Here We Are - West End Creative Team

David Ives is probably best known for his evenings of one-act comedies called All in the Timing and Time Flies. All in the Timing won the Outer Critics Circle Playwriting Award, ran for two years Off-Broadway, and in the 1995-96 season was the most performed play in the country after Shakespeare productions. His full-length plays include The School For Lies (adapted from Moliere's The Misanthrope and a major hit at New York's Classic Stage Company last spring); The Heir Apparent (an adaptation of J-F Regnard's comedy that was an audience and critical hit at the Shakespeare Theatre Company in Washington, ... read more Jonathan Tunick is an American orchestrator, musical director, and composer. Tunick’s stage career began with Take Five (1957). He went on to collaborate memorably with Stephen Sondheim, orchestrating shows such as Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, Merrily We Roll Along, Into the Woods, Passion, and Putting It Together. Additional notable Broadway credits include Promises, Promises; A Chorus Line; Nick & Nora; A Funny Thing...; Elaine Stritch at Liberty; Nine; A Gentleman’s Guide...; and 110 in the Shade. In 1997, he won his first Tony Award, for his work on the musical Titanic. This accomplishment gave ... read more Alexander Gemignani is an actor, music director, composer/lyricist, and artistic director. Select Broadway: Violet, Chicago, Les Miserables (Drama League Award nomination), Sweeney Todd (Drama Desk Award nomination), Assassins (Theatre World Award), Sunday in the Park With George. Select Off-Broadway: Road Show (Drama League nomination), Avenue Q. Television: "Empire," "Homeland," "Chicago Fire," "The Good Wife." As a composer/lyricist, Gemignani is developing four new musicals and as a music director he is developing productions with The Public Theater and Roundabout Theatre Company. This fall, he begins his tenure as Artistic Director for the National Music Theater Conference at the Eugene O'Neill Theater ... read more Recent Theatre Includes: Hamlet (Almeida/West End); A View From the Bridge (nominated for Best Sound Design Olivier Award 2015) (Young Vic/West End), Life of Galileo, Happy Days, A Season in the Congo, Disco Pigs (Young Vic) Hedda Gabler, Sunset At The Villa Thalia, The Red Barn, People, Places and Things (Winner for Best Sound Design, Olivier Awards 2016) (National Theatre/West End); Les Miserables (Wermland Opera, Sweden); The Lorax (Old Vic); The Crucible (Walter Kerr Theater Broadway); Oresteia (Almeida Theatre/Trafalgar Studios); Anna Karenina (Manchester Royal Exchange); The Moderate Soprano, Elephants (Hampstead Theatre); White Devil, As You Like It (RSC); Translations, Plenty ... read more Nigel Lilley is a British musical director, arranger, and conductor who has worked extensively in the West End and on Broadway. He was born in London and began his career as a pianist and musical director in regional theaters across the UK. Lilley's West End credits include serving as musical director and conductor for productions such as "Les Misérables," "Miss Saigon," "The Phantom of the Opera," "Mary Poppins," and "Billy Elliot." His work on "Les Misérables" earned him an Olivier Award nomination for Best Musical Director. He also served as the musical supervisor for the West End production of "The Bodyguard," ... read more A two-time Tony Award-winning director, credits include The Humans (Tony nomination), Blackbird, An Act of God, Airline Highway, The Last Ship, Casa Valentina, I'll Eat You Last..., The Other Place, Dogfight, Other Desert Cities, The Pride, Pal Joey, 9 to 5, November, The Receptionist, The Ritz, Three Days of Rain, The Odd Couple, Glengarry Glen Ross (Tony nomination), Laugh Whore, Assassins (Tony Award), Wicked, Take Me Out (Tony Award), Frankie and Johnny in the Clair de Lune, A Man of No Importance, Design for Living, The Vagina Monologues, Bash, Love! Valour! Compassion! (Tony nomination), Proposals, The Mineola Twins, and Corpus ... read more His first Broadway credit was in 2014 as assistant director, working on The Lyons by Nicky Silver. Pinkleton’s first choreography credit on Broadway was for a revival of Sophie Treadwell’s Machinal. He started working on the musical Natasha, Pierre & The Great Comet of 1812 in 2013 after seeing the first performance of it in 2012 at the Ars Nova theater in New York City. The director of the show, Rachel Chavkin, asked Pinkleton to help with staging the show for a bigger space, which he agreed to do. The Great Comet then had a third run at American Repertory Theater ... read more