Time After Time

Theatrical Press Agent, award-wining Author (Jameson Currier), Independent Publisher devoted to gay literature and later an Artist, died of a sudden heart attack at his home in in Chatham Center, New York.

Jaiden Leo Riley discusses making his professional leading man debut as Edward Lewis in PRETTY WOMAN: THE MUSICAL at Clear Space Theatre Company, running July 1 through August 25, 2026 in Rehoboth Beach.

AGMP Concerts will present a series of performances at The Assembly in Leamington Spa to mark the venue's 100th anniversary, featuring Macy Gray, The Blockheads, Trevor Horn & His Band, Incognito, and The Ordinary Boys.

DPAC’s touring production of The Notebook features outstanding performances and beautiful design that elevate an adaptation whose score never quite reaches the emotional heights of its source material.

Triple Fringe First Award winners Xhloe and Natasha will bring their new show to London's Soho Theatre following an Edinburgh Festival Fringe run, co-produced with NYC's SoHo Playhouse.

“Politics have no place in theatre,” says a person who has no idea that some of the first-ever plays from Ancient Greece were political. From Antigone by Sophocles to Julius Caesar by Shakespeare, there has been no shortage of bold theatre spreading a message.

What did our critic think of URINETOWN THE MUSICAL at Osceola Arts?

Caramoor Center for Music and the Arts will conclude its 2026 Summer Season on August 2 with the Orchestra of St. Luke's under the baton of Xian Zhang and violinist Gil Shaham, who returns to the festival for the first time in a decade to perform Barber's Violin Concerto.

Sarah Uriarte Berry will touch hearts and recall treasured memories during For The Love Of Judy. This will be a lovefest. Uriarte-Berry has starred in five Broadway shows and three Broadway National tours, in the opera house, and concert halls. She received Drama Desk and Outer Critics Circle nominations for her performances in the Lincoln Center production of The Light In The Piazza. Music Director and accompanist is the renowned Gerald Sternbach of both Broadway and Hollywood.

Global rock superstars Green Day – Billie Joe Armstrong, Mike Dirnt, and Tré Cool – will release the NIMRODS original soundtrack, arriving July 31. The album features 22 fan-favorite, career-spanning Green Day songs.

Country artist Randy Travis will release his first album of original music in over 18 years. The album is a collection of lost songs from throughout Travis's career, which have been assembled, remixed, and remastered by longtime producer Kyle Lehning.

Since The Lost Boys took Broadway by storm this spring, there has been much chatter about the “vampire curse” on Broadway being lifted. In the early 2000s, Broadway received a string of three vampire musicals, which all closed relatively quickly. Dance of the Vampires (2002), Dracula (2004), and Lestat (2006) each received attention in their own right, but they also received attention as a group, since it was remarkable that they came along in such quick succession. But the early 21st century wasn’t the first time vampires thirsted on Broadway. The play adaptation of Dracula was a hit all the way back in 1927 and an even bigger hit in a 1977 revival. And there have been vampires lurking in the theatre district in all sorts of other projects too…

Funkier and more humbly budgeted than Charlotte Ballet's extravaganzas at larger venues, FLIP at the McBride Bonnefoux provided a different kind of adventure, substituted promise for polish, and dug deeper into the company's soul.

The Passion of the Christ, the 2004 film from Academy Award-winning filmmaker Mel Gibson, is returning to theaters. Newly remastered in stunning 4K with Dolby Atmos sound, the blockbuster will return to the big screen September 10–17.

Jane Asher and Samantha Womack will lead the UK tour of BY ROYAL APPOINTMENT, Daisy Goodwin's debut play, directed by Anthony Banks, visiting Cambridge Arts Theatre and several other venues.

Mimi Rogers will star as Sister Aloysius Beauvier in John Patrick Shanley’s Pulitzer Prize and Tony Award–winning drama Doubt: A Parable, directed by Beejan Land playing as part of Ensemble Theatre Company's upcoming season.

The show is directed by Olivier Award nominee Stafford Arima and features choreography from Rujuta Vaidya, music and lyrics by Sam Willmott, and a book by Rehana Lew Mirza and Mike Lew,

Houses on the Moon creates theater from lived experience, community collaboration, and social impact. Co-Founder and Artistic Director Emily Joy Weiner and Managing Director Meghan Dunne discuss 25 years of mission-driven theater, and what's next.

Casting for the final three weeks of American Ballet Theatre’s 2026 Summer season at the Metropolitan Opera House has been revealed. A new staging of Don Quixote by Susan Jaffe and Susan Jones will premiere, plus more.

West End and Broadway star Ruthie Henshall will release her new memoir, The Showgirl and the Prince, detailed her secret relationship with Prince Edward in the 1980s. Learn more here.

Noah Mannion, Rafferty Smale, Spencer Collins, and William Gurney will share the title role in Billy Elliot the Musical's national tour and limited West End season, with original Olivier Award-winning Billy, Liam Mower, returning as 'Older Billy.'

Newsies, featuring music by Alan Menken, lyrics by Jack Feldman, and a book by Harvey Fierstein premiered on Broadway in 2012. BroadwayWorld is looking back at what the cast has been up to since the show first burst onto Broadway!

Annika Low portrays Mary Poppins at Dutch Apple Dinner Theatre June 26-August 8!

After a sold-out performance last year, Matthew Rosenstein brings Make Me French back to the Beechman for Bastille Day, 7/14. The show follows Rosenstein, “a bagel who dreamed of being a croissant,” on his journey to become as French as possible, including moving to Paris, through stories and song! Recently, we had the chance to speak with Rosenstein about bringing the show back to the Laurie Beechman Theatre. We discussed the creative process for a cabaret show like Make Me French, what audiences can expect from the show, and even some of the cultural differences he’s noticed between the French and Americans!

'...today's musical theater performer kids are smart...they understand...that there is an innate honesty to the material, all the while inhabiting this kind of stylistic choice in allowing it to be bigger than life.'