Review: IT WALKS AROUND THE HOUSE AT NIGHT, Southwark Playhouse
In spite of being one of the most difficult genres to stage, horror theatre is having its moment.
Cindy Marcolina - Page 6
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Review: THE SOUND OF ABSENCE, Omnibus Theatre
The sudden passing of her father kick-starts a profound identity crisis in Lenore.
Review: EVENING ALL AFTERNOON, Donmar Warehouse
“What a thing to have a mother!” That’s how Anna Ziegler’s new play ends.
Review: THE STORY OF PEER GYNT: AN EVENING WITH KÅRE CONRADI, The Coronet Theatre
f we’re speaking technically, a dramatised lecture is an educational performance that joins drama and academia in order to make the topic more entertaining to the public.
Review: DEEP AZURE, Sam Wanamaker Playhouse
While most people knew Chadwick Boseman for his blockbuster appearances in the Marvel Cinematic Universe as T’Challa/Black Panther, the actor was also a playwright and director.
Review: 1.17AM, OR UNTIL THE WORDS RUN OUT, Finborough Theatre
Two best friends, the ghost of Katie’s brother, a secret.
Review: SWEETMEATS, Bush Theatre
Delicious comic timing carries the humour with an effervescent pace, while the cultural aspect of the script adds a bittersweet layer to it.
Review: HERE THERE ARE BLUEBERRIES, Stratford East
Sometimes a play is far more valuable than what the four walls of a theatre can hold.
Review: DEAR LIAR, Jermyn Street Theatre
Showbusiness is rife with affairs; it’s the reason tabloids exist.
Review: MAGGOTS, Bush Theatre
If you input “what does death smell like?” into Google, you’ll get a variety of results saying that it depends on the conditions of the body.
Review: THE GAMBLER, The Coronet Theatre
Japanese company Chiten Theatre returns to the Coronet with an energetic adaptation of Dostoevsky’s novel The Gambler.
Review: THE OPHIOLITE, Theatro Technis
When Penelope’s father passes away in England, the family divides: where should he be buried? His Greek Cypriot sister thinks ancient tradition should take over, but his wife refuses to move his body abroad.
Review: LOST ATOMS, Lyric Hammersmith Theatre
There’s nothing like a great love story.
Review: AMERICAN PSYCHO, Almeida Theatre
Make no mistake, the writing is dated and it’s far from being a masterpiece, but the production does something that’s so specifically disturbing that it’s difficult to ignore.
Review: BALLAD LINES, Southwark Playhouse Elephant
A journey through time and memory, Ballad Lines must be one of the most exciting new musicals to hit the stage in some time.
Review: CABLE STREET, Marylebone Theatre
October 1936, Oswald Mosley and the British Union of Fascists march on East London.
Review: JO - THE LITTLE WOMEN MUSICAL IN CONCERT, Theatre Royal Drury Lane
Is there a story more universally connected to the experience of girlhood than Little Women? Louisa May Alcott’s 1868 coming-of-age novel is a beloved read across the world, with its descriptions of sisterly devotion, struggle, love, and loss.
Review: A GRAIN OF SAND, Arcola Theatre
Since the 7th of October 2023 nearly 20000 children have been killed in Gaza.
Review: THE OLIVE BOY, Southwark Playhouse
Life doesn’t stop when 15-year-old Ollie’s mum dies suddenly.
Review: THE HIGHGATE VAMPIRE, Omnibus Theatre
London, 1970s.
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