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The Real Thing West End — Photo Coverage Page 6

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Review: CAT ON A HOT TIN ROOF at The Gamm Theatre

Review: CAT ON A HOT TIN ROOF at The Gamm Theatre

by Caitlin Howle • Jun 1, 2026

As I am writing this for the Rhode Island section of Broadway World, I feel as though I am uniquely equipped to talk about Tennessee Williams, or at least the world that so often lives inside his work, being that I am a Southerner who has now spent roughly thirteen years in New England.

Review: Circa's HUMANS 2.0, Presented By Spoleto USA

Review: Circa's HUMANS 2.0, Presented By Spoleto USA

by S.E. Barcus • May 28, 2026

Contemporary circus company, Circa, has come to Charleston, South Carolina, as part of Spoleto USA’s 50th season,  with their Humans 2.0.  This is the next installment after their successful Humans production — although with their current creation and context, the “2.0” more ironically evokes a software upgrade than a performance sequel.

Review: OUR MOTHER'S DAUGHTERS, The Hen & Chickens Theatre

Review: OUR MOTHER'S DAUGHTERS, The Hen & Chickens Theatre

by Amber-Rae Stobbs • May 27, 2026

At the heart of every female friendship group, no matter the age group, is love and a joint effort to make sure you’re in each other's lives until you’re old and grey. Our Mother’s Daughters looks at the question of ‘is loving someone enough to look past their political views and belief systems?’, and wonders how complex being alive actually is. 

Review: THE PIRATES OF PENZANCE at St. Louis Opera Theatre

Review: THE PIRATES OF PENZANCE at St. Louis Opera Theatre

by Steve Callahan • May 26, 2026

It's almost a century-and-a-half old, but it's as fresh and appealing as when it first bounded into the public eye on New Year's Eve, 1879.  It's The Pirates of Penzance—perhaps the most irresistible of Gilbert and Sullivan's comic 'Savoy' operas.  Opera Theatre of St. Louis has opened a delicious production of this gem.

Review: THE SNEEZE, Golden Goose Theatre

Review: THE SNEEZE, Golden Goose Theatre

by Amber-Rae Stobbs • May 20, 2026

Director Edward Neale really knows how to get the best out of his cast, giving everyone time to showcase their abilities and strengths. His creation and direction regarding the transition scenes were one of the highlights of the production - a unique take on Chekov’s truly uplifting play. The entire cast truly holds their own in this production. Their chemistry with one another is something to be commended. A very delightful evening at the theatre.  

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