The Queen is dead. After a lifetime of waiting, Prince Charles ascends the throne. A future of power lies before him... but how to rule?
Winner of the 2015 Olivier Award for Best Play, King Charles III is the "bracingly provocative and outrageously entertaining" (The Independent) drama of political intrigue by Mike Bartlett that comes to Broadway following a sensational West End run. Directed by Rupert Goold and deemed "the most insightful and engrossing new history play in decades" by Ben Brantley of The New York Times, this "bold and brilliant" (The Times of London) production explores the people underneath the crowns, the unwritten rules of Britain's democracy and the conscience of its most famous family.
First, it's bracingly suspenseful for a story that hinges on a parliamentary bill. Next, there's a misandrist streak here for the ages-one departs with the notion that royal males are oafish, and the U.K. is run by emboldened women. Last, the story is told in iambic pentameter and modeled on a clutch of Shakespearean tragedies and histories. The language, though, is contemporary and straightforward: 'But now I'll rise to how things have to be. The queen is dead, long live the King. That's me.'
As Great Britain's oldest prince to ascend to the throne (he'll be turning 67 this month), the excellent Tim Pigott-Smith combines the weary countenance of one who has been dragged through the mud for decades with the brash enthusiasm of a new ruler ready to make his mark in history; though he's aware he has comparatively little time to do so. The text fluidly explains in dialogue how Britain's monarch holds a symbolic, apolitical position and is kept abreast of parliamentary matters by the country's true leader, the prime minister.
| 2015 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2016 | Drama Desk Awards | Outstanding Actor in a Play | Tim Pigott-Smith |
| 2016 | Drama Desk Awards | Outstanding Director of a Play | Rupert Goold |
| 2016 | Drama Desk Awards | Outstanding Play | King Charles III |
| 2016 | Drama League Awards | Distinguished Performance Award | Tim Pigott-Smith |
| 2016 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | Mike Bartlett |
| 2016 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Tom Scutt |
| 2016 | Outer Critics Circle Awards | Outstanding Director of a Play | Rupert Goold |
| 2016 | Outer Critics Circle Awards | Outstanding New Broadway Play | Mike Bartlett |
| 2016 | Tony Awards | Best Costume Design of a Play | Tom Scutt |
| 2016 | Tony Awards | Best Direction of a Play | Rupert Goold |
| 2016 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Richard Goulding |
| 2016 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Tim Pigott-Smith |
| 2016 | Tony Awards | Best Play | Mike Bartlett |
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