Jenny Minich

Jenny Minich Jennifer Minich is a DC native and a trained classical vocalist who has performed and worked throughout the DC Metro area. She has an MSc in Museum Studies from the University of Glasgow and a BA in Vocal Performance and Art & Archaeology from Hood College in Frederick, MD. Although she no longer performs, she is happy to have found a way to contribute to the DC performing arts scene.


MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: THE SCHOOL FOR LIES at Shakespeare Theatre CompanyBWW Review: THE SCHOOL FOR LIES at Shakespeare Theatre Company
Posted: Jun. 8, 2017


BWW Review: HIR at Woolly Mammoth Theatre CompanyBWW Review: HIR at Woolly Mammoth Theatre Company
Posted: May. 28, 2017


BWW Review: MA RAINEY'S BLACK BOTTOM at 1st StageBWW Review: MA RAINEY'S BLACK BOTTOM at 1st Stage
Posted: Jun. 12, 2017


LAST 365 DAYS

BWW Review: I WANNA FUCKING TEAR YOU APART at Studio TheatreBWW Review: I WANNA FUCKING TEAR YOU APART at Studio Theatre
Posted: Feb. 7, 2017


BWW Review: Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? at Ford's TheatreBWW Review: WHO'S AFRAID OF VIRGINIA WOOLF at Ford's Theatre
Posted: Jan. 29, 2017


BWW Review: THREE SISTERS AND NO SISTERS  at Studio TheatreBWW Review: THREE SISTERS AND NO SISTERS at Studio Theatre
Posted: Mar. 22, 2017


BWW Review: Welcome Yule with A NORDIC CHRISTMAS REVELS at Lisner AuditoriumBWW Review: Welcome Yule at A NORDIC CHRISTMAS REVELS
Posted: Dec. 12, 2016


BWW Review: ZOMBIE PROM A MUSICAL at Unexpected Stage CompanyBWW Review: ZOMBIE PROM A MUSICAL at Unexpected Stage Company
Posted: Oct. 10, 2016


BWW Review: MA RAINEY'S BLACK BOTTOM at 1st StageBWW Review: MA RAINEY'S BLACK BOTTOM at 1st Stage
June 12, 2017

Important content and several exceptional performances outweigh 1st Stage's flawed production of August Wilson's Ma Rainey's Black Bottom.

BWW Review: THE SCHOOL FOR LIES at Shakespeare Theatre CompanyBWW Review: THE SCHOOL FOR LIES at Shakespeare Theatre Company
June 8, 2017

DC is a topsy-turvy, satirical farce; or so it seems this morning. Happily, so is The School for Lies. At least The School for Lies is fiction and man, it felt good to laugh.

BWW Review: HIR at Woolly Mammoth Theatre CompanyBWW Review: HIR at Woolly Mammoth Theatre Company
May 28, 2017

HIR is the conscientiousabsurdist's guide to confronting 'the world order.' It'scrazy watchable, like some kind of substantive, impactful, topsy-turvy sitcom. Mac's characters are flamboyant and talk very loud about all the things that our parents told us not to discuss in public.And it's wonderful!

BWW Review: OPERA REVIEW: MADAME BUTTERFLY AT THE WASHINGTON NATIONAL OPERABWW Review: OPERA REVIEW: MADAME BUTTERFLY AT THE WASHINGTON NATIONAL OPERA
May 9, 2017

Madame Butterfly is a tragic tale with a colorful beginning. Giacomo Puccini's turn-of-the-century opera is accessible and engaging, tailor-made for opera buffs and newbies alike.

BWW Review: DOUBT: A PARABLE  at Quotidian Theatre CompanyBWW Review: DOUBT: A PARABLE at Quotidian Theatre Company
April 10, 2017

Director Stevie Zimmerman's Doubt is a somber, fast-moving production.

BWW Review: WELL at 1st StageBWW Review: WELL at 1st Stage
March 27, 2017

Why are some people well and others unwell? Playwright Lisa Kron's Well, asks the hard questions. In this s-called 'multi-character theatrical exploration,' Kron (Adurey Bertaux) is the star in her play-within-a-play chronicling her real-life experiences growing up in Lansing, Michigan in the 1960s.

BWW Review: THREE SISTERS AND NO SISTERS  at Studio TheatreBWW Review: THREE SISTERS AND NO SISTERS at Studio Theatre
March 22, 2017

Staged in tandem, playwright and director Aaron Posner's contemporary original No Sisters and Anton Chekhov's modern classic Three Sisters (1901) fuse the classic and the contemporary in a power move that is calculated to attract theatregoers of all persuasions.

BWW Review: BROTHER MARIO  at Flying V TheatreBWW Review: BROTHER MARIO at Flying V Theatre
February 28, 2017

A mash-up between Super Mario and Checkhov's Uncle Vanya, Brother Mario is a weird little play and there is reallyno way around that.InBrother Mario,Flying V Theatre, Playwright Seamus Sullivan, and Director Paul Reismandeftly straddlethe void between fringe and professional theatre.

BWW Review: I WANNA FUCKING TEAR YOU APART at Studio TheatreBWW Review: I WANNA FUCKING TEAR YOU APART at Studio Theatre
February 7, 2017

ln the world premiere ofI Wanna Fucking Tear You Apart, playwright and director Morgan Gould explores a friendship between two people who aren't 'normal.'

BWW Review: Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? at Ford's TheatreBWW Review: Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? at Ford's Theatre
January 29, 2017

Albee's characters are shockingly volatile. They curse, they drink and they revel in inflecting pain. It's funny, heartbreaking and yes, slightly familiar. Who's Afraid of Virginia Woolf? may have debuted in 1962 but the truth it provokes still feels relevant.

BWW Review: THE HARD PROBLEM  at Studio TheatreBWW Review: THE HARD PROBLEM at Studio Theatre
January 18, 2017

The Hard Problem is the brainchild of Czechoslovakian-born British playwright Sir Tom Stoppard. Contrary to all scientific intelligence, Hilary clings to the mysterious. In the spirit of the scientific method, the audience must as: but why? As Dramaturg Lauren Halvorsen notes so concisely, the tension between knowledge and mystery pervades the play.

BWW Review: Welcome Yule with A NORDIC CHRISTMAS REVELS at Lisner AuditoriumBWW Review: Welcome Yule with A NORDIC CHRISTMAS REVELS at Lisner Auditorium
December 12, 2016

Journey into the wonders of Nordic winter traditions with A Nordic Christmas Revels! Explore the folklore of Denmark, Finland, Iceland, Sweden and Norway through music, song and dance.

BWW Review: A CHRISTMAS CAROL MEMORY at Creative CauldronBWW Review: A CHRISTMAS CAROL MEMORY at Creative Cauldron
December 5, 2016

Playwright Jennifer Clements re-imagines and re-frames A CHRISTMAS CAROL to be'vivid and meaningful to a contemporary audience.' Set in modern times, A CHRISTMAS CAROL MEMORY tells the tale of a fragmented family coping with loss during the holidays. Written with the best of intentions, A CHRISTMAS CAROL MEMORY is (if nothing else) festive.

BWW Review: STRAIGHT WHITE MEN AT STUDIO THEATRE at Studio TheatreBWW Review: STRAIGHT WHITE MEN AT STUDIO THEATRE at Studio Theatre
November 15, 2016

Christmas is a time for family...a time for STRAIGHT WHITE MEN by female playwright Young Jean Lee.

BWW Review: THE DAUGHTER OF THE REGIMENT at Washington National OperaBWW Review: THE DAUGHTER OF THE REGIMENT at Washington National Opera
November 14, 2016

Despite it's bombastic and highly visible ensemble of cheery papas, THE DAUGHTER OF THE REGIMENT is a showcase for its two stars, Oropesa and Brownlee.

BWW Review: THE NIGHT ALIVE at Quotidian Theatre CompanyBWW Review: THE NIGHT ALIVE at Quotidian Theatre Company
October 25, 2016

I walked into The Writer's Center last Saturday cold and unfamiliar with the works of THE NIGHT ALIVE playwright Conor McPherson or Quotidian Theatre Company. Walking out, I was a happier person.

BWW Review: ZOMBIE PROM A MUSICAL at Unexpected Stage CompanyBWW Review: ZOMBIE PROM A MUSICAL at Unexpected Stage Company
October 10, 2016

Never heard of ZOMBIE PROM until today? Me neither! Unexpected Stage Company did some digging, found a gem and dusted it off just in time for the 2016 Halloween season. Set in the hallways and classrooms of Enrico Fermi High in the nuclear fifties, ZOMBIE PROM is an old-fashioned love story with a zombie twist.

BWW Review: LOVE'S LABEERS LOST at LiveArtDC and Grain of Sand Theatre - Shakespeare in a Frat HouseBWW Review: LOVE'S LABEERS LOST at LiveArtDC and Grain of Sand Theatre - Shakespeare in a Frat House
September 30, 2016

LOVE'S LABEERS LOST is Shakespeare in a frat house in a bar. Director Sara Bickler has always wanted to direct Shakespeare's LOVE'S LABOURS LOST, a little produced comedy without a happy ending.