Review: AMERICAN PSYCHO, Almeida Theatre
Make no mistake, the writing is dated and it’s far from being a masterpiece, but the production does something that’s so specifically disturbing that it’s difficult to ignore.
Cindy Marcolina - Page 3
Review: BALLAD LINES, Southwark Playhouse Elephant
A journey through time and memory, Ballad Lines must be one of the most exciting new musicals to hit the stage in some time.
Review: CABLE STREET, Marylebone Theatre
October 1936, Oswald Mosley and the British Union of Fascists march on East London.
Review: JO - THE LITTLE WOMEN MUSICAL IN CONCERT, Theatre Royal Drury Lane
Is there a story more universally connected to the experience of girlhood than Little Women? Louisa May Alcott’s 1868 coming-of-age novel is a beloved read across the world, with its descriptions of sisterly devotion, struggle, love, and loss.
Review: A GRAIN OF SAND, Arcola Theatre
Since the 7th of October 2023 nearly 20000 children have been killed in Gaza.
Review: THE OLIVE BOY, Southwark Playhouse
Life doesn’t stop when 15-year-old Ollie’s mum dies suddenly.
Review: THE HIGHGATE VAMPIRE, Omnibus Theatre
London, 1970s.
Review: THE BFG, Royal Shakespeare Theatre
Co-Artistic Director of the RSC Daniel Evans brings to life one of Roald Dahl’s most darkly beloved children’s books in an utterly thrilling adaptation by Tom Wells.
Review: THE PLAYBOY OF THE WESTERN WORLD, starring Nicola Coughlan and Siobhán McSweeney
Considered the first Irish “state of the nation” play, it’s now turned into a historical vignette imbued with hoarse black comedy.
Review: THE GRIM, Southwark Playhouse
There’s nothing like a good comic horror to keep you warm in the wintertime, but you will find no such thing at Southwark Playhouse.
Review: ALL MY SONS, starring Bryan Cranston and Marianne Jean-Baptiste
This is Ivo van Hove’s triumphant return to the West End.
Review: THE HUNGER GAMES: ON STAGE, Canary Wharf Troubadour Theatre
Housed in a purpose-built venue in Canary Wharf, it’s a behemoth.
Review: COVEN, Kiln Theatre
Directed by Miranda Cromwell, it’s a mixed bag: invigorating and galvanising on one hand, sermonic and overly explanatory on the other.
Review: MORE THAN ONE STORY, Trafalgar Theatre
If there is one message that those who were in attendance at More Than One Story LIVE on 9 November absorbed through their skin, it is that “The arts don’t belong to a few, they belong to everyone.
Review: FATHERLAND, Hampstead Theatre
A life coach and his struggling daughter embark on a journey to find their Irish roots.
Review: THE MEAT KINGS! (INC.) OF BROOKLYN HEIGHTS, Park Theatre
Artistic Director of Papatango George Turvey presents the winner of their 2024 New Writing Prize: The Meat Kings! (Inc.
Review: COUNTESS DRACULA, Camden People's Theatre
Cindy Marcolina’s journal.
Review: PRAYERS FOR A HUNGRY GHOST, Barbican
The Barbican has the perfect Halloween show.
Review: MACBETH, starring Sam Heughan and Lia Williams
Something wicked this way comes: it’s another exciting high-concept Shakespeare.
Review: THIS LITTLE EARTH, Arcola Theatre
For her debut, playwright Jessica Norman leans into the singular speculation that “the people in power” keep us humble citizens from the truth.
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