EDINBURGH 2026 Review: I THINK I HATE ACTORS, Just The Tonic At The Caves
Roo Sutcliffe is funny.
Cindy Marcolina - Page 4
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EDINBURGH 2026 Review: SANCTUARY, Pleasance Dome
What did our critic think of SANCTUARY at Pleasance Dome?
EDINBURGH 2026 Review: REDACTED: THE COVER-UP OF A COVER-UP OF A COVER-UP, Pleasance Dome
What really happened in Roswell in 1947? Marnie Makowski, a valiant journalist in search of her missing sister, has set off on an outlandish journey to find out the truth.
EDINBURGH 2026 Review: LETTERS TO JOAN – A LOVELY NEW PLAY, Pleasance Courtyard
Streit seamlessly jumps between timelines alongside Kevin Cahill, who portrays her grandfather, reciting from the missives and digging through memories.
EDINBURGH 2026 Review: THE WETNESS, Just The Tonic At The Caves
What did our critic think of THE WETNESS at Just The Tonic At The Caves?
EDINBURGH 2026 Review: REMEMBER, REMEMBER!, Pleasance Dome
This might be the next Fringe hit musical.
EDINBURGH 2026 Review: STAY A LITTLE LONGER, Pleasance Courtyard
Her (Rachel Nicholson) and Him (Charlie Sheepshanks) met at university and have been together ever since.
EDINBURGH 2026 Review: ALREADY HERE, Gilded Balloon Patter House
SJ Hodges writes and stars in a very unchallenging take on AI, intimacy, and grief, introducing a woman who believes in love in spite of her tragic history.
EDINBURGH 2026 Review: HAPPIEST I'VE EVER BEEN, Just The Tonic At The Caves
It’s an endearing mix of sweet darkness and bitter resentment.
EDINBURGH 2026 Review: THE WOLF OF POYAIS, Assembly Roxy
“Any c**t can sell a pen, it takes a genius to sell a pen that’s not there.
EDINBURGH 2026 Review: TWITCH, Underbelly Bristo Square
Some hour-long shows at the Fringe are the longest hour-long shows you’ll ever see.
EDINBURGH 2026 Review: PINK RABBIT (Preview), Underbelly Bristo Square
This is a delight of a play.
EDINBURGH 2026 Review: IN THE BLACK, Underbelly Bristo Square
In prison, a young Black man tells his story.
Review: -320°F, Sadler's Wells
Hideki Noda reintroduces his idiosyncratic blend of movement and drama in a production that’s grounded by a strong philosophical framework and soars with brilliantly theatrical imagination.
Review: CYRANO DE BERGERAC, Starring Adrian Lester, Noël Coward Theatre
Edmond Rostand’s classic comes back to the West End with a new adaptation by Simon Evans and Debris Stevenson.
Review: THE MISANTHROPE, starring Sandra Oh
If Molière was preoccupied with censorship and retaliation, Crimp shows an obsession for cancellation.
Review: MEAT CUTE, The Other Palace
Turning 30 has always been portrayed by the media as a dead end, especially for women.
Review: SLAUGHTERHOUSE-FIVE, Southwark Playhouse
Kurt Vonnegut’s anti-war sci-fi is probably one of the most censored novels of the 20th century.
Review: THE TEMPEST, Starring Kenneth Branagh
Kenneth Branagh has returned to Stratford-upon-Avon to tread the boards of the Royal Shakespeare Theatre, where we last saw him 33 years ago as the Prince of Denmark directed by Adrian Noble.
Review: MEGAN HILTY, Theatre Royal Drury Lane
It might still be some time until Death Becomes Her hits London, but the West End was ablaze with its spirit this past weekend, when Megan Hilty graced the stage of the Theatre Royal Drury Lane.
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