The Shape of Things 2023

Darius Rucker released his new song I BELIEVE, marking his first new music since 2023's Carolyn's Boy. He co-wrote the track with Eric Paslay, Wayne Hector and Steve Robson.

Ciera Miller has been named Roundabout Theatre Company's tenth Directing Fellow, joining an 11-member Roundabout Directors Group cohort offering mentorship to emerging theatre directors.

Bess Wohl's play SMALL MOUTH SOUNDS will open at the Ethel Barrymore Theatre, starring Martin Freeman, Greta Lee, Sarah Paulson, Isaac Powell, Julia Roberts, and Paul Rudd.

Benjamin Zander will lead the Boston Philharmonic Orchestra at Symphony Hall in works by Weber, Beethoven, and Brahms, featuring violinist Guy Braunstein, to open the ensemble's 48th and final season.

Saxophonist Joshua Redman will bring his new quartet to The Wallis in Beverly Hills, opening the venue's season with material from his album WORDS FALL SHORT, alongside trumpeter Skylar Tang's quartet.

Benjamin Zander will lead the Boston Philharmonic Orchestra in works by Weber, Beethoven, and Brahms, featuring violinist Guy Braunstein, in the ensemble's 48th and final season.

Trumpeter and composer Wadada Leo Smith will release a new album featuring four ensembles, including collaborators Sylvie Courvoisier, Bill Laswell and Pheeroan akLaff, via Burning Ambulance Music.

Santa Monica Playhouse will present its Eleventh Annual Binge Fringe Festival, six weeks of free performances, workshops and music featuring local and visiting artists from across the country.

Chicago queer power pop band Pinksqueeze will release its new album We Can Have It, following singles including Sweet Tooth and The Gay Agenda.

Keller Cox has released a new duet, "Way Things Work," featuring THE CASTELLOWS via Make Wake Records, exploring themes of love and letting go.

Margo Cilker's third album, LITTLE WHITE CROSS, is set for an October 9 release via Fossil Records, following sessions with producer Bruce Robison in Lockhart, Texas.

Saxophonist Rich Halley will release a new quartet recording featuring trombonist Michael Vlatkovich, bassist Andrew Jones and drummer Carson Halley, marking the group's eighth album together.

Emily Johnson / Catalyst will premiere OVERFLOW RADIO, a performance, skill-share, and radio transmission housed in a large quilt installation, at Northrop, University of Minnesota.

“It’s the little big things you leave behind.” Few new musicals have captured audiences quite like „The Little Big Things“, and Amsterdam's new non-replica production proves exactly why. Presented as part of the Carré Theatre's tenth-anniversary „Broadway in Carré“ series, Ola Mafaalani's staging combines an outstanding cast, breathtaking visuals and remarkable emotional depth to create an evening that lingers long after the curtain calls. More than a moving story about resilience, it is a celebration of family, healing and inclusion—told from a perspective that feels both deeply personal and profoundly universal.

The Vivian Beaumont Theatre hosted a special event in recognition of National Immigrant Heritage Month. On June 23, Lincoln Center Theater honored a remarkable group of visionary leaders for a special evening at Ragtime to celebrate the extraordinary ways immigrants have shaped – and continue to shape – the cultural, intellectual, and civic fabric of this country.

Veteran emo/indie rock band Time Spent Driving announced 'Lost Leaves,' an upcoming album via Thirty Something Records, preceded by a double single release of 'Weak Arm' and 'December.'

MONTY PYTHON’S SPAMALOT, the Tony Award-winning musical comedy gallops into Atlanta’s Fox Theatre July 21st–26th. I caught up with Delaney Benson to talk about life on the road, and the family legacy that helped shape her own theatrical journey.

Paines Plough announced the lineup for COME TO WHERE I AM, a new writing showcase at Shedinburgh during the Edinburgh Festival Fringe, featuring monologues by Uma Nada-Rajah, Hannah Lavery, and Linda McLean.

Now running at The Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre is A Walk on the Moon. Inspired by the acclaimed 1999 film, A Walk on the Moon is directed by Tony Award nominee Sheryl Kaller and features a book and additional lyrics by original screenwriter Pamela Gray, music and lyrics by Tony Award and Grammy Award nominee AnnMarie Milazzo, and choreography by Josh Prince. In this interview, Talia Suskauer, who plays 'Pearl', reflects on the rehearsal process and the journey of the new musical so far.

The Tank NYC will present TrashFest and DarkFest, two festivals exploring sustainable theater practices, with DarkFest showcasing alternative energy performances and TrashFest centering work that reuses discarded materials.

Some characters are treated as if their lives are too late, too specific, too quiet, or too difficult to carry a story. Himangini Puri does not believe that. She has built her work around the opposite idea: the people pushed to the edge of a frame often have the most interesting things happening inside them.

After a sold-out performance last year, Matthew Rosenstein brings Make Me French back to the Beechman for Bastille Day, 7/14. The show follows Rosenstein, “a bagel who dreamed of being a croissant,” on his journey to become as French as possible, including moving to Paris, through stories and song! Recently, we had the chance to speak with Rosenstein about bringing the show back to the Laurie Beechman Theatre. We discussed the creative process for a cabaret show like Make Me French, what audiences can expect from the show, and even some of the cultural differences he’s noticed between the French and Americans!

At a time when stories are being challenged, erased, and reimagined in real time, the communities most impacted are often cared for the least, with few industry spaces designed specifically for their support. In 2020, three powerhouse theater artists and Tony Award nominees, Amber Iman, Jocelyn Bioh, and Danielle Brooks, set out to change that. What began as a desire to celebrate Black women working in theater has grown into Black Women on Broadway (BWOB), a thriving community dedicated to mentorship, recognition, wellness, and professional development for Black women working both onstage and behind the scenes.

The Pulitzer Prize-nominated writer and actor Eisa Davis discusses her new play at the Vineyard, ||:GIRLS:||:CHANCE:||:MUSIC:||, as well as her other upcoming projects including a revival of Angela’s Mixtape and the new musical Warriors.

IAMA Theatre Company will close its 18th season with a workshop production of ...BUT YOU COULD'VE HELD MY HAND, written by JuCoby Johnson and directed by H. Adam Harris, at Atwater Village Theatre in Los Angeles.