How AN AMERICAN DAUGHTER Revival Draws on Eight Different Versions of Wendy Wasserstein's Play
La Femme Theatre Productions built its off-Broadway AN AMERICAN DAUGHTER from eight versions of Wendy Wasserstein's play. Jean Lichty explains how.

La Femme Theatre Productions built its off-Broadway AN AMERICAN DAUGHTER from eight versions of Wendy Wasserstein's play. Jean Lichty explains how.
Legendary Broadway producer Manny Azenberg, 92, talks ticket prices, the loss of playwrights to screens, the rise of investor 'producers,' and whether theater...
It’s no secret that investing in shows is riskier than ever. Many longtime investors are turning away from the industry. So when a release promising a new...
The biggest change from prior years is at The New York Times, where Helen Shaw became the first female chief theater critic at the paper of record earlier this...
In December, word started spreading that the venue we know as 54 Below was hitting the rental market. Various area businesses were contacted by those who were...
Critics used to come to opening nights and rush back and write their reviews to try to get them in the early editions of next day’s newspaper. Eventually...
A nationwide look at regional theater marketing and community engagement, with lessons from Knoxville, Durham, Fayetteville, Nashville, Atlanta, and Branson on...
There has been a lot of press about the NYC Musical and Theatrical Production Tax Credit, but so much remains unclear. I continue to get regular questions...
It is bad for the state if Broadway falters. Broadway will falter if investment dries up. It is as simple as that. (I’m not sure how the “backfill” idea is in...
I’ve been writing about the lack of female representation in creative teams for at least 15 years. When I wrote a series on female playwrights a couple of...
Theater makers have a “show must go on” spirit. So it is no surprise that the vast majority of the over forty artistic leaders I spoke to in the last two weeks...
I was raised on television. So, it is no surprise that my first exposure to Linda Lavin was Alice, the reruns of which ran on a local New York channel when I...
Buyers of tickets to live performances sometimes feel like they should get their money back, but it’s usually when a star drops out, after seeing a show, or at...
It’s a season of merriment and tourism, when Broadway producers hope to make enough extra money to compensate for the dark days of winter ahead. But just how...
When the wild project launched its do-or-die capital campaign a couple of weeks back, an industry reeling from several hits to the off-off-Broadway community...
Rumors of the death of off-off-Broadway have been greatly exaggerated. In fact, the Alliance of Resident Theatres/New York (the organizing entity, such that...
Over the years, I’ve heard several black actors complain about how their preferred hair plan was dismissed by producers. Now one is suing producer NETworks...
Liz Kingsman’s One Woman Show arrived at off-Broadway’s Greenwich House Theater with what The New York Times’ Jason Zinoman called “enough buzz for an apiary.”...
Kim Moore, who appeared in Hadestown under the name Kim Steele, has sued the Hadestown producing entity alleging several counts of race discrimination and...
In January 2001, Carrington Vilmont made his Broadway debut in The Phantom of the Opera. He has spent the majority of the years since in the company, appearing...
Remember Garth Drabinsky’s case against Actors’ Equity Association? It is now no more. Equity has won its motion to dismiss the complaint filed by Drabinsky.
This week, the New York City Council passed a new ticket transparency bill. The law was not opposed by any of the major ticket services--Ticketmaster...
Jujamcyn Theaters’ fight for Covid-related insurance coverage has suffered a mighty blow. A Court in the Southern District of New York, which is a federal...
Broadway’s one-man A CHRISTMAS CAROL starring Jefferson Mays definitely managed magic. It is a rare show that leads even Broadway regulars to leave the theater...
Other than a handful of playwrights 30 and under, all the playwrights spoken to for this piece believe their sex has impacted their careers in the theater...