Review: THE BUDDHA OF SUBURBIA, Barbican Theatre
'I’ve seen it before, and I’ll see it again… Just little bits of history repeating.
Debbie Gilpin - Page 3
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'The tempest in my mind doth from my senses take all feeling else, save what beats there.
Review: REDLANDS, Chichester Festival Theatre
'The quality of mercy is not strained; it droppeth as the gentle rain from heaven upon the place beneath.
Review: PRINCESS ESSEX, Shakespeare's Globe
“Oh, I do like to be beside the seaside…” Anne Odeke’s play about the first woman of colour to enter a beauty pageant in the UK is a celebration of a bit of Essex’s history that has previously flown under the radar, as well as an interrogation of the effect of empire and patriarchy on the
Review: BBC PROMS: PROM 70 – PROKOFIEV'S ROMEO AND JULIET, Royal Albert Hall
Another helping of Shakespeare, in this otherwise rather Eastern European-themed Prom.
Review: BBC PROMS: PROM 68 – BRITTEN'S A MIDSUMMER NIGHT'S DREAM, Royal Albert Hall
“What angel wakes me from my flowery bed?” More often than not, when Shakespeare is adapted into different formats, the text is largely lost but the story remains - not so in this case.
Review: BBC PROMS: PROM 58 – MÄKELÄ CONDUCTS SYMPHONIE FANTASTIQUE, Royal Albert Hall
“Can you tell me what it is, this capacity for emotion, this force of suffering that is wearing me out?” The focal point of Prom 58 was Hector Berlioz’s 49-minute “Episode in the Life of an Artist”, his Symphonie fantastique; written while he was still in his twenties and at the mercy of h
Review: BBC PROMS: PROM 47 – DOCTOR WHO PROM, Royal Albert Hall
“Never seen a TARDIS before?” For many in attendance at the Royal Albert Hall, this probably is quite likely! The Proms haven’t had any adventures in time and space since Doctor Who’s 50th anniversary celebrations back in 2013, so its return was well overdue - especially as there have been s
Review: ANTONY & CLEOPATRA, Shakespeare's Globe
'Age cannot wither her, nor custom stale her infinite variety.
Review: BBC PROMS: PROM 33 – TITANS OF BRITISH MUSIC, Royal Albert Hall
There has always been much conjecture over what it really means to be British – most recently, a group of self-proclaimed “patriots” got together and trashed libraries, independent businesses, and community hubs across the country in the name of supposedly getting their country back.
Review: PERICLES, Swan Theatre, Stratford-Upon-Avon
'‘Tis time to fear when tyrants seems to kiss.
Review: BBC PROMS: PROM 24: PURCELL'S THE FAIRY QUEEN, Royal Albert Hall
During the Restoration and beyond, there were numerous attempts at rewriting Shakespeare - one famous example being Romeo and Juliet changing to a happy ending.
Review: THE PROMISE, Minerva Theatre, Chichester
'To promise nearly fifty million people truly universal health care - ‘cradle to the grave’ - is crackers.
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“I believe in nothing.
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Unlike the Last Night of the Proms, which has developed its own mythology and status (thanks to the traditions that surround it), the First Night of the Proms is not bound by any particular structure or the need to play any specific pieces; there’s a freedom to it that spills out into the audience
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“What we need is harmony, fresh air, stuff like that.
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“More matter for a May morning.
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“This way, you win, no matter what.
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“People don’t pay to see Reginald Dwight, they pay to see Elton John!” In the sea of ubiquitous biopic-by-numbers that is modern cinema, one film really stood out from the crowd.
BWW Review: COCK, Minerva Theatre
First performed at the Royal Court in 2009, Mike Bartlett's play Cock has been revived as part of the Chichester Festival season at the Minerva Theatre, following on from Michael Frayn's Copenhagen.
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