Review: END OF THE RAINBOW, starring Jinkx Monsoon
Hollywood legend Judy Garland is preparing to take the stage at the infamous Talk of the Town theatre-restaurant in 1968.
Cindy Marcolina - Page 5
Latest Articles
Review: STAGE KISS, Hampstead Theatre
Art imitates life, and life imitates art in Sarah Ruhl’s 2014 play Stage Kiss.
Review: THE LAST MAN, Southwark Playhouse Elephant
A virus has decimated the entire population, turning them into zombies.
Review: THE WASP, Southwark Playhouse
An awkward school reunion between childhood friends turns into a seething, horrid thriller in Morgan Lloyd Malcolm’s play The Wasp.
Review: ESCAPED ALONE, The Coronet Theatre
Caryl Churchill meets ‘il dolce far niente’ in this reimagined production of her 2016 play Escaped Alone.
Review: FILMS IN CONCERT: THE LORD OF THE RINGS TRILOGY, Royal Albert Hall
It takes just under ten hours to appreciate J.
Review: UCCELLINI (LITTLE BIRDS), The Coronet Theatre
Ghosts, death, and the local fauna join the living in a house in the middle of the woods.
Review: THE RESISTIBLE RISE OF ARTURO UI, starring Mark Gatiss
A corrupt lot steeped in scandal puppeteers the economy.
Review: BETWEEN THE RIVER AND THE SEA, Royal Court Theatre
“I’m just here to talk about my divorce,” says Yousef Sweid right after a preamble about the reception of political productions.
Review: HEART WALL, Bush Theatre
Kit Withington writes a lightweight exegesis of grief, briefly touching upon what it means to grow up and leave home.
Book Review: STAGE COMBAT: ARMED (RAPIER & DAGGER) by Roger Bartlett, Nick Hern Books
“This book is about portraying a safe and dramatically effective staged fight using rapier and dagger,” so begins Roger Bartlett’s latest volume.
Review: FLYBY, Southwark Playhouse
The Last Five Years meets Gravity to introduce their unfortunate lovechild.
Review: ROMEO & JULIET, starring Sadie Sink & Noah Jupe, Harold Pinter Theatre
Robert Icke is back in the West End with another star-studded classic in tow.
Review: HENRY V, Royal Shakespeare Theatre
Henry V of England is one of those big roles for an actor.
Review: JOHN PROCTOR IS THE VILLAIN, Royal Court Theatre
When John Proctor is the Villain opened on Broadway last year, it lit a fire.
Review: WHERE THERE IS NO TIME, Seven Dials Playhouse
Politically involved art is crucial to the healthy functioning of a nation.
Review: R.O.I. (RETURN ON INVESTMENT), Hampstead Theatre
Loeb certainly offers a list of thought-provoking provocations but doesn’t delve into anything that’s not already obvious if you’re a cynical mind.
Review: 5:45, Theatreship
Routine is Maya’s religion.
Review: CHILDREN OF THE NIGHT, Southwark Playhouse
The tail end of the 90s is shaking the walls of Southwark Playhouse’s studio space.
Review: THEATRE FOR ONE, Barbican
The best of Irish playwriting lands at the Barbican in an exciting project.
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