When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
This sounds like a terrific season, and both actors should be terrific in their respective roles.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
IRMA LA DOUCE is one of these classic 1960's musical comedies that has pretty much vanished from the reperetoire. The 1963 film cut all of the songs an played it as a basic comedy. There has never been any kind of revival on Broadway. I recall reading some years ago that the rights were in limbo and the show was unavailable for performance. The only time I have seen this staged was a delightful production at the Startford Festival in 1989.
The cast album (still in print on CD from Sony) makes a strong case for the show. I hope Encores will do it justice.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
I'm honestly not overly familiar with Irma La Douce, but do any of you have dream casting for the title role? (or any of the roles in any of the shows, really)
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
She might be "long-in-the-tooth" for Rosabella, but after Kelli O'Hara's splendid Julie in CAROUSEL, I wouldn't mind seeing her do it. And I'm usually the first one to say, "Please not Kelli, again!", as wonderful as she is. Just not Kate Baldwin, who's all wrong for the part.
LITTLE ME has a terrific score, and it's hysterical, but if any of these shows are a "lost masterpiece", it's MOST HAPPY FELLA. It's done enough, and people know it, but not like they know that OTHER show that opened in 1956.
I love Most Happy Fella so so much. I saw a gorgeous regional production in Houston in the 90s and have longed to see it again fully staged with a big orchestra. To me, it's one of the landmarks of dramatic musical theatre and I would still love to see this made into a feature film (all the underscoring is already so cinematic).
Sutton Foster and Curtis Holbrook as Cleo and Herman, please. kthnx
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I seem to recall reading an interview with Rob Fisher where he said he would definitely return to conduct at Encores if they did MOST HAPPY FELLA. I love Rob's conducting, so I hope that is indeed the case.
In Irma, how about Cheyenne as the boyfriend and Nathan Lane as the narrator? I saw the original and it was one of the most delightful things I've ever seen on the stage, anytime, anywhere.
Every year I patiently wait for them to announce MACK & MABEL and they never do, here's to another year. Hard to complain with this line-up though, sounds exactly like the kind of shows Encores! should be doing...speaking of Hilty and MACK & MABEL, she'd be an ideal Mabel.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"