Review: HENRY V, Royal Shakespeare Theatre
Henry V of England is one of those big roles for an actor.
Cindy Marcolina - Page 2
Review: JOHN PROCTOR IS THE VILLAIN, Royal Court Theatre
When John Proctor is the Villain opened on Broadway last year, it lit a fire.
Review: WHERE THERE IS NO TIME, Seven Dials Playhouse
Politically involved art is crucial to the healthy functioning of a nation.
Review: R.O.I. (RETURN ON INVESTMENT), Hampstead Theatre
Loeb certainly offers a list of thought-provoking provocations but doesn’t delve into anything that’s not already obvious if you’re a cynical mind.
Review: 5:45, Theatreship
Routine is Maya’s religion.
Review: CHILDREN OF THE NIGHT, Southwark Playhouse
The tail end of the 90s is shaking the walls of Southwark Playhouse’s studio space.
Review: THEATRE FOR ONE, Barbican
The best of Irish playwriting lands at the Barbican in an exciting project.
Review: IT WALKS AROUND THE HOUSE AT NIGHT, Southwark Playhouse
In spite of being one of the most difficult genres to stage, horror theatre is having its moment.
Review: THE SOUND OF ABSENCE, Omnibus Theatre
The sudden passing of her father kick-starts a profound identity crisis in Lenore.
Review: EVENING ALL AFTERNOON, Donmar Warehouse
“What a thing to have a mother!” That’s how Anna Ziegler’s new play ends.
Review: THE STORY OF PEER GYNT: AN EVENING WITH KÅRE CONRADI, The Coronet Theatre
f we’re speaking technically, a dramatised lecture is an educational performance that joins drama and academia in order to make the topic more entertaining to the public.
Review: DEEP AZURE, Sam Wanamaker Playhouse
While most people knew Chadwick Boseman for his blockbuster appearances in the Marvel Cinematic Universe as T’Challa/Black Panther, the actor was also a playwright and director.
Review: 1.17AM, OR UNTIL THE WORDS RUN OUT, Finborough Theatre
Two best friends, the ghost of Katie’s brother, a secret.
Review: SWEETMEATS, Bush Theatre
Delicious comic timing carries the humour with an effervescent pace, while the cultural aspect of the script adds a bittersweet layer to it.
Review: HERE THERE ARE BLUEBERRIES, Stratford East
Sometimes a play is far more valuable than what the four walls of a theatre can hold.
Review: DEAR LIAR, Jermyn Street Theatre
Showbusiness is rife with affairs; it’s the reason tabloids exist.
Review: MAGGOTS, Bush Theatre
If you input “what does death smell like?” into Google, you’ll get a variety of results saying that it depends on the conditions of the body.
Review: THE GAMBLER, The Coronet Theatre
Japanese company Chiten Theatre returns to the Coronet with an energetic adaptation of Dostoevsky’s novel The Gambler.
Review: THE OPHIOLITE, Theatro Technis
When Penelope’s father passes away in England, the family divides: where should he be buried? His Greek Cypriot sister thinks ancient tradition should take over, but his wife refuses to move his body abroad.
Review: LOST ATOMS, Lyric Hammersmith Theatre
There’s nothing like a great love story.
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