A Face in the Crowd
Closing: November 09, 2024A Face in the Crowd - West End History , Info & More
Young Vic (Main House)
66 The Cut London
You gotta keep him here, Miss Jeffries. He’s the goose who laid the golden egg.
When local radio producer Marcia Jeffries interviews drunk drifter “Lonesome Rhodes” in his jail cell, she immediately sees his potential and gives him a slot on her show. But as Lonesome's fans grow more clamorous and the politicians start taking notice, Marcia realises she has unleashed a force she can no longer control.
Featuring original songs by Grammy Award-winner Elvis Costello, A Face in the Crowd highlights the dangers of elevating celebrities to positions of unchecked power. Young Vic Artistic Director Kwame Kwei-Armah directs the world premiere of Sarah Ruhl’s (Eurydice, The Clean House) adaptation of the Hollywood classic.
__Assisted Performances__
BSL Performance: Tue 15 Oct, 7.30pm
Captioned Performances: Thu 26 Sep, 7.30pm & Sat 5 Oct, 2.30pm
Relaxed Performances: Sat 19 Oct, 2.30pm & Thu 24 Oct, 7.30pm
Sensory Adapted Performance: Thu 10 Oct, 7.30pm
Audio Described Performances: Tues 1 Oct, 7.30pm & Sat 26 Oct,
2.30pm.
A Face in the Crowd - - West End Cast
FEATURED REVIEWS FOR A Face in the Crowd
A Face in the Crowd, review: Elvis Costello’s satirical musical isn’t extreme enough to skewer Trump
6 / 10
With its cheery 1950s palette and poster-paint backdrop, Kwame Kwei-Armah’s production never quite breaks out of its one-dimensionality. Yes, the rhinestones and American flags and guns amass, and there’s a sense of drifting garishly into American nightmare. But, mostly, it has the satirical bite of a Hallmark movie, with the same romantic trajectory.
A Face in the Crowd review – cautionary tale of the creation of a Trump-lite TV star
4 / 10
That we are supposed to see Trump in him is spelled out repeatedly. Directed by Kwame Kwei-Armah, this musical has the seeds of a brilliant show for our times which never quite flowers, and ironically appears old-fashioned despite the contemporary resonance. Much of this is down to Sarah Ruhl’s simplistic book, which trades on one-dimensional characters and thudding lines. There is talk of immigrants for good measure. We are just short of being told Lonesome wants to Make America Great Again.
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