10 Shows to Check Out at the 2026 Fertile Ground Festival
by Krista Garver - Apr 3, 2026
The 2026 Fertile Ground Festival kicks off on April 10. This annual grab bag of new works is my favorite time in Portland’s theatre calendar because it gives us a chance to see works at various stages of development, from early readings to fully staged world premieres.
Linda Eder, Kate Baldwin, Jenn Colella and More to Perform at 54 Below for Women's History Month
by Chloe Rabinowitz - Feb 27, 2026
Next month, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond for Women's History Month, including Linda Eder, Kate Baldwin, Jenn Colella and more.
Feature: ARKANSAS THEATRE LOVEFEST
by Theresa Bertram - Feb 27, 2026
To finish out February, the month of LOVE, I invited you to give a shoutout to the people who make your world of theatre a better place to be — the mentors, friends, directors, teachers, business leaders, family members, and fellow artists who lifted you up, believed in you, and helped turn rehearsal rooms into places that feel like home.
Review: PRIMARY TRUST at Loretto-Hilton Center
by Rob Levy - Feb 12, 2026
An example of how grief shapes identity played out onstage, The Rep’s latest is a compelling, powerful example of how theater can confront uncomfortable topics with tenderness, compassion, and humor.
Review: STORIES FROM THE BRINK! at Theater J
by Roger Catlin - Feb 4, 2026
It was a harrowing winter storm that blocked streets, closed schools and generally paralyzed the city for days. But it wasn’t quite bad enough to qualify as one of the 'festive near-death adventures' that comprise Iris Bahr’s “Stories from the Brink!” though it certainly affected its run.
BWW Q&A: Tyler Tafolla Talks DEAD MOOSE at Oceanside Theatre Company
by Joshua Wright - Jan 16, 2026
Dead Moose tells the story of Job, an eighteen-year-old who miraculously survives a car accident with a moose. Returning home from the hospital, he begins to reassess his life in a series of non-linear vignettes - grappling with questions of death, fate, and religion.
Review: THE OUTSIDERS at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Dec 17, 2025
One of the most effective things the musical gains by moving from page to screen to stage is permission to reframe the story without betraying it. By leaning harder into the Curtis brothers as the emotional spine, the musical clarifies a distinction that’s always been present in the text but rarely foregrounded this explicitly: Darry, Soda, and Ponyboy are family by blood, bound by obligation and grief; while the Greasers are family by choice, bound by loyalty and survival.
Spotlight on Plays: Winter 2025/26
by Team BWW - Nov 15, 2025
The Fall 2025 season is in full swing, and with it, comes new plays for theatre lovers of all kinds. Whether you live for intense dramas or would rather escape with zaney comedies, there's something for everyone both on and off-Broadway in Winter 2025/26.
Review: INTO THE HAIRY - SHARON EYAL, Sadler’s Wells
by Matthew Paluch - Nov 14, 2025
Sharon Eyal and her S-E-D Dance Company return to Sadler's Wells with a UK premiere of INTO THE HAIRY, but if honest, I've definitely seen the material before. The programme info is clear; “parts of the creation were originally created in the frame of THIS IS NOT A LOVE SHOW (January 2022)”, the world premiere was at Montpellier Danse in June 2023, and I undoubtedly saw swathes of the material in R.O.S.E at Sadler’s Wells East in July this year.
Interview: FIFTY FIFTY Explores Love, Emotion, and Evolution in “Too Much Part 1”
by Alyson Eng - Nov 10, 2025
K-pop girl group FIFTY FIFTY has quickly earned attention for their distinct sound and emotional honesty. Blending pop and R&B influences, their music bridges global trends with authentic expression. Since their debut in 2022, the group has shown a rare ability to connect through sincerity and simplicity rather than spectacle. Now, with their latest release “Too Much Part 1,” they are ready to reveal a new side of themselves, capturing the thrill and uncertainty of first love through catchy melodies and confident performances.