Fiona Scott - Page 8

Andrew Whyment is a theatre director and Artistic Director of Squint. He is currently an Associate of the National Youth Theatre and formerly Resident Assistant Director at Leeds Playhouse. Whyment spoke to us about the workshops Squint has been running to help artists continue writing and devising theatre.

Public Domain is a rapid whistle-stop tour through the world of Facebook, Instagram and the like. The verbatim show uses snippets from real social media posts and news broadcasts to curate scenes that highlight the lighter and darker shades of sharing our lives online.

Damien Stanton and Chris Marcus are the team behind the now iconic “The Show Must Go On!” Campaign. Merchandise featuring the slogan and lettering from sixteen of London’s West End shows has helped raise millions for those in the theatre sector who have fallen on financial hardship in recent months.

Adam Blanshay is a Tony Award-nominated Producer, behind London productions such as Notre Dame de Paris, Waitress and Come From Away. We spoke to Blanshay about The Theatre Channel and where it’s going next!

Oliver Lansley is the Artistic Director of Les Enfants Terribles Theatre Company, known for immersive productions such as Alice’s Adventures Underground and Marvellous Imaginary Menagerie. We spoke to him about his career and the company’s latest production, Sherlock Holmes: An Online Adventure – The Case of the Hung Parliament.

Like many UK venues, Leicester’s Curve Theatre has had to quickly adapt to the everchanging COVID-19 situation. Having just transformed their two theatres into one enormous “in-the-round” space, the Curve’s concert revival of their hit 2017 production of Sunset Boulevard was transformed into a fully online show to view at home, directed by Nikolai Foster.

Mischief's Jonathan Sayer (Company Director) and Henry Lewis (Artistic Director) chat to Tom Hayden Millward (@WestEndReporter) about Mischief Movie Night In. Stick around until the end of the interview and you'll be treated to our very own production of The Zoom Call That Goes Wrong!

It’s been a bit of a year hasn’t it? To see out the last of 2020, we shared 24 theatre memories from this year on our Instagram account (if you’re not already following us, come on over!) to count down to Christmas. Here is the entire calendar in all its glory with some links to our favourite articles from 2020.

Everybody’s Talking About Jamie has been a West End hit for the past three years. I have had the privilege of witnessing not only the show’s growth but also the development of a community surrounding the production itself since I created the fan page on Instagram.

Broadcasted mere hours after the change in Christmas COVID restrictions in the UK, the RSC’s Festive Tales brings some much-needed escapism. We are met with an empty theatre dotted with candles in lanterns and a lone voice singing a carol. It really magnifies the emptiness of our performance spaces at the moment.

With Christmas plans suddenly disrupted for many people in the UK, We Need A Little Christmas available from Stream.Theatre is the perfect way to spend an hour or so. If you have a favourite Christmas song, it’s almost definitely on the setlist

I thought it might be helpful to outline the numbers we have so far from the leading vaccine clinical trials using theatre venues to understand better how many people were used in vaccine tests.

The theatre industry going dark as a result of the pandemic was heart-breaking for theatre-lovers across the world. But when your family runs an independent Fringe venue in central London, it cuts deeper still.

Natasha Rickman is a director who has previously worked on Twelfth Night for the RSC and more recently several digital shows such as A Virtual Reality and Merry Wives of WhatsApp for Creation Theatre. She spoke to us about her latest project, an interactive Christmas show with Iris Theatre, The Snow Queen: An Online, Storytelling Adventure. I learn something new every time I make or watch an online show

Simon Startin was recently announced as the new artistic director of disabled-led theatre company Vital Xposure, taking over from Julie McNamara. We spoke to him about taking on this exciting and important role.

Paige Jarratt is making her professional debut in The Arts Centre’s production of Red Riding Hood in Hounslow. She spoke to BroadwayWorld about getting her first job during this challenging time for the theatre industry.

Perth Theatre sadly can’t have audiences along to its annual pantomime this year but they have come up with a fun alternative show via Zoom. Audiences can watch and join in with Oh Yes We Are!

J.M. Barrie’s 1911 novel about the boy who never grew up is often staged around this time of year. However, a show about a rabble of “lost boys” would prove challenging to produce in the current circumstances. The Barn Theatre has found a way around this.

Tom Hayden Millward (@WestEndReporter) had a chat with The Pin Duo, made up of Ben Ashenden and Alex Owen. The pair recently premiered their debut play The Comeback at the Noël Coward Theatre.

Lee Mead is known for his roles in Wicked, Casualty, Holby City, Joseph and more. He is now releasing his first Christmas single, “In My Arms For Christmas”. Mead spoke to us about the song and returning to panto at Milton Keynes Theatre this year.