Buoyed by the promise of jobs and economic development, a series of factories plague a small town. But with reports of dangerous chemicals leaking from the industrial plants, a young woman must make impossible choices to protect her loved ones. Set over 40 years, Rishi Varma’s new drama SULFUR BOTTOM sees an embattled family forced to confront generations of environmental injustice—and maybe just a few talking animals along the way.
For all its aspiration, Sulfur Bottom feels more like a workshop draft than a finished play. Its mix of social indictment, family drama, and absurdist allegory never coheres, and its earnest themes collapse under the weight of muddled storytelling. As one theatergoer muttered while leaving: “What was that?!” Which, in truth, was a lot nicer than what my theater companion declared.
I came to see Sulfur Bottom written by Rishi Varma and directed by Megumi Nakamura at The Theater Center fearing a sermon about how we Earth inhabitants are destroying the future with our unconscious lifestyles. But rather than coming away feeling guilty and possessing no ideas for corrective action, I can report that what I experienced was a living portrait of a family surviving existence on a choking planet while still reaching for joy, love, belonging and understanding of one another. The consciousness of these characters moves through all states – the unitary, the dream state, the mystical and the indescribable. All this through using broad strokes of time-travel, shape-shifting and symbols of transformation as illustrative vehicles. Rather than pulled by our ears to hard conclusions, the audience is gently held in revelatory visions.
| 2025 | Off-Broadway |
Off-Broadway |
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