Where Are All of the Female Theatre Critics?
In this, the second installment in our series on women playwrights, the playwrights speak about critical interpretation of their work and the lack of powerful female critics.
← Back to Industry Insight - by Cara Joy David
In this, the second installment in our series on women playwrights, the playwrights speak about critical interpretation of their work and the lack of powerful female critics.
Stage dooring.
In this three-part series, BroadwayWorld spoke to over 20 female playwrights who have been produced in major NY theaters about what life in the theater is really like for them -- and what can be done to make it better.
Dancer/choreographer/teacher Chet Walker - a Fosse dancer who later co-conceived FOSSE and choreographed the 2013 PIPPIN revival - died on October 21 from a glioblastoma tumor.
Last week A SIGN OF THE TIMES -- was announced for a new developmental reading.
In August, when Actors’ Equity first announced it was seeking to represent adult dancers (aka strippers) at a California night club, many members expressed displeasure on social media.
It surprised the industry this week when playwright David Adjmi went public about his own tale of developing an Oscar Levant play with Sean Hayes – and not the one that will be seen on Broadway this spring.
In all of Broadway’s efforts to promote accessible tickets, there is little talk of “papering.
We hear a lot about making Broadway accessible.
Much publicity was given to the Broadway League’s decision to cease requiring vaccinations to enter a Broadway theater, but less attention was given to the behind-the-scenes changes that were implemented around that same time.
Everyone knows it is tough times for the theater industry.
It is 2021, but some in the Spanish speaking community still feel like they are not properly represented by Actors’ Equity Association (AEA).
We investigate what the plan is for the return of Broadway, with insight from the Broadway League, Broadway producers, industry insiders, and more!
The theater shutdown has been hard on everyone in the industry.
As readers know by now, the 2020 Tony Awards are going ahead based on a severely abbreviated season.
One thing you want in the middle of the COVID-19 pandemic is health insurance.
This week, I asked representatives from ten theatrical nonprofits in New York to speak with me.
This fall, I began looking into the overt sale of Broadway bootlegs.
A producer cannot just license any property s/he wants.
The discussion about how to get more diverse audiences--in terms of age, race, pretty much everything--in the theater has been going on for decades.
Years ago, when the popularity of cell phones started exploding, theaters in other countries started experimenting with the idea of using signal jammers to prevent cell phone use in the theater.
It used to be young Broadway performers rarely did their own shows, at least not in NYC.
Last week, many fans who couldn't fit in the theater got to enjoy part of the final performance of THE PROM courtesy of Beth Leavel's personal publicist.
Of course, everyone has been freaking out about the amount of closings announced in recent months.
Last year many families were disappointed by the lack of TheaterWorksUSA free summer theater, which had become someone of a New York City institution.