EDINBURGH 2026: Review: CRYBABIES: THE SCARING, Pleasance Courtyard
Crybabies deliver a masterclass in cinematic sketch comedy, packing iconic horror tropes and relentless jump scares into an insanely funny Fringe hour.
Edinburgh Festival — Page 7
Articles, Videos, Photos and More About The Edinburgh Fringe Festival
SEEKSAW AI Fortune-Telling Satire to Make Edinburgh Fringe Debut
Pan Pan Collective will bring Seeksaw, a devised commentary on generative AI as modern-day fortune teller, to the Edinburgh Festival Fringe for a limited run.
CHUNXIANG'S SCHOOLROOM PRANK, THE PILLOW DREAM to Play Edinburgh Fringe
Jingkun Chinese Arts will present two Kunqu productions at the Edinburgh Festival Fringe, pairing a traditional comic opera with a contemporary reimagining of...
EDINBURGH 2026: Review: AMANDA DWYER: BETTER THAN REVENGE, The Stand Comedy Club
Amanda Dwyer delivers one of the most confident, dark hours of stand-up at this year's Fringe.
EDINBURGH 2026: Review: TED HILL: POWERPOINDEXTER, Studio Five @ Assembly George Square
What did our critic think of TED HILL: POWERPOINDEXTER at Assembly George Square?
EDINBURGH 2026: Review: LIL WENKER: BOYKING, Pleasance Courtyard, Bunker One
Lil Wenker is a force of energy. With absolute commitment and command of her craft, she storms onto the Edinburgh Fringe with BOYKING, a brand new clown horror...
EDINBURGH 2026: Review: HARRY JUN: INSIDE JOKES, OUTSIDE VOICES, Pleasance Courtyard, Bunker Three
Harry Jun wastes no time checking in with his sold out Edinburgh audience, first ensuring his Australian accent is decipherable, before conducting a racism...
EDINBURGH 2026: Interview: KT Tunstall on THE SINGER
BroadwayWorld catches up with Grammy-award nominee KT Tunstall to chat about writing the music for new show The Singer which opens at the Edinburgh Festival...
EDINBURGH 2026: Review: AMY MATTHEWS: DEFINITIONS OF TOAST, Monkey Barrel At O'Neills (The Tron)
Amy Matthews: Definitions of Toast is a brilliant stand-up show which finds humour in the mundane whilst exploring the complex human emotions that often sit...
EDINBURGH 2026: Review: ON SOME FAR SHORE, Greenside @ George Street
This show gently reminds us that the ones we love are never fully gone. The grief ebbs and flows, threatens to pull the characters under, the lifeboat their...
EDINBURGH 2026: Review: AMANDA KNOX: CARTWHEEL, Gilded Balloon
Amanda Knox is approaching forty, juggling motherhood and finally getting around to being furious about the whole wrongful-imprisonment thing. Especially when...
Maxwell Caulfield to Present PILATE: The Lost Gospel to Edinburgh Fringe
Maxwell Caulfield will star in the one-man drama Pilate: The Lost Gospel at the Edinburgh Festival Fringe, portraying Pontius Pilate in a play written by...
EDINBURGH 2026: Review: LARRY DEAN: HELLBENT, Pleasance Courtyard
Recently married, emotionally feral. The gallus Glaswegian goon returns with a riotous show about refusing to grow up. As seen on SNL, Live at the Apollo, QI...
EDINBURGH 2026: Review: BRITNEY: HOLY MACKEREL!
Thank God you're here! We have so much to tell you!! Charly Clive and Ellen Robertson (aka double act Britney) are back. And this time? They're doing sketches...
EDINBURGH 2026: Review: BOG WITCH, Traverse Theatre
A rare new play by Bryony Kimmings, renowned for her tearjerking and hilarious autobiographical theatre creations. As with all her previous shows (I’m a...
EDINBURGH 2026: Review: MAKING LOVE WITH DAVID MAGIDOFF, Assembly
Each night, David Magidoff (Dexter) interviews a celebrity about a real love story – then he and his ensemble turn it into a fully improvised musical!...
EDINBURGH 2026: Review: GARETH WAUGH: IS PEPSI OK?, Monkey Barrel 2
With carefully developed storytelling, plenty of laughs and a story that increasingly becomes more unbelievable as it unfolds, 'Is Pepsi OK?' proves that...
EDINBURGH 2026: Review: NEXT TO NORMAL, Paradise In Augustines
A slow warmup into the boiling crucible of grief. A mother and daughter struggling at different stages of the same journey. The devastating consequences of...
EDINBURGH 2026: Review: BRIT BARRON: CHURCH, Gilded Balloon Teviot
Brit Barron: CHURCH is a humorous, heartfelt and musically driven hour that explores faith, queerness and the complexities of being human.
EDINBURGH 2026: Review: CHRIS RUTTER: IGNORANCE IS CHRIS, The Stand Comedy Club
Chris Rutter's debut hour shows promise but lacks any big laughs.
EDINBURGH 2026: Review: THE SINGER, Traverse Theatre
The Singer is a bold, new, thrilling piece of gig-theatre about Joe, a deaf artist who “sings” with his hands, and Andy, a washed-up musician hungry for a...
EDINBURGH 2026: Review: CATHY, Traverse Theatre
Cathy is a new comedy inspired by writer Eilidh Loan's grandmother, and how she dealt with the grief in her unique way after losing her husband. Cathy...
EDINBURGH 2026: Review: HOW TO FEEL FEELINGS, The Space Triplex
This show grapples with the complex moral quandary of survival by following instructions. They are bound by the consequences of their actions, yet expected to...
EDINBURGH 2026: Review: MILKDRUNK, The Space @ Symposium Hall
Someone once told her that babies are natural comedians, and I can say with certainty that so is she. Cathleen O'Malley's startling one-woman show skims the...
EDINBURGH 2026: Review: RUARIDH MILLER: AUTOCORRECT THINKS MY NAME IS 'RUBBISH', Gilded Balloon
Autocorrect Thinks My Name is “Rubbish” is a sharp and thoroughly Scottish hour that finds plenty of comedy in class, identity and the strange rabbit hole that...
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