Elevator Repair Service takes on the Mount Everest of twentieth-century literature. James Joyce’s ULYSSES has fascinated, perplexed, scandalized, and/or defeated readers for over a century. In this New York City premiere, seven performers sit down for a sober reading but soon find themselves guzzling pints, getting in brawls, and committing debaucheries as they careen on a fast-forward tour through Joyce’s funhouse of styles. With humor, pathos, and a richly layered design, ERS stitches together verbatim passages from Joyce’s epic masterpiece into a two-and-a-half hour tour de force.
Fans of Joyce will find much to savor here, and much to dissect. Newbies can get lost in the rhythms of the author’s language as well as the trickiness of the plot, which tends to drag in the overlong first act. (It pays to arrive early enough to download the plot synopsis produced for the show and shared via QR code outside the theater.) But this feels more like gloss than adaptation, an exercise that captures elements of the source material without ever standing on its own terms.
ERS’s is not the first theatrical adaptation of Ulysses, though many others have focused only on certain episodes or characters. Tackling the whole book is a signature ERS move; the company has cast many of its usual suspects in Ulysses, and none disappoint. Weeks goes from waifish to dominatrix as Martha; Shepherd’s bouncing take on Blazes Boylan becomes a choreographic leitmotif; Kate Benson goes from doctor to sex worker to enraged drunkard in the blink of an eye; and Stevenson’s feline gaze and vocalizations are so perfect that I indeed hoped the cat would come back.
| 2026 | Off-Broadway |
Off-Broadway |
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