Review: 42ND STREET at Georgetown Palace Theatre
Georgetown Palace's ambitious production of 42ND STREET captures the joy and optimism of Broadway's Golden Age.
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Georgetown Palace's ambitious production of 42ND STREET captures the joy and optimism of Broadway's Golden Age.
Focusing on four lonely people in Southern California, it dramatizes the ever-shifting facets of our relationships as we struggle to be vulnerable and honest with others and ourselves.
Reviews are in for Broad Strokes, Cat Cohen's autobiographical one-woman musical comedy about mortality, recovery, and self-discovery.
Single tickets for the holiday engagement of A Christmas Carol at the King Center are set to go on sale, kicking off the venue's Broadway series with the Dickens classic.
North Coast Repertory Theatre has extended its production of SCAPIN, the Bill Irwin and Mark O'Donnell adaptation of Molière directed by Christopher Williams, due to popular demand.
CMC Rocks QLD announced dates for its 20th anniversary festival, which will return to Willowbank Raceway with Michael Chugg and Jeremy Dylan serving as festival directors.
Moonlight Stage Productions will present a revival of the Tony Award-winning musical as part of its 45th Anniversary Season at the Moonlight Amphitheatre in Vista, California.
The Rita Deanin Abbey Art Museum will bring back its RDA Performs concert series for a second season, featuring four intimate performances curated by pianist ALEXANDRIA LE exploring music, dance, and storytelling.
The Mischief production will bring its comic take on A Christmas Carol to the Sydney Opera House Concert Hall this festive season, marking its Australian premiere.
Center Repertory Company will open its new season with Tennessee Williams' THE GLASS MENAGERIE, directed by Artistic Director Matt M.
Intimate, reflective and emotionally layered, LOVESONG offers a 90-minute (presented in one act without intermission) poignant exploration of partnership, memory and the enduring tenderness that carries love across a lifetime.
Something Better Productions has released new production photos from the Off-Broadway premiere of Forget I Said Anything, now playing at Theatre Row.
InfraSound will present a three-day festival exploring the music and legacy of composer Sofia Gubaidulina, featuring panel discussions, chamber music and community events at St.
UB40 featuring ALI CAMPBELL will perform at Bergen Performing Arts Center in Englewood, New Jersey, bringing the reggae band's classic hits to the venue's stage.
Jaffrey's Park Theatre will host free, continuous screenings of Tootsie alongside a community celebration with live music, cake, and raffles to mark its fifth anniversary since a full rebuild.
Massey Hall will present Grammy-nominated singer-songwriter Nai Palm of Hiatus Kaiyote in a solo performance at TD Music Hall in Toronto.
Penguin Rep Theatre in Stony Point will present the world premiere of a new musical about asylum seekers, with book by BILL NABEL and music and lyrics by NEIL BERG and Nabel.
A stage adaptation of THE CASTLE, written by the film's original creators, is set to premiere in Melbourne at Her Majesty's Theatre, marking three decades since the film's release.
GALA will present the world premiere of GARBO: The Actor Who Saved the World, a drama about a double agent who misled the Nazis during World War II, written by Gustavo Ott.
Shyne will headline the 2622 LGND Tour at Loew's Jersey Theatre on November 6, joined by reggae artist Barrington Levy and rapper Lil' Cease.
Singer-songwriter JOHN TERLAZZO will bring original songs to the ESL Rochester Fringe Festival, joined by KRISTINA MACHUSICK and PAUL WEGMANN for a concert in the JCC Ballroom.
American Theater Group will present the East Coast premiere of DESTROYING DAVID as the opening production of its upcoming season.
Firehouse Theatre will present Confederates by Dominique Morisseau, directed by Tawnya Pettiford-Wates, to open its 33rd Mainstage Season in Richmond.
Tacoma Little Theatre will stage the political satire THE OUTSIDER by Paul Slade Smith, following a reluctant gubernatorial candidate whose awkward honesty wins over voters.
When the idea of seeing this Ken Ludwig play came to fruition, I was immediately enamored with the idea that it is based on a true story.