Company - 1971 - US Tour Articles Page 4

BroadwayWorld is saddened to report that Harriet Slaughter, a Broadway actress and longtime director of labor relations at the League of American Theater Producers, died on November 12.

Annie Haslam and Jim McCarty Will Present THE HISTORY OF RENAISSANCE at the Wildey Theatre in Edwardsville, IL on November 21–22. The events include an intimate discussion of the band’s legacy followed by a performance featuring members from multiple eras of Renaissance.

 Look At Me Now features a vibrant mix of pop and Broadway hits, backed by a three piece band led by Ike Reeves on piano, with Sean Conly on bass and Ray Marchica on drums. Directed by Geoff Stoner.

On Saturday, November 15, at 7:00 P.M., I had the pleasure of my very first experience with the Broadway on Main Theatre Company in East Haven, Connecticut, to see a phenomenal production of MARY POPPINS! This theater features scenery projections on the back of the stage wall and on the side house walls, to immerse the audience into the show, with a constant 270 degree visual experience! Sometimes the projections include motion, even moving images of some of the characters in the show! This is a unique concept, brilliantly applied, enhancing the quality of the production! This is a highly memorable show, wonderful for the whole family!

Specific events in the intimate world of Anatevka, Russia are presented in a manner that propels universal understanding of the relevant themes of family, forgiveness, acceptance, and tolerance in the highly immersive and interactive staging of the renowned classic Fiddler on the Roof, now at the Signature Theatre. The engaging ensemble assembled here under the ingenious direction of Joe Calarco, shows why this landmark 1964 musical has spawned so many stage revivals through the decades as well as a magnificent 1971 film. (Based on the Sholem Aleichem stories by special permission of Arnold Perl).

During his prolific and storied career, Sondheim collaborated with many other artists, from book writers to directors, from actors to musicians. Seeing Sondheim’s regular collaborators, close friends, one-time associates, mentors, and rare connections make appearances in his collection was both moving and illuminating.

The collection documents songs that made it into Sondheim’s musicals, and it also documents cut or unused songs that were edited out of shows before they opened. Rarest of all, it documents songs that were never finished. These are not the rarities that made it into Marry Me a Little or a Sondheim compilation album. Rather, they are sketches of songs that provide a window into Sondheim’s process while creating a score and show him developing characters and determining the details of what are now iconic musicals.

Houston Grand Opera has announced the appointment of American conductor James Gaffigan as the fifth Music Director in the company's 70-year history.

Moses Pendleton, founder and artistic director of the dance-theatre company MOMIX, will receive The University of Texas at Dallas’ 2025 Richard Brettell Award in the Arts on November 1. The biennial award, which carries a $150,000 prize, is the highest honor the university bestows upon artists.

While different tryout theaters have different relationships to the development of new shows, it’s worth looking at both which commercial rental theaters and which non-profit theaters have had the most Best Musical Tony Award winners come from their stages.

Diane Keaton made her Broadway debut in the original Broadway production of Hair at the age of 22. The landmark musical started out at the Public Theater off-Broadway in 1967 before transferring to the Biltmore Theatre on Broadway in 1968. Keaton joined the cast for the Broadway run, originating her track in the show.

The Marblehead School of Ballet and North Shore Civic Ballet will hold their sixth annual Winter Coat & Pajama Drive through December 14, collecting new and gently used winter coats for all ages and new pajamas for children ages 0–6.

The cast and creative team have been announced for New Wolsey Theatre and Salisbury Playhouse’s major new revival of Don’t Look Now, which will play New Wolsey Theatre from 9 - 25 October and Salisbury Playhouse from 29 October - 15 November.

For a century, the Brown Theatre has been raising curtains and making history. On October 5, Louisville's oldest operating theatre celebrates its 100th anniversary.

While a lot has been written about two handers, a term for two-person shows, less has been penned about three-handers. Yet, three-person plays are just as common a genre on Broadway as pieces with only two players. Currently, Art, by Yasmina Reza, is receiving an all-star revival at the Music Box.

Fleetwood-Jourdain Theatre will present the World Premiere of The Baldwin | Giovanni Experience, a new work by Tim Rhoze and Bria Walker-Rhoze, November 1–16, 2025 in Evanston.

Arena Stage has revealed the cast and creative team for Fremont Ave., a searing and soulful new dramatic-comedy where three generations of Black men face off against masculinity, identity, and the weight of silence passed down.

Since the early 1970s, Penelope Wilton has established herself as a major player on the British stage, and we are taking a look back at her expansive theatrical career, just in time for Downton Abbey: The Grand Finale.

The Marblehead School of Ballet celebrates its 54th season starting September 2, 2025, with classes for all ages in ballet, modern, ballroom, and more. Alumni have gone on to Alvin Ailey, Joffrey Ballet, and major universities. Register at marbleheadschoolofballet.com.

When “Grease” premiered in 1971, the Jim Jacobs and Warren Casey musical about working-class teenagers at a Midwestern high school in the late 1950s was a gritty satire, first performed at a Chicago nightclub.

Since its debut as a concept album in 1970, JESUS CHRIST SUPERSTAR has captivated audiences with its bold retelling of the final days of Jesus through the lens of rock opera. Created by Andrew Lloyd Webber and Tim Rice, the musical broke new ground with its fusion of contemporary music and biblical themes, sparking both acclaim and controversy.

 The Theatrical division of International Literary Properties (ILP), the global company that invests in, acquires, and manages literary estates, has announced a strategic partnership with Simcha Productions, Inc. and Dan Chayefsky for the literary works of Paddy Chayefsky.

When it comes to the Hollywood Bowl's Summer 2025 production of the Andrew Lloyd Webber / Tim Rice classic rock musical JESUS CHRIST SUPERSTAR—which opened August 1 for three sold-out performances playing throughout the weekend—there are just not enough superlatives to bestow upon one of the most astonishing, incredibly entertaining summer musical revivals this historic venue has ever presented on this stage. Seriously, this is so insanely good, buoyed by amazing performances from its entire cast, led by Cynthia Erivo in the title role and Adam Lambert as Judas. A ferociously-performed, mesmerizingly robust new iteration that feels like an intentionally mind-blowing hybrid of arena-rock concert and musical theatre in its most explosive sense, this glorious production—directed and choreographed by Sergio Trujillo—is appropriately amped-up both visually and sonically.

John Stamos will step into the role of King Herod in the Hollywood Bowl's upcoming Jesus Christ Superstar concert staging., replacing Josh Gad, who withdrew from the production due to a positive COVID-19 diagnosis.

The Cincinnati Opera's current production of Fiddler on the Roof goes beyond all expectations. Between stunning performances, intentional direction, and unique design choices, the 2025 season closes triumphantly with a new take on this classic musical.