Review: The Festival d'Avignon Presents LE MOINE NOIR By KIRILL SEREBRENNIKOV
When it was announced that the 2022 Festival d'Avignon season would be headed by an adaptation of Chekhov in La Cour d'Honneur, I was skeptical.
Wesley Doucette - Page 3
Review: The Festival d'Avignon Presents ONE SONG By MIET WARLOP
What if Philip Glass led The Ramones? This is as good an introduction as any to Miet Warlop's One Song, which recently premiered in the Festival d'Avignon's Cour du Lycée Saint Joseph.
Review: The Festival d'Avignon Presents SANS TAMBOUR By SAMUEL ACHACHE
One possible translation of the city name 'Avignon' would be 'The Windy City.
Olivier Py Announces Programming for the Festival d'Avignon 2022
'Il Était Une Fois' or 'Once Upon A Time' is the theme of this year's Festival d'Avignon.
BWW Review: Twyla Tharp and the Reinvention of Modern Dance by Marcia B. Siegel
Assigning shape and motivation to New York-based dance institutions can be a sisyphean task for the historian.
Olivier Py Announces Festival d'Avignon Programme Amid Coronavirus Concerns (Includes Update)
With a backdrop of (as of this writing) West End theatres closed until late May, Broadway theatres closed until early June, and the cancellation of The Edinburgh Theatre Festival in August, artistic director Olivier Py announced the programme for this July's Festival d'Avignon.
BWW Review: Nederlands Dans Theater at New York City Center
The performers of Nederlands Dans Theater fuse exacting execution and creative ambition to create grotesque, haunting, and sublime images.
BWW Review: New York City Ballet's NEW COMBINATIONS
What happens when a choreographer goes off the beaten path? This past Friday's New Combinations program at The New York City Ballet staged unique works in the repertory of four icons of the field: Wheeldon, Peck, Robbins, and Ratmansky.
BWW Review: New York City Ballet's THE NUTCRACKER
Nostalgic rose-colored glasses so tint few works as The Nutcracker.
BWW Review: THE GREAT TAMER at BAM
Throughout The Great Tamer, choreographer Dimitris Papaioannou makes his audience witness violent absences, ponderous stillness, and tender presence.
BWW Review: AVIGNON THEATRE FESTIVAL Presents £¥€$ by Ontroerend Goed
Compagnie flamande, Ontroerend Goed s'est spécialisée dans des spectacles situés à la lisière du théâtre et de la performance artistique.
BWW Review: UN HOMME by Ultima Necat at LA CASERNE
Basée sur une nouvelle de Charles Bukowski titré Un Homme tiré du recueil Au sud de nulle part publié en 1973.
BWW Review: American Ballet Theatre's SWAN LAKE
Swan Lake is an icon, the Hamlet of the ballet world and, much like Hamlet, audiences might need reminding that it is more than images and a melody; it is a bizarre and symphonic evening-length work of poetry.
BWW Review: HARLEQUINADE at the American Ballet Theatre
ABT's choreographer, Alexei Ratmansky, has pulled out all the stops for his earnest revival of Petipa's oft-forgotten 1900 hit, Harlequinade, now in performance at The Met Opera.
BWW Review: ON THIS SIDE OF THE WORLD by PAULO TIROL
On This Side of the World, now playing at Access Theatre, has a cast that would make any production green with envy.
BWW Review: New York City Ballet's ALL BALANCHINE
This past year, while attending an extraordinary program at Paris's Opéra Garnier which featured the Paris Opera Ballet tackling, among other works, Pina Bausch's Rite of Spring, I wondered to myself, 'Why is New York still the house of Balanchine?' Sure, it could be argued other choreographers hav
Festival d'Avignon Announces Summer Season
This month Artistic Director Olivier Py unveiled the poster for the 73rd Festival d'Avignon, which will take place in the medieval city between July 4th and 23rd.
BWW Review: THE DIARY OF THE ONE WHO DISAPPEARED at BAM
Under the direction of Ivo Van Hove, Czech composer's Leos Janacek's song cycle, The Diary of One Who Disappeared, is given a rare performance by Muziektheater Transparant.
BWW Review: NYCB Classic at Lincoln Center
The NYCB's five-part 'Classic NYCB' program, performed this past Wednesday, February 6th at Lincoln Center, featured a broad choreographic landscape.
BWW Review: OPERA GRAND AVIGNON Presents L'OPERA DE QUAT'SOUS
Brecht and Weill's The Threepenny Opera (l'Opera de Quat'Sous in French) is one of those works that became the hallmark of its era.
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