Mary Page Marlowe is an accountant from Ohio. She's led an ordinary life, making the difficult decisions we all face as we try to figure out who we really are and what we really want. As Tracy Letts brings us moments-both pivotal and mundane-from Mary's life, a portrait of a surprisingly complicated woman emerges. Intimate and moving, Mary Page Marlowe shows us how circumstance, impulse and time can combine to make us mysteries...even to ourselves.
A formidable army of female talent has gone into the Old Vic's staging of Mary Page Marlowe, a 2016 play by American writer Tracy Letts (August: Osage County) that's very loosely inspired by his late mother's life story. This enigmatic, hard drinking woman is played by no fewer than five actors, including both Andrea Riseborough (who brilliantly embodied another alcoholic in the 2022 film To Leslie) and a 79-year-old Susan Sarandon making her belated London stage debut. To be a woman is to play a part, we're told. And if all these bodies somehow fail to fit together into a single living, breathing portrait of an actual person, each still brings some brilliance of its own to this fractured story.
We see Sarandon first at the dinner table with what turns out to be Mary’s third husband, her deceptively artless performance at once sexy, tricky, playful, effortlessly lived in. There is a hint, also, of past crisis – a hallmark of Letts’s non-chronological format, which lets slip little shards of information that only later make sense. She is also terrific a few scenes later in a hospital ward, reckoning with a life’s pile-up of failures with battle-hardened humour, and refusing to sugar-coat the fact she is dying.
| 2016 | Chicago |
Steppenwolf Original Production Chicago |
| 2018 | Off-Broadway |
Second Stage Theater New York Premiere Off-Broadway |
| 2025 | West End |
West End |
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