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Review: SARASOTA BALLET - PROGRAMME 1 at Royal Opera House - Linbury Theatre
by Matthew Paluch - June 05, 2024
'wit, charm and elegance' are the words used to describe the work of Royal Ballet founding choreographer Sir Frederick Ashton (1904-1988). English ballet, or rather style wouldn't exist without him, so The Frederick Ashton Foundation have understandably instigated the Ashton Worldwide (2024-2028) in...
Interview: 'There Was Definitely Blood Involved. Blood And An Accordion': voidspace live's Katy Naylor Discusses Immersive Theatre And Her New Interactive Festival
by Franco Milazzo - May 25, 2024
The post-pandemic rush of immersive theatre in London has been very hard to ignore with new shows popping up every month. Next month, this resurgent art form is celebrated with voidspace live, a packed day produced by Theatre Deli and Voidspace Zine editor Katy Naylor which showcases over a dozen wo...
Guest Blog: 'I Have a Lot More to Learn From Her': Theatre Maker Flo O'Mahony on Ableism, Joy and Creating A PERFECT SHOW FOR RACHEL
by Guest Author - May 24, 2024
Perfect Show for Rachel was developed with my sister Rachel, to create a show on her own terms. It explores who defines artistic taste, and questions who that currently excludes....
Review Roundup: What Did the Critics Make of John Caird's Adaptation of SPIRITED AWAY?
by Aliya Al-Hassan - May 09, 2024
Studio Ghibli’s Oscar-winning Spirited Away, created by legendary animator and director Hayao Miyazaki is re-imagined for the stage by Olivier and Tony award-winning director of Les Misérables, John Caird. The original Japanese cast perform this extraordinary production with wildly imaginative puppe...
Interview: 'It's Championing Women's Friendships and Voices.': Rebekah Hinds and Bronté Barbé on KATHY & STELLA SOLVE A MURDER!
by Kat Mokrynski - May 23, 2024
Recently we had the chance to chat with Bronté Barbé and Rebekah Hinds, who play Kathy and Stella, respectively. We discussed what it’s been like to have been a part of the show since the beginning, bringing the production to the West End and how the fans have played an important role in the show....
Review: THE CHERRY ORCHARD, Donmar Warehouse
by Alexander Cohen - May 03, 2024
An excellent cast are let down by self-obsessed direction....
Review: THE SLEEPING BEAUTY, Sadler's Wells
by Matthew Paluch - April 25, 2024
Is there anything similar to The Sleeping Beauty overture? With Tchaikovsky filling the theatre with full-blown fairy tale drama - it's quite the opener.
...
Review: CALENDAR GIRLS, The Mill at Sonning
by Mica Blackwell - April 22, 2024
Unlike Firth’s decision to stretch out the film’s first half for the musical, confusingly ending it on the long-awaited calendar photoshoot, his play adaptation allows the audience to see the impact the calendar has on the outside world and the women’s personal lives....
Interview: 'It's Like Romeo and Juliet': Actor Alex Young on Fan Interactions and Staying Cool in Auditions for STRANGER THINGS: THE FIRST SHADOW
by Kat Mokrynski - May 03, 2024
Recently, we had the chance to chat with Alex Young, who plays Virginia Creel, Henry Creel’s mother, in Stranger Things: The First Shadow. We discussed what it has been like being part of the stage version of a beloved television series, how it feels to be taking on a role seen on the screen and som...
Review: DANCE ON ENSEMBLE, Sadler's Wells
by Matthew Paluch - April 18, 2024
“When are we old? How can experience and embodied knowledge be brought into creative play? And what is the role of dance in questioning the idealisation of youth in our culture?”
...
Past Shows
The Three Little Pigs
10/21
Stuff and Nonsense Theatre Company present a joyful, family-friendly retelling of The Three Little Pigs. There’s a wolf coming... But for now, the Three Little ...
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