Harmony Wheeler has worked for theatres including Sierra Repertory Theatre, Modesto Performing Arts, and The Hanover Theatre. Her byline has appeared with the Sierra Lodestar, The Modesto Bee, The Chimes at Biola University (where she served as News Editor), StaticMultiMedia.com, and more. She holds a degree in Journalism, Public Relations.
An artistic masterpiece in every way, Cutting Ball Theatre's modern interpretation of the classic, yet rarely staged, Pelleas and Melisande, conquers a small theater with feats of innovative staging and energetic acting. BWW Reviews: RACE Challenges Audiences Now Through Nov 13 October 27, 2011
In every case there are two fictions, two sides, each trying to tell the better story, each trying to triumph. Law isn't about justice. It's about winning. The truth is elusive. As personal prejudices come into play, the truth sneaks further and further into the background, especially in cases involving race and sex. Pulitzer Prize winner, David Mamet's play RACE explores the various prejudices and positions in racial arguments. Refreshingly, Mamet does not take sides. Instead, he focuses on getting the audience to think and to speak for themselves. BWW Interviews: Monica Cappuccini as Maria Callas in MASTER CLASS Now Through Nov 6 October 26, 2011
Monica Cappuccini returned to the stage three and a half years ago after seventeen years away from acting. Now, she's mounting what she calls a dream role, the role of Maria Callas in Terrence McNally's play Master Class, playing now through November 6 at Hillbarn Theatre. Master Class recently had a Broadway Revival starring Tyne Daly in New York. The production received high praises from critics. BWW Interviews: Craig Ashurst, Principal Dancer, RIVERDANCE October 26, 2011
Everyone dreams of being a prince or princess, or some Disney character. Trevor Allen lived that dream for four years as a college student playing various Disney characters at Disneyland, but he experienced a very different Disney than the one people see at the movies or in Fantasy Land. Now, years later, he gives theatre goers a behind the scenes look at Disneyland and the people behind the characters in his play 'Working for the Mouse,' which returns to EXIT Theatre in San Francisco this fall.BWW Reviews: MASTER CLASS Has Presence Now Through Nov 6 October 24, 2011
'Master Class' is all about presence, and Hillbarn Theatre definitely has presence. A small theatre with big ambitions, the company has successfully helmed a play that requires presence - a lot of presence - especially from its actors.