Radio Golf is August Wilson’s final play. Set in 1990 Pittsburgh, it is the conclusion of his Century Cycle—Wilson’s ten-play chronicle of the African American experience throughout the twentieth century—and is the last play he completed before his death. With Radio Golf Wilson’s lifework comes full circle as Aunt Ester’s onetime home at 1839 Wylie Avenue (the setting of the cycle’s first play) is slated for demolition to make way for a slick new real estate venture aimed to boost both the depressed Hill District and Harmond Wilks’ chance of becoming the city’s first black mayor. A play in which history, memory, and legacy challenge notions of progress and country club ideals, Radio Golf has been produced throughout the country and will come to Broadway this season.
August Wilson
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One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultan…
King Hedley II is the 8th work in playwright August Wilson's 10-play cycle chronicling the history of the African-American experience in each decade of the 20th century. It's set in 1985 and tells the story of an ex-con in post-Reagan Pittsburgh trying to rebuild his life. Many c…
When Herald Loomis arrives at a black Pittsburgh boardinghouse after seven years' impressed labor on Joe Turner's chain gang, he is a free man-in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable ro…
In little more than twenty years, playwright August Wilson (1945-2005) completed a ten-play cycle depicting African American life in the twentieth century, with each play taking place in a different decade. Two of the plays—Fences (1987) and The Piano Lesson (1990)—were awarded t…
Offers new essays that address issues raised in Wilson's "The Ground on Which I Stand" speech. Essays and interviews range from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics.…
August Wilson's radical and provocative call to arms.
The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her black musician sidemen, the white owner of the record company, and her whit…
Many musical theatre actors confuse competence with excellence. We mistake arriving in NYC with a well-trained voice, a pricy headshot, and general show biz acumen for being ready to work where Broadway happens. Then, when too many auditions end up no-gos, we assume it’s not mean…
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The musical adaptation by Thomas F.
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We're falling into fall with a great Broadway read! This season, Broadway's best have put pen to paper to turn out theatre page-turners of every kind.
Once Every Hundred Years – a new song cycle by two-time Tony Award winner William Finn and Danny Ursetti – will be released in digital and streaming formats.
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Tony Award nominee Kevin Chamberlin, Caroline Bowman, Timothy H.
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Composer Ian Ferguson and writer Lauren LeBlanc will release a cast album of their original musical THE PENUMBRA, following its Dallas Children's Theater workshop presentation.
Tori Keenan-Zelt will discuss her play THE JONBENÉT GAME during an evening event at The Drama Book Shop in New York City, exploring themes of true crime, memory, and grief.
Johanna Telander's new concept album reimagines global 'Ladies in White' ghost legends, featuring an all-female cast including Militia Vox, Natalie Toro, Felicia Curry and Melody Munitz.
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