TORONTO THEATRE NEWSROOM - Page 139

This is the final week to submit nominations for the 2019 BroadwayWorld Toronto Awards, brought to you by TodayTix! Don't miss your chance to make sure your favorite Toronto, Theatres are represented!

Boldly interweaving dance, puppetry, set, music, lights, and live-action video design, DanceWorks is proud to present IN ABSENTIA, a stunning new multimedia work produced by Toronto-based collective JDdance.

Emmy Award winning costume designer & SCTV alum, Juul Haalmeyer & Communications Coach, Dr.

For a different kind of night out, look no further than Beyond Mental Borders and their collection of mental tests.

To kick off its new season, Théâtre français de Toronto (TfT) is offering Ionesco's seditious and absurd comedy, The Bald Soprano.

All at once a sharp and powerful tale of family, gentrification, and social injustice, COAL MINE THEATRE is proud to announce its upcoming presentation of Stephen Adly Guirgis's Pulitzer Prize-winning BETWEEN RIVERSIDE AND CRAZY, directed by Gina Wilkinson Prize-winner Kelli Fox.

Responding to an era of rampant climate change denial, fake news, and increasingly fragile defences of truth, THEATRE GARGANTUA is proud to announce the World Premiere of THE WAGER, written by Michael Spence, directed by Jacquie P.

It's a circular story that's both deeply complex and utterly simple.

It's the weirdest and wonderful-est time of the year, and TodayTix is here with the best spooky, funky, and festive events and shows to complete your Halloween season.

Opening on November 15, Hart House Theatre continues to mark its 100th Anniversary Season and presents one of Shakespeare's most memorable political dramas.

If we're going by technical categorisation, THE PARTICULARS, on now at the Theatre Centre, is an experimental piece of drama that incorporates elements of dance and movement; if we're going by my own personal descriptor, THE PARTICULARS is a Fringe show with wings.

Classic horror movie tropes meet an inclusive, immersive experience in Aberrant Theatre's second annual Ghost Light Anthology production, CATACLYSM.

ALMIGHTY VOICE IS AND HIS WIFE is an enormous play, spanning an incredible breadth of theatrical technique and exploring, in depth, some of the most challenging questions of Canadian cultural memory.

Toronto Symphony Orchestra will perform the music of Rodgers and Hammerstein in April of 2020!

As they near the end of their first year, Beyond Mental Bordersa?"comprised of Armand Antony and Alexandra Brynna?"has seen their act go farther than they could have anticipated.

Nightwood Theatre announces the winner of the inaugural Strombergs Family Realization Fund: Dian Marie Bridge.

Talk Like You Theatre's IN THIS HOUSE, premiering at the Rendezvous With Madness Festival, explores the lives of four 20-something roommates living downtown.

With the new Tom Patterson Theatre taking shape on the banks of the Avon River, the Stratford Festival is thrilled to announce key casting as it builds the acting company for its monumental 2020 season.

This fall, Crow's Theatre raises the curtain on their biggest season to date, presenting an unmissable pairing of shows produced in partnership with two of the city's most enterprising independent theatre companies.

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Nightwood Theatre is pleased to announce its production of Every Day She Rose by Andrea Scott by Nick Green, running November 23-December 8, 2019.

Karen Kain, Artistic Director of The National Ballet of Canada and Barry Hughson, Executive Director today announced the great artistic and financial success of the 2018/19 season, which resulted in an operating surplus for the 10th consecutive year.

In a rewarding year of touring across rural Canada, Piano Six 'New Generation' are this month offering the rare opportunity for music enthusiasts in two larger, more central communities to experience their magic: Toronto and Brantford.

The Canadian Opera Company's RUSALKA utilizes Lyric Opera's 2014 production under the direction of Sir David McVicar, making his COC debut.

Broadwayworld spoke with producer Christopher Wilson about Toronto Musical Concert's upcoming production of URINETOWN, and why a show with a terrible name is still a great time.