Azuka Oforka’s powerful debut play transports us to the Llanrumney sugar estate in Saint Mary Parish, Jamaica, in 1765, where Elizabeth Morgan (Nia Roberts) lays the law as an unwed modern entrepreneur who’s facing the failure of her crops.
Vampires have always had that sexy je ne sais quoi.
We live in a time where Trump has been accusing the Democratic Party of Communism since his first campaign.
Each Thursday night, the most unlikely of groups meet to play Dungeons and Dragons.
The production checks off each convention you might think belongs to non-Jamie Lloyd contemporary theatre one after the other.
Marnie never chose to be a mum.
Transferring from a successful run in Bath a few years ago, Oliver Cotton wants to marry politics and art to work his way up to the encounter between an ageing Johann Sebastian Bach and Frederick II of Prussia.
What do Shakespeare and James Cameron have in common? Before Rupert Goold took hold of the Bard’s tragic masterpiece, the answer would have been ‘nothing’.
Entertainment is rotten business.
A nation in need, an unsuitable king, banishments, murders, attempted coups.
Amy Leach directs Tatty Hennessy’s adaptation of Orwell’s shockingly relevant novella, exploring greed and corruption in a sophisticated production that integrates British Sign Language.
The Prozorov sisters are desperate for entertainment.
The road to the perfect commemorative photograph is anything but smooth with their two unruly personalities.
It’s a meticulously organised ten-track album.
Let's get it out of the way: if you have no interest in the material, if you're averse to fantasy fun, or if you're not willing to buy into a style that's far removed from western realism, this is not for you.
![Review: ANTIGONE [ON STRIKE], Park Theatre](https://cloudimages2.broadwayworld.com/columnpiccloud/200200-ea82d40db7d31233f16137b58aa382d1.jpg?format=auto&width=220)
Sophocles is the blueprint for an interactive exploration of the public opinion of extremism in Alexander Raptotasios Antigone [on strike].
An anonymous package arrives in Colin’s post, sending him into a spiral.
As the release of his third studio recording, 'Things that Come and Go' approaches, we sat down with Hadley Fraser to discuss music, his influences, what he listens to, and what music means to him.
Erik Kahn’s play tested very positively in the States early last year and has gained even more resonance since then.
After a stellar run in Stratford-upon-Avon, Joe Murphy and Joe Robertson’s RSC-fuelled project takes hold of London.
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