Harmony Wheeler has worked for theatres including Sierra Repertory Theatre, Modesto Performing Arts, and The Hanover Theatre. Her byline has appeared with the Sierra Lodestar, The Modesto Bee, The Chimes at Biola University (where she served as News Editor), StaticMultiMedia.com, and more. She holds a degree in Journalism, Public Relations.
With beautiful, golden sets and a blessedly wonderful cast, the problem with Lamplighter's production of "The Mikado" does not result from a lack of talent.
When you're dealing with a musical version of a classic like 'The Little Mermaid,' it becomes nearly impossible to botch a show enough to give viewers reason to hate it.
Masterfully communicated through the art of minstrel storytelling, Kander and Ebb's "The Scottsboro Boys" turns around the stereotypes and exaggerated personalities that encouraged racism in the early 1900s to create a surprisingly poignant musical that celebrates the voice of the individual and rem
Charles Osborne, star of Modesto Performing Art's 'Anything Goes,' talks to BroadwayWorld about his role as Billy Crocker and what audiences can expect from the Cole Porter Musical.
The ultimate musical on peer pressure, sex and parties, "Grease" always wins out as a good time, despite shallow characters that overshadow deeper truths.
Polka dots, neon and pastel colors, and innovative use of projector technology comprise a cheerful and vivid new production of Mozart's The Magic Flute, which premiered Wednesday night at the San Francisco Opera Memorial House.
Audience members laughed and smiled as if they had never before seen Rodgers and Hammerstein's "The Sound of Music" at Saturday night's Roger Rocka's Dinner Theater performance of the classic musical.
BroadwayWorld talks with 'Thanks for Playing: The Game Show Show' co-creator Shannon Guggenheim about the future of the show and of the Retro Dome, as well as the history, making of and themes of the show.
Perhaps the reason the film version of the musical The Producers did not do so well as its Tony-award winning Broadway counterpart because it lacked that special magic that only live theatre can give.