I Have Been Here Before - 2005 - Off-Broadway Articles Page 1

Rise and shine, BroadwayWorld! It is May 26, 2026 and it's time to catch up on all of the theatrical happenings you may have missed over the weekend.

If you’re looking for a fun evening that will make you want to sing along and dance in the aisles, check out Dutch Apple Dinner Theatre’s production of All Shook Up! The storyline of this jukebox musical by Joe DiPietro is inspired by Shakespeare’s comedies.

Club Passim in Cambridge, MA will present Jillith Fair, a Pride Month tribute to late singer-songwriter Jill Sobule, featuring performances and stories from Nini Camps, Antje Duvekot, and more.

The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.

Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.

Showstopper! The Improvised Musical is a unique production where a group of comedians, singers and musicians come together to create a new musical every night before an audience. Over the years it’s been running, Showstopper! has won an Olivier Award and even recently reaching 1,500 performances.

Tony and Emmy Award-winner Billy Crystal will return to Broadway this fall in a new one-man show, 860, written and performed by Mr. Crystal and directed by Olivier Award-winner Scott Ellis. We have all of the details!

St. Louis is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month. Check out our top picks for St. Louis for Spring 2026.

Today’s subject Jefferson A. Russell is currently living the theatre life onstage at Folger Theatre playing the roles of Duke Senior and Duke Frederick in their current production of As You Like It. The production runs through April 19th.

The upcoming 2026-27 Tulsa Broadway season has been announced, which includes six shows ranging from hilarious musical comedies to breathtaking epics extending beyond the stage.

Broadway has a long history of one-person shows, including many that have been added to the canon in this century.  Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life. 

We’re excited to chat with DeVon Wycovia Buchanan, who plays Andre Mayem in the touring production of Mrs. Doubtfire at the Ordway in Saint Paul from March 17–22, 2026.

On March 13th & 14th, the North Carolina Symphony will be presenting HOLLYWOOD HITS. Two guest vocalists are coming down to the Triangle area to perform iconic songs from memorable movies and binge-worthy TV such as A STAR IS BORN, TOMMY, ROCKETMAN, BOHEMIAN RHAPSODY, ROCK OF AGES, LOVE ACTUALLY, TOP GUN, ELVIS, and more.

Next month, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond for Women's History Month, including Linda Eder, Kate Baldwin, Jenn Colella and more. 

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

Next week, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Allison Bailey, Jordan Tyson and more. 

Initially billed as a show that was 'lovingly ripped off' from the 1975 cult classic film Monty Python and the Holy Grail, the Tony Award–winning 2005 Broadway musical comedy MONTY PYTHON'S SPAMALOT™ gleefully gallops back onto the stage in a brand new production with its signature coconut-clacking bravado, irreverent wit, and steadfast commitment to theatrical absurdity very much intact. The show's latest national tour—replicating its 2023 revival directed and choreographed by Josh Rhodes—continues its short week-long engagement at OC's Segerstrom Center for the Arts in Costa Mesa through February 22, 2026 (the show is also scheduled for the Hollywood Pantages Theatre from March 24 through April 12).

Second Stage Theater has revealed the complete cast for its upcoming production of Adam Bock’s dark comedy, The Receptionist, directed by Sarah Benson.

BroadwayWorld chats with Connecticut native Amanda Robles, who plays The Lady of the Lake in the North American Tour of Spamalot.

Current star of Masquerade Telly Leung discusses with Jennifer Ashley Tepper playing the Phantom in the immersive production, the full circle from Rent fan to Rent actor, Gavin Creel’s leadership during a production that never was, and much more. 

This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.

MEANWHILE PARK has announced the winners of its Playwright Prizes for 2026 and 2027, celebrating innovative theater in Salt Lake City. Learn more here!

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

In this second part of our in-depth conversation (read Part 1), Jeffrey and Wendy look back on their over three decade career on Broadway and shares stories about some of their favorite shows.