by Gary Naylor - January 17, 2026
The sad end and glorious high points of the still much-loved cheeky chappie are explored in a worthy two-hander...
by Vikki Jane Vile - January 16, 2026
It’s only four days since the sugar rush of Aaron S. Watkin’s Nutcracker wrapped up a run of forty performances. Frothy and colourful, it is in stark contrast to Akram Khan’s Giselle...
by Amber-Rae Stobbs - January 16, 2026
Who gets to decide where, or what, ‘home’ is? For many, it’s a place: the town or city you were born in; the destination you’ve always felt drawn to, regardless of the reason; or maybe it’s a building, somewhere you feel your safest. It’s to no one's surprise that when you ask a Geordie where their...
by Cindy Marcolina - January 17, 2026
Life doesn’t stop when 15-year-old Ollie’s mum dies suddenly. Ollie Maddigan’s autobiographical one-man play returns to London after a shower of praise around the country. The Olive Boy tells the story of a young boy attempting to navigate grief and an estranged father against a tsunami of adolescen...
by Clementine Scott - January 16, 2026
Haven’t we all wanted to have a chat with our inner child at some point? And what if the inner child is not quite as faultless and innocent as we may think?...
by Clementine Scott - January 15, 2026
The stage is immediately set for a confrontation. We the audience are looking down the length of a Victorian dining table, lit from beneath, poised perfectly for domestic rows to erupt before the meal is even served....
by Franco Milazzo - January 14, 2026
Let’s get the essentials out of the way. Ovo — Portuguese for “egg” — catapults you into a bug-infested universe where creepy-crawlies are given the Cirque du Soleil treatment as they jump, flip, dance and contort around a giant inflatable egg. The oval centrepiece is about 28 feet wide and 22 feet ...
by Aliya Al-Hassan - January 12, 2026
Set in the American West of the 1800s, High Noon rides on themes as relevant now as they were then. Courage vs. Cowardice. Justice vs. Peace. Duty vs. Desire. And at its heart, is the bond between Will Kane and Amy Fowler – a love tested by impossible choices as the clock ticks down to the return of...
by Gary Naylor - January 10, 2026
Denise Gough and Rosa Salazar also excel in unexpectedly deeply moving stage version of the much-loved movie...
by Clementine Scott - January 09, 2026
Opera as a whole may be too reliant on museum pieces, on endless identikit revivals designed to secure bums on seats. But in the case of Richard Eyre’s 1994 La traviata, the old adage might be true: if it ain’t broke, don’t fix it....
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