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First Night 1994 Off-Broadway — Photo Coverage

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THE SADDEST NIGHT OF MUSICAL ENTERTAINMENT to Play The Marsh San Francisco

THE SADDEST NIGHT OF MUSICAL ENTERTAINMENT to Play The Marsh San Francisco

by A.A. Cristi • Jun 9, 2026

The Marsh San Francisco will present THE SADDEST NIGHT OF MUSICAL ENTERTAINMENT IN THE HISTORY OF THE WORLD, a buddy comedy featuring crooner Johnny Lonely (Brian Lohmann) and pianist Joshua Raoul Brody performing melancholy pop covers, jazz standards, and original music.

Previews: QUIET! THREE LADIES LAUGHING! at Crystal Theatre

Previews: QUIET! THREE LADIES LAUGHING! at Crystal Theatre

by Sherry Shameer Cohen • Apr 3, 2026

Robert Hawkins’s Quiet! Three Ladies Laughing! is here again! Three years ago, the play was produced as a rehearsed concert-reading at New Canaan Town Players Stage II and it’s back by popular demand as a full production in the 232-seat Crystal Theatre in Norwalk from April 30th to May 3rd.

PlayGround Opens Applications For 2026–2027 Writers Pools

PlayGround Opens Applications For 2026–2027 Writers Pools

by A.A. Cristi • Mar 6, 2026

PlayGround has announced a call for applications for its 2026–2027 Writers Pools, with opportunities available for playwrights in San Francisco, Los Angeles, New York, and Chicago. Applications are open through April 30, 2026.

Photos: Arthur Miller's BROKEN GLASS at the Young Vic

Photos: Arthur Miller's BROKEN GLASS at the Young Vic

by Stephi Wild • Feb 25, 2026

All new production photos have been released for Arthur Miller’s psychological drama Broken Glass directed by Olivier Award nominee Jordan Fein. Learn more and check out the photos here!

Review: THE LION KING Reigns Supreme at Dr. Phillips Center For The Performing Arts

Review: THE LION KING Reigns Supreme at Dr. Phillips Center For The Performing Arts

by Albert Gutierrez • Apr 25, 2025

Life's greatest tragedy is the passage of time. It is a lesson we all must learn eventually. Within the proverbial circle of life, there is only a beginning and an end that occurs in the immediacy of our own lifetime. Yet, the cyclical nature of birth, death, and rebirth ensures that our spirit will carry on in legacy rather than in flesh. If we are loved, then we are remembered. And if we are remembered, then we live forever. Disney’s The Lion King transposes this message from screen to stage through an international collaboration of talent that supercedes the strength of the 1994 animated film from which it came.

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