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The Craft of Theatre: Seminars and Discussions in Brechtian Theatre
(5/12/2012) The autobiographical account by one of German theater's great actors of his life in the theater. |
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The Cambridge Companion to August Wilson
(3/1/2007) One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in an... |
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The World of Theatre: Tradition and Innovation
(11/29/2005) The World of Theatre is the first introduction to theatre book to truly focus on diversity and globalism, integrating coverage of multicultural, international and experimental theatre throughout. Theatre is presented as a global and multicultural form that reflects both traditional and evolving world views. While the American commercial theatre and European forms are central to the text, alternative theatres are placed side by side for comparison and contrast in each chapter, thus avoiding the s... |
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Theatre and Travel: Tours of the South
(3/2/2005) Presents rare information on traveling circus, minstrel, opera, and Toby shows. This collection of essays explores an understudied but pervasive aspect of American theatre: theatre on the road, from minstrel shows and Toby shows to contemporary African American theatre, 19th-century circus rail travel, and small-town opera houses. The challenges in gathering and compiling data on these ephemeral productions, from such far-flung sources as railroad schedules and weather reports, minutes f... |
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New York Then/New York Now
(2/21/2005) New York Then/New York Now—a collection of essays, memoirs, interviews, commentary, and plays—contemplates New York City’s history and future as a center for groundbreaking theatrical forms and ideas. Featuring the work of theater artists, producers, and critics, this special issue of Theater is concerned with the ideas and practicalities of making theater in and for New York within specific historical, political, and economic contexts. The first section, “New York Then,” reflects on ... |
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The Complete Annotated Gilbert & Sullivan
(1/1/2005) Lovers of Gilbert and Sullivan will be in heaven with the publication of these two books, which nicely complement each other. Stedman (English, Roosevelt Univ., Chicago) offers an outstanding study of this playwright and his often overlooked works, with much of its value deriving from its study of Gilbert without Sullivan. The author is a recognized expert on Gilbert as well as the Victorian time period, and she shows him to be a complex and interesting man who often found himself at odds with ... |
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The Cambridge Companion to David Mamet
(1/1/2004) This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Ver... |
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The Wadsworth Anthology of Drama
(6/25/2003) Known through three editions as the boldest and most distinguished introduction to drama, William Worthen's pace-setting text continues to provide exciting plays usefully situated within their historical and cultural contexts. |
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The Lyrics of Noel Coward
(1/1/2002) Mad Dogs and Englishmen, Don't Put your Daughter on the Stage, Mrs Worthington and over 250 more lyrics from Coward's musical masterpieces. Noel Coward is one of the greatest lyricists of the twentieth century. Songs such as A Room with a View, The Stately Homes of England, Mad Dogs and Englishmen and Mrs Worthington are known, sung and loved the world over. This edition gathers together over 250 of Coward's lyrics, arranged in chronological order and grouped by show. In addition, these masterp... |
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Theatre World 1994-1995, Vol. 51
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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Theatre World 1993-1994, Vol. 50
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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The Social Significance of Modern Drama
(1/1/2000) Out of print virtually since its completion in 1914, Emma Goldman's pioneer work Social Significance in Modern Drama bridges modern drama and political philosophy, pointing out the road that remains to be travelled toward a theatre of social empowerment. Activist, feminist, philosopher and anarchist, Emma Goldman was a passionate thinker about all things modern when the 20th century was still raw and new. The emergence of her treatise on the theatre after years of obscurity is certain to arouse ... |
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Polaroid Stories
(1/1/1999) Naomi Iizuka’s 1997 play, Polaroid Stories, consciously uses stories, characters and themes from Ovid’s Metamorphoses to tell the stories of street kids living on the edge in a desolate, urban landscape. Because these characters are named after Orpheus and Eurydice, and Echo and Narcissus, or based on stories of Dionysus, and Ariadne and Theseus, and because scenes are entitled “The Story of Semele” or “Theseus in the Labyrinth,” Iizuka creates a world that has two dimensions: the g... |
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The Cenci: A Tragedy in Five Acts
(12/31/1969) Verse tragedy in five acts by Percy Bysshe Shelley, published in London in 1819 and first staged privately by the Shelley Society in 1886. Modeled after Shakespearean tragedy, it is noted for its powerful characters, evocative language, and moral ambiguities. It is based on an incident in Renaissance Rome. The story centers on Count Francesco Cenci, who is notorious for his depravity. He gives a party at which, to the horror of his guests, he gleefully announces the deaths of two of his sons. An... |
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Winning Monologs for Young Actors: 65 Honest-To-Life Characterizations to Delight Young Actors and Audiences of All Ages
(12/31/1969) A collection of sixty-five monologues providing young performers with a variety of audition pieces reflecting situations both serious and comic. |
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Tell It Like It Is: Fifty Monologues for Talented Teens
(12/31/1969) This is a thought-provoking new collection of monologues by best-selling author Peg Kehret! Each monologue creates a moment of recognition that makes both the performer and the audience smile - and think! Most are structured to provide insights of discovery to reveal who we are and why. Every young actor performing one of these monologues will recount a memorable event that opened the way to maturity. But there's more than just provocative thoughts in this collection - many of the monologues ca... |
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Bourbon at the Border
(12/31/1969) When May and Charlie joined hundreds of other Americans who went to Mississippi in the summer of 1964 for a massive voter registration drive, they had no idea their lives were about to change forever. As students at Howard University, their campus activism had been met with calls to their parents and threats of expulsion. The stakes in Mississippi were a lot higher. White supremacists, outraged at the challenge to their segregated way of life, responded with violence that left three civil rights... |
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Every Seventeen Minutes the Crowd Goes Crazy!
(12/31/1969) A family of exuberant and startled kids are left to fend for themselves by their mother and father-who have taken off to pursue forever a life of betting at trotter racetracks and playing blackjack in Native American casinos! An expandable chorus punctuates with hilarious and stinging sound bites this highly theatrical and poignant legend of parental abdication. |
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Musicals in Focus
(12/31/1969) This second edition is fully revised, with full-colour images throughout, new entries on the latest musicals and a brand new index and glossary. This book explores precursors to the musical, from The Beggar's Opera, through operetta to works such as No, No, Nanette. It then takes you through the development of the genre, looking at changes in style during its 80-year history, and shows why a series of significant works have become so influential. It offers a series of case studies, with example... |
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The Art of Comedy: Getting Serious About Being Funny
(12/31/1969) Want to know a secret? Sssshhhh. Great comedy actors aren’t born...they’re made. Who makes them? Paul Ryan, that’s who. Now Ryan, the top comedy acting coach in Hollywood, shares his secrets in The Art of Comedy, a step-by-step guide for turning actors into comedy actors. Packed with exercises, The Art of Comedy explains exactly how to build a character, how to incorporate improvisation into a written scene, where to turn for comic inspiration, and how to increase your comedic imagination.... |
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Backstage Forms
(12/31/1969) Over 100 examples of backstage paperwork ready for photocopying--forms like hanging schedules, costume fitting sheets, lighting circuit schedules, prop preset lists, sound cues, to name only a few. |
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Vera; or, The Nihilists
(12/31/1969) Oscar Fingal O’Flahertie Wills Wilde (1854-1900) was an Irish playwright, novelist, poet, and author of short stories. Known for his barbed wit, he was one of the most successful playwrights of late Victorian London, and one of the greatest celebrities of his day. Wilde made his reputation in the theatre world with a series of highly popular plays. Lady Windermere’s Fan (1893) like many of Wilde’s comedies is a biting satire on the morals of Victorian society, particularly marriage. A Woma... |
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The Duchess of Padua
(12/31/1969) This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed work... |
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An Ideal Husband
(12/31/1969) An Ideal Husband is an 1895 comedic stage play by Oscar Wilde which revolves around blackmail and political corruption, and touches on the themes of public and private honour. The action is set in London, in "the present", and takes place over the course of twenty-four hours. "Sooner or later," Wilde notes, "we shall all have to pay for what we do." But he adds that, "No one should be entirely judged by their past." |
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Lady Windermere's Fan
(12/31/1969) Comedy of manners in four acts by Oscar Wilde, performed in 1892 and published the following year. Set in London, the play's action is put in motion by Lady Windermere's jealousy over her husband's interest in Mrs. Erlynne, a beautiful older woman with a mysterious past. Unknown to Lady Windermere, Mrs. Erlynne is really her divorced mother who, for the past 20 years, has been presumed dead. Lord Windermere is merely hoping to ease the older woman's reentrance into society, which she attempts u... |
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Masterpieces: The Noël Coward Review
(12/31/1969) A selection of Noël Coward's most memorable lyrics, quotes, and play-scenes woven seamlessly together into a brillant review by Christopher Luscombe. A unique selection of Coward's most critically acclaimed scenes and lyrics gathered together for the first time. |
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Star Quality
(12/31/1969) Coward's 'forgotten' play, published to tie in with its world premiere In his wickedly funny final play, NöeI Coward takes us behind the scenes of a new West End production. Conjuring up an authentic backstage world of talent and treachery, Coward creates a gallery of unforgettable characters; temperamental leading lady, ruthless director, jaded old troupers and, caught somewhere between them all, innocent young playwright. From tentative first rehearsal to triumphant opening night, ... |
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The Phoenix: Noel Coward Diaries
(12/31/1969) Coward's diaries from 1941 to 1969 offer an intimate look at the last 30 years of the life of the popular, sophisticated British playwright and author. While some of the entries are of the "Stayed out until 4 at Mrs. B___'s party" variety, more of them give insight into Coward's well-connected life. Coward knew or met hundreds of people working in the theater, the movies, and the government, and encounters with Vivien Leigh, Marilyn Monroe, King George IV, Winston Churchill and the Queen Mother... |
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Autobiography: Consisting of Present Indicative, Future Indefinite and The Uncompleted Past Conditional
(12/31/1969) This reissue contains all three instalments of Coward's biography. "Present Indicative", published in 1937, deals with Noel's childhood and early life up to "Cavalcade" in 1931; "Future Indefinite", published in 1954, deals with the War years; also included is the opening to a planned third volume. |
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Blithe Spirit
(12/31/1969) Written in 1941 this book remians the longest-running comedy in the history of the British theatre for three decades. |
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Design for Living
(12/31/1969) Three stylish friends who share rivalrous affections attempt to uncoil their twisted love triangle in this sexy and scandalous gem. Written in 1932, the play was deemed extremely daring and even by today's standards is considered controversial in its frank and funny take on sex, love and commitment, proving to be one of Coward's greatest successes. Directed by Michael Hackett. |
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The Government Inspector
(12/31/1969) The Government Inspector, also known as The Inspector General, is a satirical play by the Russophone Ukrainian playwright and novelist Nikolai Gogol. Originally published in 1836, the play was revised for an 1842 edition. Based upon an anecdote allegedly recounted to Gogol by Pushkin,[1] the play is a comedy of errors, satirizing human greed, stupidity, and the extensive political corruption of Imperial Russia. According to D. S. Mirsky, the play "is not only supreme in character and dialogue ... |
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The Overcoat
(12/31/1969) The Overcoat which is generally acknowledged as the finest of Gogol's memorable Saint Petersburg stories, is a tale of the absurd and misplaced obsessions. |
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Diary of a Madman and Other Stories
(12/31/1969) Illuminates the Russian writer's thoughts on madness, bureaucracy, and illusion in these five tales. --This text refers to an out of print or unavailable edition of this title. |
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La Mandragola
(12/31/1969) A superior treatment of Machiavelli's minor masterpiece! Flaumenhaft's beautifully crafted, literal translation aims to capture the original intent of the playwright. Machiavelli himself distinguished carefully between translations and revisions; thus, Flaumenhaft finds a faithful translation essential to conveying Machiavelli's thought and to allowing direct access to the work. The Prologue explores the relationship between Machiavelli's stage comedies--part of the Comedia Erudita of the Italia... |
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The Comedies of Machiavelli
(12/31/1969) This volume of sparkling translations - "The Woman From Andros", Machiavelli's version of Terence's classic comedy; "The Mandrake", the earliest and perhaps greatest Italian theatrical classic of all; and "Clizia", a work inspired by Plautus' "Casin" - brings to life in English plays whose racy vernacular language, subtle characterisation, and innovative dramatic construction preceded Shakespeare's establishment of English-speaking theatrical comedy by more than a half century. |
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Broadway Bound
(12/31/1969) Based on the original play by Neil Simon, the story traces the attempts of Eugene and Stan Jerome's attempts to break into show business as comedy writers in the 1950s. |
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Neil Simon Monologues: Speeches from the Works of America's Foremost Playwright
(12/31/1969) This is the first authorized collection of monologues from Mr. Simon's plays and the most significant contribution to the drama genre in the past twenty-five years. As a scene-study book it is invaluable to actors at all levels. This definitive publication contains speeches for men and women from "Come Blow Your Horn" through "Jake's Women." Each play is comprehensively synopsized, and an in-depth exposition establishing setting and intent precedes each speech. With an introduction by Jack Lemm... |
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Rappaccini's Daughter
(12/31/1969) Part fairy tale, part Gothic horror story, Rappaccini’s Daughter is an inspired tale of creation and control. It is published here with two additional short stories by Hawthorne: Young Goodman Brown and A Select Party. With a Foreword by Simon Schama. Giovanni Guasconti, a student at the University of Padua, is enchanted to discover a nearby garden of the most exquisite beauty. In it abides a young woman, perhaps the most beautiful Giovanni has ever seen. Yet as he looks out from an upstairs... |
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The Middle Class Gentleman
(12/31/1969) Jean-Baptiste Poquelin, also known as Molière (1622- 1673) was a French playwright and actor who is considered one of the greatest masters of comedy in Western literature. He studied at the Jesuit Clermont College, then left to begin a life in the theatre. Thirteen years on the road as an actor helped him to polish his comic abilities, while he also began writing combining Commedia dell'Arte elements with the more refined French comedy. Through the patronage of a few aristocrats including the b... |
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The Bungler
(12/31/1969) Poet Richard Wilbur’s translations of Molière’s plays are loved, renowned, and performed throughout the world. This volume is part of Theater Communications Group’s new series (with cover designs by Chip Kidd) to complete trade publication of these vital works of French neoclassical comedy. The Bungler is Molière’s first recognizably great play, and the first to be written in verse. The charming farce is set in Sicily and born of the great Italian tradition of the commedia dell’arte:... |
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L'Avare
(12/31/1969) Jean-Baptiste Poquelin, dit Molière, (1622-1673) est un dramaturge et acteur de théâtre français. Considéré comme l'âme de la Comédie-Française, il en est toujours l'auteur le plus joué. Impitoyable pour le pédantisme des faux savants, le mensonge des médecins ignorants, la prétention des bourgeois enrichis, Molière aime la jeunesse qu'il veut libérer des contraintes absurdes. Très loin des rigueurs de la dévotion ou de l'ascétisme, son r?'le... |
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L'ecole Des Femmes
(12/31/1969) Molière"s classic verse comedy: the folly of one man"s attempt to mold the "perfect" wife — and his eventual undoing as she outsmarts him --This text refers to an out of print or unavailable edition of this title. |
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The Imaginary Invalid
(12/31/1969) A hypochondriac, victimized by pompous physicians, tests the loyalty of a loving daughter and discovers the contempt of his scheming and greedy second wife. This classic comedy from one of the most brilliant satirists in the history of literature deflates the pretensions of society and reveals the universal frailties of humanity. |
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Gross Indecency: The Three Trials of Oscar Wilde
(12/31/1969) In three short months, Oscar Wilde, the most celebrated playwright and wit of Victorian England, was toppled from the apex of British society into humiliation and ruin. Drawing from trial documents, newspaper accounts, and writings of the key players, Moises Kaufman ignites an incendiary mix of sex and censorship, with a cast of characters ranging from George Bernard Shaw to Queen Victoria herself. |
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Performing Spanishness
(12/31/1969) José María Rodríguez Méndez is a noted playwright, an acerbic cultural critic, and a political dissident under Franco. In Performing Spanishness, the first English-language examination of Méndez’s life and work, Michael Thompson sets the playwright’s lifelong struggle against censorship in the context of Spain’s shifting national identity. Méndez’s work presents “Spanishness” not as a static trait, but as an ongoing performance; Performing Spanishness is an indispensable resour... |
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The Two Gentlemen of Verona
(12/31/1969) The Two Gentlemen of Verona is a comedy by William Shakespeare, believed to have been written in 1590 or 1591. It is considered by some to be Shakespeare's first play, and is often seen as his first tentative steps in laying out some of the themes and tropes with which he would later deal in more detail; for example, it is the first of his plays in which a heroine dresses as a boy. The play also deals with the themes of friendship and infidelity, the conflict between friendship and love, and th... |
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Teaching Drama to Young Children
(12/31/1969) Teaching Drama to Young Children has been written for teachers of children aged five to eight who would like to teach drama, but are not sure how to begin. |
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Mary McCarthy's Theatre Chronicles
(12/31/1969) This volume brings together Miss McCarthy's lively controversial essays on the theatre from the 1930's up to the present day. The intelligence and vitality of the author's analysis brings past productions of Shakespeare, Shaw, Ibsen, Chekhov, Wild, Odets, Saroyan, Wilder back to the reader with immediacy and freshness. Written in her trenchant prose, Miss McCarthy's articles on the drama are amusing, sharp, original and penetrating. |
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Readers Theatre: What It is and How to Stage It
(12/31/1969) A complete guide to Reader's Theatre--what it is and how to stage it--including four award-winning scripts by Charles LaBorde, Jo Davidsmeyer, Caroline E. Wood, and Robert Hawkins. (Performing Arts) |
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