Review: BAD BOOKS at Round House Theatre
Experience a compelling take on censorship with Round House Theatre's Bad Books, exploring free speech's pitfalls during National Library Week.
The latest reviews and critic recommendations from Washington, DC.
Experience a compelling take on censorship with Round House Theatre's Bad Books, exploring free speech's pitfalls during National Library Week.
The Mark Morris Dance Group returned to the Kennedy Center this week for two nights of performances of Moon, a new work created for the Center’s Earth to Space festival which runs through April 20.
Leonardo! is a wonderful human machine full of texture, heart, and creativity.
Devotees of Downton Abbey may be be surprised when Hugh Bonneville pops up as title character in the Shakespeare Theatre Company’s first rate staging of Anton Chekhov’s Uncle Vanya.
Grab your bunny slippers and pop some popcorn.
Professor Woland’s Black Magic Rock Show continues through April 13 at Spooky Action Theatre, operating at the Universalist National Memorial Church.
What did our critic think of TWYLA THARP DANCE DIAMOND JUBILEE at The Kennedy Center?
What did our critic think of AMERICAN FAST at Theater Alliance?
What did our critic think of NEW YORK CITY BALLET'S COPPÉLIA at Kennedy Center Opera House?
When I walked into the Keegan Theatre Saturday evening to see the galvanizing play #Charlottesville, I noticed two changes since I reviewed this play at the Capital Fringe Festival one year and eight months ago: this play is no longer about one portentous and isolated incident but, rather, this play
The elite performers of Complexions Contemporary Ballet took to the Opera House stage from March 20th to the 22nd for their first full company engagement at the Kennedy Center.
What did our critic think of SISTER ACT at Ford's Theatre?
hang takes its time getting to what the play is actually about.
What did our critic think of YOUR NAME MEANS DREAM at Theater J?
And it always is with Synetic.
NextStop Theatre invites the DC-Metro area to church with Chicken & Biscuits, which runs through April 6th.
Best Medicine Rep’s DC premiere of John Morogiello’s Blame it on Beckett is a hilarious reminder that sometimes, the real dramas play out in the back offices of our beloved regional theaters.
A vibrant, kinetic bit of Beatles nostalgia.
It’s a Motherf**cking Pleasure, directed by Josh Roche, goes rapidly back and forth between a play and commentary (as well as a little bit of audience interaction) that addresses ableism, and this makes the fictional play hard to follow.
A Room in the Castle, by Lauren M.
With a stellar cast and a fantastic creative team, 'The Margriad' is a thoughtful exploration of power and those who are willing to give – and lose – everything in the pursuit of it.
What did our critic think of WOMBAT DROOL at Nu Sass Productions And Uncle Funsy Productions?
What did our critic think of DRAGONS LOVE TACOS at Adventure Theatre MTC?
Saturday evening’s performance of Mulan: A Legend Reimagined at Capital One Hall was a ninety-minute retelling of the classic Chinese folk story of the young woman who impersonates a soldier and ends up successfully defending her country.
What did our critic think of RIVERDANCE 30: THE NEW GENERATION at The Kennedy Center Opera House?
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