the information into perspective, the editors focus on five main areas of responsibility in musical theater. |
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Approaches To The American Musical
(1996) Most books on the American musical are little more than exercises in nostalgia. The specially commissioned essays that make up Approaches to the American Musical take a different view of the form. Going beyond the common assertion that musicals are simply escapist, these examinations of American stage and film musicals argue that Porgy and Bess, Top Hat, Kiss Me Kate and All That Jazz were popular precisely because they engaged with such important American issues as ethnicity, commerce and inter... |
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Broadway's memorable melodies
(1995) A directory of the popular songs from the musical theatre |
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British Musical Theatre: 2 Volumes Volume 1: 1865-1914 Volume 2: 1915-1984
(1987) From the pre-Gilbert and Sullivan 1860s to the 1980s, this important reference surveys more than a century of British light musical theatre, including its writers and composers. Gänzl provides a wealth of information on the book, lyrics, and music of over 800 London musicals, including contemporary reviews, cast lists, performances, plus pertinent notes gleaned from a study of surviving scores and libretti. Volume 1 traces the development of the genre between 1865 and 1914, describing its roots... |
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Better Foot Forward
(1976) The History of American Musical Theatre |
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