BWW Review: HENRY V, Donmar Warehouse
What a time to be opening a play about war, nationalism, and power.
Debbie Gilpin - Page 6
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After a couple of years of staying at home and catching up on all the boxsets and films you never got round to watching, it appears the West End has had a similar idea; Saturday Night Fever is the latest movie-based musical to hit the stage, joining the likes of Dirty Dancing, Back to the Future, Pr
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Public fascination with unexpected celebrity pairings is not a new thing; before 50 Cent and Bette Midler buddied up, two very different artists were thrown together in the hope that some extraordinary work would be produced - what resulted was a genuine connection and a friendship that would endure
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“I am Heathcliff – he’s always, always in my mind.
BWW Review: POIROT AND MORE, A RETROSPECTIVE, Harold Pinter Theatre
Another theatrical knight has been making his way around the country’s theatres over the past few weeks, in a bid to encourage audiences out of their homes for an evening’s entertainment; Sir David Suchet follows in Sir Ian McKellen’s footsteps with this show, which now enjoys a run in the Wes
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What links Boy George, botflies, black holes and basking sharks? No, this isn’t a question from Only Connect, it’s a snapshot of the line-up for this year’s Christmas Compendium show hosted by Professor Brian Cox and Robin Ince.
BWW Review: THE MUPPET CHRISTMAS CAROL IN CONCERT, Royal Albert Hall
“Leave comedy to the bears, Ebenezer!” Back in 1992, the idea that the Muppets could do a passable version of Charles Dickens’ classic novella may have been a stretch of the imagination for some, but fast forward to 2021 and it’s a tradition for many; “I didn’t realise this many people l
BWW Review: MEASURE FOR MEASURE, Sam Wanamaker Playhouse
Life in the UK at the moment feels uncannily like we’re going through a ‘Worst of the 70s’ playlist: periods of no economic growth, food shortages, an increase in the cost of living, and rumblings over a referendum on Europe.
BWW Review: THE WIFE OF WILLESDEN, Kiln Theatre
“All were worthy men in their degree.
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After months of refurbishments and closure due to coronavirus, the Royal Albert Hall is back open and ready to celebrate its 150th anniversary.
BWW Review: GET UP, STAND UP! THE BOB MARLEY MUSICAL, Lyric Theatre
“Emancipate yourselves from mental slavery.
BWW Interview: Audrey Brisson talks THE FLYING LOVERS OF VITEBSK at Bristol Old Vic
Following the success of their Romantics Anonymous livestream, Wise Children are back at Bristol Old Vic with an early Christmas present for theatre-lovers: a limited run of Kneehigh’s The Flying Lovers of Vitebsk.
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As the series draws to a close, completing 40 shows within eight months, actor and director Robert Myles looks back on the successes of The Show Must Go Online and the rise of Zoom theatre.
Get All The Latest Updates With Our 2020 Olivier Awards Live Blog!
Even coronavirus can't stop the Olivier Awards ceremony - today is the day we've all been waiting for since its postponement back in April, as all the winners are finally revealed to the world.
BWW Review: JOE BONAMASSA, Royal Albert Home
Joe Bonamassa is no stranger to the Royal Albert Hall, having played there six times in his career to date a?" so it seemed only right that he join the Royal Albert Home concert line-up before the current series makes way for two weeks of the BBC Proms.
BWW Review: KAISER CHIEFS, Royal Albert Home
It was an important year for me, 2004.
BWW Review: SEA SHAMBLES, Royal Albert Home
Following on from their 2018 Space Shambles, the Cosmic Shambles Network was due to make a return to the Royal Albert Hall for Sea Shambles a?' a celebration of the Blue Planet by way of science, music, and comedy.
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Following a short run in Bristol at the beginning of the year, Wise Children's Romantics Anonymous was due to head across the Atlantic for an American tour a?' and their new tour of Malory Towers was also on the verge of opening in Cumbria.
BWW Review: COCK, Minerva Theatre
First performed at the Royal Court in 2009, Mike Bartlett's play Cock has been revived as part of the Chichester Festival season at the Minerva Theatre, following on from Michael Frayn's Copenhagen.
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