Review: THE BFG, Royal Shakespeare Theatre
Co-Artistic Director of the RSC Daniel Evans brings to life one of Roald Dahl’s most darkly beloved children’s books in an utterly thrilling adaptation by Tom Wells.
Cindy Marcolina - Page 7
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Review: THE PLAYBOY OF THE WESTERN WORLD, starring Nicola Coughlan and Siobhán McSweeney
Considered the first Irish “state of the nation” play, it’s now turned into a historical vignette imbued with hoarse black comedy.
Review: THE GRIM, Southwark Playhouse
There’s nothing like a good comic horror to keep you warm in the wintertime, but you will find no such thing at Southwark Playhouse.
Review: ALL MY SONS, starring Bryan Cranston and Marianne Jean-Baptiste
This is Ivo van Hove’s triumphant return to the West End.
Review: THE HUNGER GAMES: ON STAGE, Canary Wharf Troubadour Theatre
Housed in a purpose-built venue in Canary Wharf, it’s a behemoth.
Review: COVEN, Kiln Theatre
Directed by Miranda Cromwell, it’s a mixed bag: invigorating and galvanising on one hand, sermonic and overly explanatory on the other.
Review: MORE THAN ONE STORY, Trafalgar Theatre
If there is one message that those who were in attendance at More Than One Story LIVE on 9 November absorbed through their skin, it is that “The arts don’t belong to a few, they belong to everyone.
Review: FATHERLAND, Hampstead Theatre
A life coach and his struggling daughter embark on a journey to find their Irish roots.
Review: THE MEAT KINGS! (INC.) OF BROOKLYN HEIGHTS, Park Theatre
Artistic Director of Papatango George Turvey presents the winner of their 2024 New Writing Prize: The Meat Kings! (Inc.
Review: COUNTESS DRACULA, Camden People's Theatre
Cindy Marcolina’s journal.
Review: PRAYERS FOR A HUNGRY GHOST, Barbican
The Barbican has the perfect Halloween show.
Review: MACBETH, starring Sam Heughan and Lia Williams
Something wicked this way comes: it’s another exciting high-concept Shakespeare.
Review: THIS LITTLE EARTH, Arcola Theatre
For her debut, playwright Jessica Norman leans into the singular speculation that “the people in power” keep us humble citizens from the truth.
Review: THE WANDERERS, Marylebone Theatre
It’s an extensive rumination on family, Jewishness, marriage, and the boundaries of emotional infidelity, but it neglects the nuances and peculiarities of the characters, who ultimately remain two-dimensional figurines with very little identity.
Review: THE UNBELIEVERS, Starring Nicola Walker
Miriam’s 15-year-old son is nowhere to be found.
Review: RAGDOLL, Jermyn Street Theatre
In early 1974, American actress Patty Hearst was brutally abducted from her flat in California by the Symbionese Liberation Army, deemed the first far-left terrorist organisation.
Review: BOG WITCH, Soho Theatre Walthamstow
Kimmings propels the plot with meta-theatrical orchestrated chaos.
Review: DA VINCI'S LAUNDRY, Riverside Studios
Keelan Kember writes a morally compromised microcosm where art is money, status, violence, and power.
Book Review: A YEAR OF CREATIVE THINKING by Jessica Swale
Branded as “366 Daily Inspirations for Writers & Artists,” this compendium of prompts contains an abundance of inspiration.
Review: DRACULA, Lyric Hammersmith
Now that days are getting colder and nights are getting longer, it’s time to get spooky.
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