AlliAndTheCats said: "I'm seeing the show on Broadway May 31st. Can anyone give a rundown on who I'll be seeing assuming all the principals are on that evening?"
If all the principals are on, it will be the currently listed cast on the website - no one seems to be leaving a principal role before then.
I also did a late show and had no issues getting home (not being local I had no idea the L shuts down early, which was a fun surprise). Took a lyft back to Manhattan; the street it is on was very quiet and I had no issue waiting outside.
The show itself is incredible and I cannot recommend it enough.
I'd argue the best example of this was in years with shows like FOSSE or AIN'T MISBEHAVIN', where no one was playing named characters, but people still ended up with Tony Noms.
The experience of Candide literally depends on what version of the show they're doing and which book they're using. There's at least six separate librettos for that show, though at the moment I think only two or three are licensable. All of them suffer from problematic storytelling and bloating, but man oh man is that score fantastic. If it's at an opera house or concert hall, absolutely go...the chance to hear that score with a full orchestra should never ever ever
He's not performing the 15th-17th. They didn't post it on the website, but if you look REAL close it is notated on certain performances on the vendini website.
Hey everyone; I've wound up with three tickets to the Shakespeare Center of LA production of Henry IV that I can’t use. These went on PreSale today and somehow I've already managed to goof it up and get them for a day where my date can't go. I purchased tickets for another day and am now trying to sell these for face value or best offer to alleviate my losses. Row K seats 401 - 403; Seats On the Center Aisle.
Well known to this show's target audience? Absolutely. He's an original cast member of a smash hit broadway musical that the producers of Be More Chill are consciously trying to emulate.
I saw a very good SUNDAY with Kelli O'Hara and Manoel Felciano during the brief period of time where she not yet a giant star and he was still a thing.
Ohhhhhhh I can top this. Like, don't get me wrong, that's AWFUL and even by 1961 standards it's horrendous, but it at least is intended as a send-up of hypermasculine postering...I hope. It's so over the top I can't imagine any song praising Stanley Kowalski would be meant to be taken seriously.
But digging further back into Broadway's long, glorious history; from one of the first smash hit musical comedies, way back in 1896, THE GEISHA, comes thi
So for those of us on the other side of the country who have no chance to see this...who was this special guest who shows up in "Give My Regards to Broadway"? (I have a guess, but I'd love confirmation)
