The Big Two 1947

Atlantic Records and Rockstar Games released two new singles for the upcoming GRAND THEFT AUTO VI: THE ALBUM soundtrack, featuring Cardi B's "Don't Chart" and FUERZA REGIDA's "Suzuki."

La Jolla Playhouse announced the cast and creative team for the world premiere of GRIM, a new musical featuring book by Joey Orton and Brad Silnutzer, music and lyrics by Petro AP and Scott Hoying, and choreography by Andy Blankenbuehler.

We're falling into fall with a great Broadway read! This season, Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 25 new Broadway books for every theatre lover's Fall 2026 reading list.

RR Auction is offering a 24-letter archive from Irving Berlin to journalist Irving Hoffman and his father, spanning nearly three decades of Broadway and Hollywood correspondence.

Park Theatre in Jaffrey, NH will present a fundraising screening of Ken Burns' documentary JACKIE ROBINSON, followed by a live Q&A with directors Sarah Burns and David McMahon, moderated by Emmy-winning writer Dayton Duncan.

Lyric Stage Boston has announced principal casting for its 2027 production of Les Misérables. Directed by Courtney O'Connor, the musical will star De'Lon Grant as Jean Valjean, Christopher Chew as Javert, and Kristian Espiritu as Fantine.

Old showtunes prove there's life in old-school show tunes when the Pocket Change Combo combines forces with young singers. Terrific Tyler J. Landusky led the combo platter of jazz and Broadway in CURTAINS & CADENZAS at 54 Below.

The first highlights have been revealed for the 25th New York Asian Film Festival (NYAFF), an anniversary edition celebrating 25 years of championing the filmmakers, stars, and cinematic movements that have shaped the future of Asian cinema

Opera Theatre of St. Louis does luscious justice to A Streetcar Named Desire—André Previn’s operatic adaptation of the Tennessee Williams classic.

La Jolla Playhouse has announced the cast and creative team for THE MONSTERS, a co-production with Berkeley Repertory Theatre. Playwright Ngozi Anyanwu stars alongside Sullivan Jones in the sibling drama set in the world of mixed martial arts.

Lyric Stage Boston announced its 2026-2027 season, featuring ALL MY SONS, PETER PAN GOES WRONG, AGATHA CHRISTIE'S THE MIRROR CRACK'D, KING JAMES, and a yet-to-be-named musical.

Tennessee William's iconic work crackles to life at site of DC's long abadoned streetcar. See what our critic had to say.

Schmigadoon! is now open at the Nederlander Theatre! Alex Brightman & Sara Chase star — read what every major critic is saying in our full review roundup.

A polished NT Live filming of All My Sons arrives on screen as a compelling highlight of the National Theatre Live season on 16 April 2026, combining strong performances with assured direction. Led by Bryan Cranston and Marianne Jean-Baptiste, the play recording delivers emotional depth and tension layered in morality, which resonates far beyond the stage.

La Jolla Playhouse has announced full programming for the 2026 WOW Festival of immersive, interactive and site-inspired work, presented in partnership with UC San Diego. The WOW Festival will take place April 23 – 26 on the UC San Diego campus.

Seth MacFarlane was in great voice when he took the stage at Symphony Hall recently for his sold-out New Year’s Eve concert with the Boston Pops, even if it wasn’t his most familiar voice.

This past week the DC theatre community lost one of its visionaries with the passing of Artistic Director/Director/Performer/Mentor Jerry B. Whiddon at age 77. For twenty years Jerry served as the Producing Artistic Director Of Round House Theatre. The company was born out of Street 70 which Jerry helped start in 1970.

It's been 60 years since The Sound of Music initially captured the hearts of audiences on the big screen, and this week, you can experience the breathtaking theatrical presentation of Rodgers & Hammerstein’s iconic musical. To celebrate the release, we're looking back at the beloved musical's history on stage and screen. Let's start at the very beginning...

Rodgers and Hammerstein's South Pacific for the first time ever on the Kelsey Theatre stage. Learn more and see how to purchase tickets to the performance here!

Did you know that the Richard Rodgers Theatre, current home of Hamilton, has housed more Best Musical Tony Award winners than any other Broadway house? Since the Tony Awards began in 1947 and began issuing a Best Musical Award in 1949, nine Best Musicals have played the Richard Rodgers Theatre, which used to be named the 46th Street Theatre.

In the vernacular of the production, everything about it is quite satisfactory. Solid performances, handsome and functional staging, etc. It is all quite lovely. This production overall, however, fails to breakthrough. Christie’s script and characters are, as many of her works multifaceted and deliciously intertwined. As we get to know more about each of them over the course of the just short of two and a half hours (with one 15-minute intermission) information that makes all potential suspects much in the way the popular 1974 film Murder On The Orient Express did. This production is flat and rather two dimensional. Although the audience laughed in all the right places, we were never really drawn in. We watched the action play out before us, but the multitude of wait-what, and a-ha moments seemed to fall short not crossing the proscenium to connect with the audience members in the way they should. I will say that for me personally, , Matt Sullivan’s performance as Mr. Paravicini achieved the level of mysterious particularly well.

For years, Broadway musicals have spawned multiple film adaptations, from the early days of cinema to Steven Spielberg's remake of West Side Story. Take a look at our list of 15 musicals that have danced their way to the screen more than once!

The impulse with Avignon’s Cour d’Honneur is to go big. Since the Festival’s inception in 1947, artists have attempted to match the scale of the 30-meter wall behind them. It’s a gamble, but when it works, it’s mesmerizing. For her concert reEncanto, singer Mayra Andrade instead tamed the Cour d’Honneur into an intimate space.

Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation of Stage Directors and Choreographers Society (SDC), has announced the recipients of this year's Abe Burrows Award for Assistant Directors.