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Nancy Grossman - Page 13

Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.
 

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BWW Review: CABARET: Goosebumps and Goose-steps

BWW Review: CABARET: Goosebumps and Goose-steps

February 4, 2017

Roundabout Theatre Company's North American tour of its award-winning CABARET revival is a stunning production that stands out in high relief to the theatrics playing in our nation's capital.

BWW Review: SOMETHING ROTTEN! National Tour Starts Here!

BWW Review: SOMETHING ROTTEN! National Tour Starts Here!

January 23, 2017

With nine Tony Award nominations under its belt, SOMETHING ROTTEN! closed on Broadway on January 1, 2017, and barely took a breather before hitting the road with three of its principal players reprising their roles.

BWW Review: FINGERSMITH: A Twice-Told Tale

BWW Review: FINGERSMITH: A Twice-Told Tale

December 15, 2016

The American Repertory Theater reunites with Oregon Shakespeare Festival Artistic Director Bill Rauch to present FINGERSMITH, Alexa Junge's adaptation of Sarah Waters' 2002 novel of the same name.

BWW Review: Mozart's Music Lifts Moonbox Productions' AMADEUS

BWW Review: Mozart's Music Lifts Moonbox Productions' AMADEUS

November 28, 2016

Moonbox Productions, Director Allison Olivia Choat, and Music Director Dan Rodriguez pay precise attention to the musical framework of Peter Shaffer's AMADEUS, with music performed by the Baroque ensemble Grand Harmonie Orchestra.




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