Exploring the theme of loneliness, during the course of the play the characters experience the trauma of being or feeling alone. Mark has marriage trouble; Derek, from Hull, finds Cambridge initially unwelcoming; Eddie faces bereavement; Anita’s husband is a philanderer; Henry is trapped in a dysfunctional nuclear family and Melanie is similarly trapped caring for a Mother who she despises. Quartermaine is a painfully lonely bachelor with seemingly no friends or hinterland other than his colleagues at the school.
Quartermaine’s Terms is a quintessentially British play and Simon Gray pokes gentle fun at the British penchant for “muddling through” and “not complaining” – coupled with a tendency not to take firm action when necessary. The verbal style is characteristically British with form and euphemism dominant and with real issues constantly being ducked out of politeness. When clouded signals are offered (especially signals that suggest a character needs help) they are so obscure that it is possible for others to ignore them – and they usually do.
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