Richard II is charismatic, eloquent and loved by his friends. And a disastrous King – dishonest, capricious and politically incompetent.
Echoing down the centuries is the perennial problem: how to deal with a ruler who has a rock solid right to rule but is set on wrecking the country he leads.
Shakespeare’s subtle, ambiguous and beautiful play finds feudal England on the cusp of modernity, as a divinely sanctioned monarch is confronted, in the figure of Henry Bolingbroke, by the hard-headed pragmatism of real authority.
Richard II is played by Jonathan Bailey, whose past work includes Bridgerton, Fellow Travellers, Cassio in Nicholas Hytner’s National Theatre production of Othello and Edgar to Ian McKellen’s King Lear. He has also won an Olivier Award for his role of Jamie in Company and is Fiyero in the up and coming Wicked movie.
__Assisted performances__
Audio-Described Performance: Saturday 12th April, 14:30
Captioned Performance: Friday 2nd May, 19:30
But despite a committed performance from Bailey, I struggled to get my head around some of the details. Richard returning from Ireland with his crown in a placcy bag is perhaps a droll illustration of his smallness as a man, but it left me struggling to see the exact point. He’s still the king of England – doing a version of the play where he is just an in-over-his-head executive would be interesting, but it never quite feels like that’s what Hytner is pushing.
The actors also seem constrained by Bob Crowley’s narrow design and the use of hydraulics to raise and lower sections of the stage. The Bridge’s auditorium has to be one of the most atmospheric in the country, but here the rising and falling of platforms — which worked so well in Hytner’s magnificent version of Guys and Dolls — becomes more of a distraction. The same is true of Grant Olding’s music, which might as well have been written for yet another TV drama about a maverick detective.
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