American Ballet Theatre revealed its upcoming seasons at the David H. Koch Theater, featuring a world premiere by Brady Farrar and company premieres of Helen Pickett's Petal, and more.
Greenwich Theatre announced a revival of MY NAME IS RACHEL CORRIE starring Cassie Bradley, known for her upcoming role in Practical Magic 2. The production, compiled by Alan Rickman and Katherine Viner, follows the young activist's journey from America to Gaza.
Tom Dugan's one-man play about Holocaust survivor and Nazi hunter Simon Wiesenthal, performed by Christopher C. Gibbs, returns to Gilded Balloon Teviot at Edinburgh Fringe, followed by a limited London run at Wilton's Music Hall.
Young People's Theatre announced its 2026-27 season, 'The Hero in Us All,' featuring five productions including Disney and Pixar's FINDING NEMO, a return engagement with Fred Penner, and JORDAN, honoring the legacy behind Jordan's Principle.
Young People's Theatre announced its 2026-27 season, featuring five productions including JORDAN, FINDING NEMO, a Fred Penner concert series, GRAND SOFT DAY, and BATTLES at its Toronto stages.
The Repertory Theatre of St. Louis announced eight newly elected board members, joining as the company celebrates its 60th Anniversary Season. Ann Cady Scott returns as Board President for a third term.
WIESENTHAL, the solo play by Tom Dugan, will run at Wilton’s Music Hall in London this September. The production stars Christopher C. Gibbs. Tickets are on sale now.
GRAMMY Award-winning organist Paul Jacobs will join the Cleveland Orchestra for a series of performances featuring POULENC’S ORGAN CONCERTO. Scheduled for April 2026, these concerts mark a notable return of Jacobs, who is renowned for his mastery in organ music. The event promises to showcase his exceptional skills alongside one of the most respected orchestras in the world, offering audiences a profound musical experience.
The Nancy and David Bilheimer Capitol Theatre will present GRAMMY winning artist Steve Earle. Earle's songs have been recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others.
Wiesenthal, by Tom Dugan, performed by Christopher C Gibbs, is based on the life of Simon Wiesenthal, who survived the Holocaust and devoted the rest of his life to bringing Nazi war criminals to justice.
Life's greatest tragedy is the passage of time. It is a lesson we all must learn eventually. Within the proverbial circle of life, there is only a beginning and an end that occurs in the immediacy of our own lifetime. Yet, the cyclical nature of birth, death, and rebirth ensures that our spirit will carry on in legacy rather than in flesh. If we are loved, then we are remembered. And if we are remembered, then we live forever. Disney’s The Lion King transposes this message from screen to stage through an international collaboration of talent that supercedes the strength of the 1994 animated film from which it came.
This hybrid co-production of Hold These Truths marked San Francisco Playhouse’s return to in-person performances and was also available for audiences to enjoy at home on-demand. San Francisco Playhouse followed strict health and safety protocols to minimize risks to patrons, actors, and staff.
As 2018 comes to a close, we are reflecting on those we have lost in the Broadway and theatre communities throughout the year.
Zhong-Jing Fang was promoted to soloist at the American Ballet Theatre in 2018, the first Chinese ballerina to be promoted to soloist since Yan Chen in 1993. Almost ten years ago, she tore her posterior tibial tendon in her right foot during a rehearsal. Doctors told her that the chances of her returning to the stage were extremely slim.
Due to Wilson's fervor when performing, with his dynamic dance moves, impassioned singing and impeccable dress, he was soon christened 'Mr. Excitement,' a title Wilson would keep for the remainder of his career. His live performances consisted of knee-drops, splits, spins, back-flips, one-footed across-the-floor slides, removing his tie and jacket and throwing them off the stage, and a great deal of basic boxing steps, advance and retreat shuffling, and one of his favorite routines, getting women in the audience to come up to the stage and kiss him. In fact, the only thing Wilson loved more than music, it seems, was women, many of whom you will meet during several interviews about his life included in THE JACKIE WILSON STORY.
