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ST. LOUIS THEATER REVIEWS

The latest reviews and critic recommendations from St. Louis
Review: A BRICK AND A BIBLE Sheds Light on an Important Moment in St. Louis’ Black

Review: A BRICK AND A BIBLE Sheds Light on an Important Moment in St. Louis’ Black History

by James Lindhorst — February 21, 2026
You will be entertained by Kathryn Bentley and Colin McLaughlin’s new play, but that is only one small part of why their work needs to be seen. This historical drama is an important part of St. Louis’ Black History. A Brick and a Bible is an empowerment story about women raising their voices for...
Review: DEATHRAP at Tower Grove Abbey

Review: DEATHRAP at Tower Grove Abbey

by Rob Levy — February 16, 2026
Filled with gamesmanship, deception, death, and creative differences, Stray Dog Theatre’s Deathtrap is sleuthing at its finest. Well-acted and draped in the unexpected, the production’s apprehensive atmosphere and inventive plot contortions cause audiences to gasp as the drama reaches a bloody c...
Review: THE CHILDREN at West End Players Guild is Fascinating, Well Directed, and Exq

Review: THE CHILDREN at West End Players Guild is Fascinating, Well Directed, and Exquisitely Acted

by James Lindhorst — February 16, 2026
Lucy Kirkwood’s play The Children is fascinating and compelling. Her script prompts discussion about corporate responsibility, what accountability an organization’s employees should own, and how tragic circumstances force people to face personal transgressions and the fallout from their poor dec...
Review: A DOLL’S HOUSE PART 2 Features Expressive Portrayals from a Cohesive Ensemb

Review: A DOLL’S HOUSE PART 2 Features Expressive Portrayals from a Cohesive Ensemble

by James Lindhorst — February 13, 2026
When Lucas Hnath’s play premiered on Broadway the New York Times and Time Out New York called it “the best play of the season.” It’s an engaging and modern script tackling themes of feminist autonomy and self-determination. Weber’s staging is well-conceived and highly entertaining. Layton,...
Review: PRIMARY TRUST at Loretto-Hilton Center

Review: PRIMARY TRUST at Loretto-Hilton Center

by Rob Levy — February 12, 2026
An example of how grief shapes identity played out onstage, The Rep’s latest is a compelling, powerful example of how theater can confront uncomfortable topics with tenderness, compassion, and humor....
Review: THE BLACK FEMINIST GUIDE TO THE HUMAN BODY is a Poetic Look at the Life Exper

Review: THE BLACK FEMINIST GUIDE TO THE HUMAN BODY is a Poetic Look at the Life Experiences of Black Women

by James Lindhorst — February 8, 2026
The Black Feminist Guide to the Human Body, while staged as a play, is more of an artistic poetic reading. Lisa B. Thompson’s brief 80-minute work, currently on stage at The Black Rep, examines the life experiences of one woman told by three voices...
Review: The Outrageous Adult Comedy MYTH OF THE OSTRICH is Brimming with a Bevy of Be

Review: The Outrageous Adult Comedy MYTH OF THE OSTRICH is Brimming with a Bevy of Belly Laughs

by James Lindhorst — January 24, 2026
Myth of the Ostrich is brazen comedy. It’s among the most accessibly entertaining productions staged at Upstream Theater in recent years. It is full of artfully crafted irreverent portrayals, expert direction, and a bevy of belly laughs....
Review: THE DANCE ON WIDOW’S ROW at The Black Rep Will Have You Dying with Laughter

Review: THE DANCE ON WIDOW’S ROW at The Black Rep Will Have You Dying with Laughter

by James Lindhorst — January 22, 2026
The Dance on Widow’s Row at The Black Rep features a charismatic ensemble with infectious energy stemming from playful performances. It’s a fun evening in the theater that provides a lot of laughter....
Review: MRS. KRISHNAN'S PARTY at Emerson Studio In The Loretto-Hilton Center

Review: MRS. KRISHNAN'S PARTY at Emerson Studio In The Loretto-Hilton Center

by Rob Levy — January 21, 2026
Filled with garlands and good times, the production’s loose adherence to traditional theater makes it refreshing. Whether a wallflower taking it all in or someone choosing to interact with the proceedings, everyone attending this party is treated to a fun romp filled with love, community, laughter...
Review: MRS. KRISHNAN'S PARTY at Saint Louis Repertory Theatre

Review: MRS. KRISHNAN'S PARTY at Saint Louis Repertory Theatre

by Steve Callahan — January 18, 2026
The evening is surely funny (and a little bit sad). And it is simply, beautifully true....
Review: THE OUTSIDERS at Fox Theatre, St. Louis

Review: THE OUTSIDERS at Fox Theatre, St. Louis

by Rob Levy — January 11, 2026
More of a drama with sung interludes than a full-blown musical, The Outsiders is an outstanding production. Relying on a minimalist stage, dark lighting, and choreography, the ensemble is given a wide berth to perform....
Review: SUPERHERO at Tower Groves Abbey

Review: SUPERHERO at Tower Groves Abbey

by Rob Levy — December 19, 2025
Aided by a top-notch band, Justin Been’s potent drama uses moving songs and poignant drama to make Superhero is a thrill-packed adventure....
Review: SARA SHEPERD: PLEASE COME HOME FOR CHRISTMAS at The Blue Strawberry Showroom

Review: SARA SHEPERD: PLEASE COME HOME FOR CHRISTMAS at The Blue Strawberry Showroom And Lounge

by James Lindhorst — December 14, 2025
Watching Broadway’s Sara Sheperd perform her holiday themed cabaret, Please Come Home for Christmas, is akin to sitting in front of a cozy fire with a mug of hot cocoa. Sheperd, and her piano playing father Scott, shared more than a dozen of her favorite holiday songs peppered with a few seasonall...
Review: JOHN HUGHES YOUR OWN ADVENTURE- LIVE is 90-Minutes of Pratfalls, Sight Gags,

Review: JOHN HUGHES YOUR OWN ADVENTURE- LIVE is 90-Minutes of Pratfalls, Sight Gags, & Buffoonery

by James Lindhorst — December 13, 2025
John Hughes Your Own Adventure - LIVE is a whole lot of fun for anyone familiar with Hughes work. Hughes enthusiasts and aficionados will be laughing through their tears. The sold-out runaway hit was the headliner at STL Fringe and one of last summer’s hottest theater tickets. St. Louis Fringe and...
Review: LEGALLY BLONDE THE MUSICAL at Tesseract Theatre Company is a Peppy High Energ

Review: LEGALLY BLONDE THE MUSICAL at Tesseract Theatre Company is a Peppy High Energy Production

by James Lindhorst — December 12, 2025
Director Will Bonfiglio, Music Director Larry D. Pry, Choreogrpaher Jo Palisoc, and the entire company deserve a lot of credit for their all in committed, peppy, and high-spirited production of a marginal show that is staged as a pet project far too often. There are thousands of musical theater asse...
Review: EMMA at Loretto-Hilton Center

Review: EMMA at Loretto-Hilton Center

by Rob Levy — December 9, 2025
At a time when the weather is colder, and winter is tuning up, The Repertory Theatre of St. Louis’ production of Emma keeps us warm. The latest show of the company's 59th season is a vibrant feast of laughter and love....
Review: AN ORCHARD FOR CHEKHOV at Upstream Theater

Review: AN ORCHARD FOR CHEKHOV at Upstream Theater

by James Lindhorst — November 22, 2025
Brício’s play, An Orchard for Chekhov, is written with sophisticated humor. It is entertaining and moves quickly yet feels empty in its ambiguity, not dissimilar to Alma’s and her daughter’s lack of fulfillment. But Brício’s characters linger in your gray space long after the curtain has f...
Review: KEN LUDWIG’S BASKERVILLE: A SHERLOCK HOLMES MYSTERY at New Jewish Theatre i

Review: KEN LUDWIG’S BASKERVILLE: A SHERLOCK HOLMES MYSTERY at New Jewish Theatre is a Hilarious Whodunit

by James Lindhorst — November 21, 2025
Nisi Sturgis’ Baskerville is a wacky whodunit. The madcap mystery is filled with riotous performances from a talented cast breaking boundaries with bold artistry. Alicia Revé and Sean C. Seifert are revelations. Their presence is more than scene stealing because their every moment on the stage is...
Review: LES MISÉRABLES at Fox Theatre, St. Louis

Review: LES MISÉRABLES at Fox Theatre, St. Louis

by Rob Levy — November 21, 2025
Now touring North America, this updated version of the beloved musical has been crafted by producer Cameron MacIntosh. For this production he replaced the rotating stage of the original production with background projections and implemented dialogue, orchestration and costumes changes. The results a...
Review: DEPOSITION Examines the Complexities and Culpabilties of Failed Marriages

Review: DEPOSITION Examines the Complexities and Culpabilties of Failed Marriages

by James Lindhorst — November 17, 2025
Deposition is an entertaining 90-minute story with, like many divorces, no clear resolution. Hanson’s script presents the evidence without assign fault. First Run Theatre’s staging is mostly effective, but at times felt a bit under rehearsed. Leading players Bill Burke, Ami Bossi, and Deb Denner...
Review: THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE at St. Louis Actors�

Review: THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE at St. Louis Actors’ Studio

by James Lindhorst — November 16, 2025
The Search for Signs of Intelligent Life in the Universe is a one actor play examining life, relationships, and art on Earth. The play opens with an introduction to Trudy, a kooky bag lady who serves as a medium for extra-terrestrials attempting to understand life on earth. Trudy attempts to explain...
Review: THE NOTEBOOK at Fox Theatre, St. Louis

Review: THE NOTEBOOK at Fox Theatre, St. Louis

by Rob Levy — November 9, 2025
Visually beautiful and emotionally charged, The Notebook brings love and loss to the stage with poignant results....
Review: THE BROTHERS SIZE at Emerson Studio In The Loretto-Hilton Center

Review: THE BROTHERS SIZE at Emerson Studio In The Loretto-Hilton Center

by Rob Levy — October 29, 2025
Emotionally powerful and gripping, The Brothers Size is powerful, evocative, and passionate. Relying on a trio of talented performances, this riveting production is a relentless depiction of how life behind bars can make you a prisoner for life....
Review: THE SCHOOL FOR SCANDAL at Clayton Community Theatre

Review: THE SCHOOL FOR SCANDAL at Clayton Community Theatre

by Steve Callahan — October 23, 2025
Like last year's 'Twelfth Night' this production shows a sweet understanding of the play and how it works, a great love and respect for the text, and a delicious, economical theatricality to the whole thing....
Review: Tom Morello's Gritty Rebellious Score Drives REVOLUTION(s) at The Goodman

Review: Tom Morello's Gritty Rebellious Score Drives REVOLUTION(s) at The Goodman

by James Lindhorst — October 20, 2025
Revolution(s) is a well-designed, fast-paced, and adrenaline-fueled production with outstanding music. Fans of Tom Morello will love his frenetic and hard-hitting score. Director Steve Broadnax fills his production with believable performances and riveting vocals from an immensely talented cast. Zay...
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